(Playwright) Lisa D’Amour is a playwright, solo performer and multidisciplinary theater artist. Recent projects include LANDMARK: 24 HOURS @ THE STONE ARCH BRIDGE, a site-specific performance on the Stone Arch Bridge in Minneapolis; NITA & ZITA, which received a 2003 OBIE Award and toured in 2005 to the Contemporary Arts Center (New Orleans) the Walker Arts Center (Minnneapolis) and HERE Arts Center (NYC); and DREAM OF A WEST TEXAS MARSUPIAL GIRL, a musical for children which will premiere at Children’s Theatre Company (Minneapolis) in 2007. Lisa has received fellowships from the Jerome and Mc Knight Foundations, as well as grants from the Multi Arts Production Fund and the Minnesota State Arts Board. She is the recipient of a 2005/6 NEA/TCG Playwright’s Residency to work on a new play with Infernal Bridegroom Productions (Houston). She received her M.F.A. in playwriting from UT Austin. She is a core member of the Playwright’s Center, a resident artist at HERE and a resident playwright at New Dramatists.
(Director) As both theater director and performer, Pearl collaborates with writers, musicians, and visual artists on new plays and site specific performance events. Recent projects with nine year collaborator Lisa D’Amour range from LIMO, an indoor performance installation in a corporate atrium (Performance on 42nd Series/Whitney Museum of Art at Altria), to their self produced Nita & Zita (Village Voice OBIE Award, 2003), to LandMARK, an outdoor 24 long interactive art event at the Stone Arch Bridge in Minneapolis (the same bridge that Cyrus and Dan are building during THE CATARACT). Other recent directing credits include Sheila Callaghan’s Crumble /Lay me down, Justin Timberlake (Clubbed Thumb @ the Ohio), Steve Moore’s Nightswim (State Theater, Austin TX), and Sally Oswald’s The Painful Adventures (Labapalooza Puppet Lab @ St. Ann’s Warehouse).
Pearl has developed work with writers at the Playwright’s Center (MN), New Dramatists and Soho Rep (NY), and University of Texas/Austin. She has led workshops at Amherst College/ Ko Performance Festival, Dartmouth College and Brown University (with D’Amour), Shonto Prep/ Navajo Nation, and taught classes for the Long Wharf and Hangar Theaters. She is an alumnus of the Drama League of New York (directing fellow, 2000) and a Roothbert Fellow, 2004. Pearl is a proud member of Physical Plant Theater of Austin TX, and continues to be part of both the Austin and NYC theater communities while intermittently pursuing a graduate degree at the School of the Art Institute of Chicago.
(Dinah) Ms. Aspillaga is currently in the LAByrinth Theater Company workshop production of ALL THE BAD THINGS by Cusi Cram at the Joseph Papp’s New York Public Theater. Last summer she played “Audrey” opposite Richard Thomas in the New York Public Theater Shakespeare Festival production of AS YOU LIKE IT, at the Delacorte Theater in Central Park. She played “Marela” opposite Jimmy Smits in the 2003 Pulitzer Prize winning play ANNA IN THE TROPICS taking it from the McCarter Theatre in Princeton, NJ, to the Royale Theater on Broadway. She has originated numerous roles in Off-Broadway, regional, and workshop productions by diverse writers including Philip Courtney, Cusi Cram, Nilo Cruz, Migdalia Cruz, Rogelio Martinez, Lynn Nottage, Adam Rapp, Joe Sutton, Liz Swados, Heather Woodbury, and Brooke Berman. Film and TV credits include: Petty Crimes aka Aller- simple pour Manhattan, My Best Friend’s Wife, Stringer, Pyrite, Exiles in New York, Mr.Wonderful, The Jury, Law & Order, Deadline, As the World Turns, and PlayStation 2 Grand Theft Auto San Andreas (voice of Michelle Cannes). She is also a playwright whose play hush was produced by INTAR Theatre’s New Works Lab 2002. Ms. Aspillaga is a member of LAByrinth Theater Company, a Usual Suspect at New York Theatre Workshop, and an INTARTISTA at INTAR Theatre.
(Cyrus) Off Broadway: Humble Boy (Manhattan Theatre Club), Observe the Sons of Ulster Marching Toward the Somme and Far East ( Lincoln Center). Other New York credits include Don’t Lose Your Head (Women’s Project, The Culture Project, Timsloft), The Bigger Man (Center Stage) and The L-Curse (New Perspectives Theatre). Regional: Proof (Arena Stage), Top Ten People of the Millennium (Victory Gardens Theater), Far East (Westport Country Playhouse), A Baltimore Waltz (Henlopen Theater) and The Importance of Being Earnest (La Jolla Playhouse) for which he won a Drama-Logue Critics Award. Film and TV: Shuffle (upcoming), Conversations with ID, Young Indiana Jones Chronicle and American Gothic. Barnaby received a B.A. from Duke University and an M.F.A. from the University of California, San Diego.
