The Pipeline Festival

March 24-April 23, 2016

NEW FESTIVAL. NEW VOICES. NEW PLAYS. 

A FESTIVAL OF 5 NEW WORKS FROM THE WP LAB

The Pipeline Festival showcases the work of the celebrated WP Lab, a two-year artistic residency for exceptional playwrights, directors, and producers. In its inaugural year, the 2016 Pipeline Festival provides a unique opportunity for audiences and industry to access five new plays at various stages of development, ranging from staged readings to full-length workshop productions. The Festival, true to its name, will serve as a pipeline to funnel talented female artists and their work to the forefront of American theater.

WEEK 1: March 24 – 26

CYGNUS

An inexplicable and life-altering event sends Cydney on a search for a divine solution to her earthly problems.

By Susan Soon He Stanton
Directed by Danya Taymor
Produced by Liz Olson

Starring Damon DaunnoTeresa Avia Lim, Kate Rigg

Cydney believes an angel rescued her from an ineffable trauma, and the truth may prove stranger than she imagines. In this mythic, hilarious, and poetic new play, Susan Soon He Stanton spins a dark fairy tale where a burnt feather may illuminate the possibility of a divine intervention. #CygnusPlay

WEEK 2: March 31 – April 2

VEIL’D 

Not every fairy tale has sunshine.

By Monet Hurst-Mendoza
Directed by Sarah Krohn
Produced by Kristen Luciani

Starring Dahlia AzamaPurva Bedi, Tommy Crawford, Dariush KashaniMatthew Van Oss

16-year old Dima has a rare skin allergy that compels her to hide behind her mother’s old burqa. Her parents worry she’s lonely and wish they could give her the perfect American upbringing they imagined when they left Afghanistan. But they don’t know about Dima’s secret friends: Elliot, a self-described beatnik who spends his days hawking poems on the street corner below her window, and a talking nurse shark named Speedo. With a little encouragement from her fairy god-shark, Dima and Elliot’s relationship begins to blossom–but can Dima really expect a happy ending? #VeildPlay

WEEK 3: April 7 – April 9

KINGS

By Sarah Burgess
Directed by Adrienne Campbell-Holt
Produced by Pearl Hodiwala