Tug makes his Off-Broadway debut with TheCataract. Other New York credits include Dear Vienna (Vital Theatre Company) and Broken Window (Theatre’Trouve). Regional credits include: A MidsummerNight’s Dream and Snow in June (American RepertoryTheatre); Take Me Out (Studio Theatre, WashingtonD.C.); You Can’t Take it With You (Capitol RepetoryTheatre); Medea and Frenzy for Two, or More(Eastenders Repertory Company), Baby (A.C.T. StudioTheatre), and Cervantes’ Gaze (Moscow Art Theatre). His television credits include “Guiding Light”, “All My Children” and the NBC pilot “NY-70”. Mr. Coker holds an MFA degree from American Repertory Theatre/Moscow Art Institute for Advance Theatre Training at Harvard University.
(Lottie) is thrilled to be working on The Cataract with the Women’s Project . Broadway: Cat on a Hot Tin Roof (with Ned Beatty and Jason Patric). Off-Broadway: Book of Days (Signature Theatre); Down the Garden Paths (Minetta Lane). Recent regional credits include: Three Sisters (ART), Eugene’s Home (Berkshire Theatre Fesitval), Proof (George Streeet Playhouse), Talley’s Folly (Rep. Theatre of St. Louis and Cincinnati Playhouse), The Miracle Worker and The Great White Hope (Arena Stage) and Holiday (Olney Theatre) for which she was nominated for a Helen Hayes Award for Best Actress. Kelly has also worked with The Arizona Theatre Company, the Pioneer Theatre, Shakespeare on the Sound, The Unicorn Theatre and the Cape Cod Theatre Project. Film/TV: As the World Turns, New Guy, Company K, Out of the Darkness. Training: MFA University of Missouri, Kansas City. Proud member AEA
Playwright Kathryn Walat’s plays include Connecticut, Greenspace, Know Dog, and Johnny Hong Kong. Her work has been produced at Salvage Vanguard (Austin), Perishable Theatre (Providence), The Hangar Theatre (Ithaca), and developed at Playwrights Horizons, Manhattan Theatre Club, Boston Theatre Works, Bay Area Playwrights Festival, The Lark, and New Georges, where she is an affiliated playwright. She has been commissioned for Actors Theatre of Louisville’s Anthology Project/Humana 2007, and her newest play Bleeding Kansas will premiere this summer at The Hangar Theatre. Ms. Walat is a member of the Women’s Project’s Playwrights Lab, and Victoria Martin: Math Team Queen first appeared in the Women’s Project’s 2005 Women’s Work new play reading festival. She received her BA from Brown University and MFA from Yale Drama School. She lives in New York.
Director Loretta Greco‘s New York premieres include: The Story (Public Theater Audelco nom/Kesselring Prize), Meshugah (Naked Angels), Lackawanna Blues (Public Theater), Two Sisters and a Piano (Public Theater/Kesselring Prize), Mercy (Vineyard), A Park In Our House (New York Theater Workshop). For Women’s Project: Rinne Groff’s Inky, Toni Press Coffman’s Touch, Karen Hartman’s Gum, and Amparo Garcia’s Under a Western Sky (with INTAR). Ms. Greco directed the National tour of Emily Mann’s Having Our Say in addition to the international premiere at the Market Theatre in Johannesburg, South Africa. Her regional work includes Courtney Baron’s Morbidity/Mortality(Magic Theater), Romeo and Juliet and Stop Kiss (Oregon Shakespeare Festival), Dirty Blond (Cincinnati Playhouse in the Park), Gross Indecency (Playmakers Rep) in addition to productions at ACT, Intiman, Williamstown, LaJolla Playhouse, McCarter, Long Wharf, South Coast Rep, St Louis Rep, Coconut Grove Playhouse, and Cleveland PlayHouse. Developmental work at Sundance, ONeill, New Harmony, and Mark Taper Forum. She is the author of Passage: Stories of the Cuban Balseros which received its premiere at AREA Stage in Miami and ran for over six months. Upcoming work includes David Harrower’s Blackbird (ACT) and a revival of Claire Chafee’s Why We Have A Body (Magic Theater). Ms. Greco is the recipient of two Drama League fellowships, the Princess Grace Award, and holds an MFA from Catholic University.
(Creator and Director) The founder and artistic director of Stillpoint Productions, has assisted Martha Clarke, Anne Bogart, and Marianne Weems and was recently featured in Time Out New York’s “25 People to watch 2006.” New York devising/directing credits include Bone Protraits (Walkerspace), Death Might Be Your Santa Claus (a site-specific work performed at an abandoned bank next to the NY Stock Exchange), Flying on the Wing (NY Fringe, Outstanding Solo Show), The Eliots (Center Stage), transFigures (Calvary Church), The Female Terrorist Project (HERE Arts Center, American Living Room), L’Histoire du Canard (NYU Graduate Acting Freeplay), Equus (Hangar Theatre), Whisky Girl (Hangar Theatre), and A Short Time After (by Caridad Svich, Six Nights). Internationally, Lear directed a new tri-lingual musical for the National Opera Theatre of Kazakhstan (In the Dark Ages), and a workshop of Revisions in Dublin. She has trained with DAH Theater of Yugoslavia and the SITI Company and was co-director of the Collaborative Theatre Intensive with The International WOW Company. She is a member of the Women’s Project Directors Lab and an alumnus of the Soho Rep Writer/Director Lab, a Drama League Directing Fellow, and a Jefferson Scholar. Most recently, she created the TICKETS FOR THE PEOPLE program at the Culture Project, and her next project will be Brecht’s Saint Joan of the Stockyards at PS122 in June 2007.
(Writer) Plays include Living Room in Africa (off-Broadway) 2 Soldiers (various, published), The Parents’ Evening (Cherry Lane) Until Morning (BBC Radio 4) and adaptations of Maeterlinck’s The Blind (CSC), Peer Gynt (dir. Andre Serban) and Great Expectations (off-broadway with Kathleen Chalfant at the Lucille Lortel) Her new play Nest opens at at Signature Theater in in DC this spring. Doran was born in the UK, but moved permanently to the States on a Fulbright scholarship in 2000. She is the recipient of three Lecomte du Nouy Lincoln Center playwriting awards, and her work has been developed by the O’Neill Playwrights Center, the McCarter Theatre, and Sundance among others. She is a former playwriting fellow at Juilliard. She has worked as a comedy writer for VH1, BBC TV and radio and The Cambridge Footlights. She is currently under commission from Atlantic Theater.
(Writer) is a contributing writer at the New York Times Magazine, and the author of two previous books: Gospel Truth, about the search for the historical Jesus, and Saints and Madmen, about psychiatry and religion. The hub of his research forThe Island at the Center of the Worldwas the New Netherland Project at the New York State Library, where the archives of the Dutch colony centered on Manhattan are being translated. He lives in New York’s Hudson Valley with his wife and their two daughters.
(Writer) is an award winning writer/director/producer who has spent the better part of her adult life documenting the far reaches of society, both emotionally and culturally. From the Middle East, to Europe to the United States, subjects in her films range from an examination of American attitudes towards death and dying (by looking at American rituals of embalming, dressing and casketing the dead)…to the inner workings of the Texas Prison System. She is the recipient of numerous grants including most recently the National Endowment for the Arts Grant, a Texas National Endowment for the Humanities Grant, an Israeli Cultural Arts Grant and the Belgium Production Foundation. Her films have been screened at film festivals around the world, as well as broadcast both in Europe and the Middle East. She has lectured on her work both as a panelist for conferences, as well as a visiting artist for institutions such as The Chicago Art Institute and the University of Colorado at Boulder. In 2000 her film Jerusalem Syndrome received the Grand Prize at the World Religion Festival in Italy and has been the subject of numerous articles, school courses and most recently and a play. See Jerusalem Syndrome and meet Erin Sax Seymour on Saturday, May 5th at 5:00 p.m.
(Choreographer) New York-based Swiss-born choreographer, visual artist, and dancer Andrea Haenggi is the Founder/Artistic Director of the dance company AMDaT. Haenggi creates thought-provoking works that cross boundaries between art disciplines to find new possibilities of presentation in theaters and nontraditional sites. Her work has been presented and commissioned in many diverse venues, from Dance Theater Workshop to MASS MoCA to an abandoned Cigar Store in Lower Manhattan to the lobbies and public spaces of the World Financial Center in Downtown Manhattan. AMDaT has toured internationally and Haenggi has given master classes/workshops in Switzerland, Canada and Russia. Find out more about her & her projects at http://www.amdat.org.
(Bill): New York: National Actor’s Theater: St.Joan; Manhattan Theater Club: Boy Gets Girl; Primary Stages: Sabina, Aquila: Agamemnon. Regional: Center Stage: Three Sisters, Blythe Spirit, King Lear, Ideal Husband, Goodman: Boy Gets Girl, Old Globe: Time Flies; Long Warf: Going Native; ACT (San Francisco): Colossus of Rhodes, Misanthrope; George St. Playhouse: Walk in the Woods; Kennedy Center: Darker Face of the Earth; Berkshire Theater Festival (eleven seasons); Law & Order; SVU; The Soaps; Pilot: BlaqJaq (dir. Forest Whitaker); Ben Franklin (PBS).
(Joshua) has performed in Minneapolis with The Illusion Theatre, The Children’s Theatre, Great American History Theatre, among others. Recent New York credits include SIXTEEN WOUNDED (off-Broadway premiere) at the Cherry Lane Alternative, Steven Drukman’s FOXHOLLOW at NYU, and OFFStage: The West Village Fragments with Peculiar Works. As a writer, his play MOVIE GEEK (in which he also performs) has been seen at FringeNYC (award winner: Outstanding Multimedia Production), the Culture Project, and Ars Nova. He has a BFA in Drama at NYU.
(Margaret 1/Joan) Off-B’way/Intl.: SONGS OF THE DRAGONS FLYING TO HEAVEN (dir. Young Jean Lee); FRAGMENT (CSC, dir. Pavol Liska); SVEJK (TFANA, dir. Dalia Ibelhauptaite); four plays for Richard Foreman (OBIE Award for MARIA DEL BOSCO.) Founding member of the late Reza Abdoh’s DAR A LUZ. Her own plays have been produced and published internationally, and she writes for Killer Films. FILM & TV: THE GIRL FROM MONDAY; SEX AND THE CITY; Marie Losier & Guy Maddin’s upcoming MANUELLE LABOR.
(Victor/Margaret 2) collaborates for the stage as an actor and dancer. Recent work: Betrothed (Ripe Time/Ohio Theater), Death in Vacant Lot! (The South Wing/LMCC), Without (Moving Theater/Dance New Amsterdam), HOWL (The TEAM), The Eliots (Stillpoint Productions), 131 (Kathryn Profeta/PS122) The Blind Watchmaker (Bug Theater, Denver), transFigures (Stillpoint Productions), The Failure of Things: Nietzsche/Orestes (Yale School of Drama Cabaret). He holds a BA in Political Science from Yale University.
(Gene/John Salvi) Some NY credits: MARAT/SADE (Classical Theatre of Harlem), Will Eno’s THOM PAIN (DR2), Anne Washburn’s APPARITION (Soho Rep, Chashama, Connolly), and I HAVE LOVED STRANGERS (Clubbed Thumb), Richard Foreman’s THE GODS ARE POUNDING MY HEAD, and KING COWBOY RUFUS RULES THE UNIVERSE, (Ontological), David Greenspan’s SHE STOOPS TO COMEDY (Playwright’s Horizons), Mae West’s SEX (Hourglass Group), and Glen Berger’s THE WOODEN BREEKS (MCC), and UNDERNEATH THE LINTEL (Soho Playhouse), for which T. received a Drama Desk nomination as Outstanding Solo Performer. Regional: the premiere productions of John Strand’s LINCOLNESQUE (Old Globe), (Winner, Outstanding Lead Performance, San Diego Critic’s Circle), Charles Mee’s BIG LOVE (Humana Festival), and Jeffrey Hatcher’s STAGE BEAUTY (CATF), among others. Film and TV: THE VENTURE BROTHERS, CONVICTION, LAW & ORDER, the cult film BRAINSCAN, and the upcoming experimental feature HORRIBLE CHILD.
(Susan) Broadway: Butley, directed by NicholasMartin. Regionally: Pericles at the Shakespeare Theatre and the Goodman Theatre, (director- Mary Zimmerman), Butley (Huntington Theatre), Antigone and Idiots Karamazov (u.s.) (American Repertory Theatre), Romeo and Juliet, The Play About the Baby, Proof, The Diary of Anne Frank , and Closer (Hippodrome State Theatre), Apple Cove (Todd Mountain Theatre Project). New York: Apple Cove (Lark Theatre), premiere of Neal Bell’s Time/ Unstuck (E.S.T.), One Hit Wonder (NY Fringe Festival) Film/TV: Ed and Going Under. M.F.A.: A.R.T.
(Scenic Designer) is very excited to be working with the Women’s Project in the capacity of scenic designer for the first time. Jenny has been working as a scenic designer and associate scenic designer in New York City for the past 4 years. She is the associate scenic designer to Santo Loquasto on 3 Broadway shows opening this spring Inherit the Wind, Prelude to a Kiss and 110 in the Shade.
(Costume Designer) designs scenery and costumes for opera, theater, dance and film. Recent credits include Taming of the Shrew (Dallas Theater Center).Ah Wilderness!! (Baltimore Centerstage), Madras House (Mint Theater), Romania.Kiss Me! (The Play Company), The Onion Cellar (American Repertory Theater), Aunt Dan and Lemon (Merrimack Repertory Theater), Resist/Surrender (Risa Jaroslow and Dancers,) Angels in America ( sets & costumes/Opera Boston), Susan and God (Mint Theater), Trial By Water (sets & costumes/Ma-Yi Theater), Little Willy (sets and costumes/Rude Mechanicals). Other credits : And God Created Great Whales (Foundry Theater / Culture Project), References to Salvador Dali Make Me Hot (Public Theater). Regional : American Repertory Theater, Dallas Theater Center, Baltimore Center Stage, Commonwealth Shakespeare Co., Georgetown Davis Center for the Performing Arts, Opera Boston, Opera Theater of St. Louis, East West Players, Merrimack Repertory, Speakeasy Stage & others. International: DeNederlandse Opera(Amsterdam), Noorland Oper(Stockholm), Stuttgarter Ballet, Kannon Dance (St. Petersburg) Barbican (London) Teatro Pilipino (Manila) and others. Upcoming : transFigures (Women’s Project), The House of Bernarda Alba (NAATCO), The Return of the Prodigal (Mint Theater). Awards: NYTW Design Fellowship, 2 IRNE Nominations, 1 Audelco Nomination, Gary Kalkin Memorial Award and Live Design Magazine’s 2007 List of Designer’s to Watch.
(Lighting Designer) Designs: Off-Broadway: Ahraihsak, Top Gun! The Musical, Black Codes from the Underground & The Hologram Theory. Regional: Raven Odyssey, Dhammashok, Ramayana, Mahabharata, Odyssey, Two Sisters & a Piano, Delicate Balance, Victor/Victoria, Footloose, Evita & Sound of Music. National/International Tours: Swan Lake, Nutcracker, Grand Night for Singing, Les Cenci & the educational program “Bangkok Artist Intensive” in Thailand. Producers: Alaska’s Perseverance Theatre, Lincoln Center, Mark Taper, Alliance, NYMF, Russian National Ballet, Edinburgh Festival, Theatre La Lune (France). In addition to producing & designing; Ryan’s Photography can also be seen around the country including his 14 years of Theater Production Shots and his current project entitled PISTIL a study of Flowers from around the World.
(Sound Designer) Mark has designed for such companies as 2nd Stage Theatre, Stillpoint Productions, The Manhattan Theatre Club, The Thursday Problem, Impact Theatre, Theatre B, The Lincoln Center Theatre, The Atlantic Theatre, The Depot Theatre, Classic Stage Company, The Pearl Theatre Company, The New York Theatre Workshop, Alternate Plan Productions, The Civil Company, IMUA! Theatre, VoiceChair Productions, Wash & Fold Productions, Shakespeare & Company, The Wooster Group, Diamondpoint Theatre, Clubbed Thumb Inc., The Roundabout Theatre, The Actors Theatre of Louisville, and Monster(less) Actors Inc. He won an Outstanding Sound Design award at the 2005 FringeNYC Festival for Go-Go Kitty, GO!, and was a Drama Desk nominee in 2002 for Cressida Among the Greeks. He is an Associate Member of the SITI Co., a graduate of Grinnell College, and the founder of Doggtown Productions.
(Casting Director) Alaine Alldaffer is the casting director for Playwrights Horizons and for “The Knights of Prosperity” (ABC). Credits include “ED” (NBC),”Monk” (USA), “A Raisin in the Sun” ( Broadway) and “Heights” a feature film for Merchant Ivory. She has cast projects for Soho Rep in NYC, The Caldwell Theater in Florida and The Long Wharf Theater in Connecticut. She works along side Associate Lisa Donadio.
(Line Producer) Most recently, Allison was the Guest Director for the 7th Annual Martha’s Vineyard Independent Film Festival. Producing Credits: Mando Alvarado’s THROAT at the 45th Street Theater in NYC, Meade Theater Lab in D.C., Cine el Rey in McAllen, Texas and The Southern Theater in Minneapolis (Executive Producer), Eve Ensler’s THE GOOD BODY for the National Tour/Broadway (Associate Producer), VALIANT at the NY Fringe Festival (Co-Producer) and BONE PORTRAITS directed by Lear DeBessonet. Allison was privileged to be the Associate Artistic Director for V-Day: A Global Movement to End Violence Against Women and Girls founded by Eve Ensler. Allison is a proud member of the Producers Lab at Women’s Project and a graduate of Skidmore College.
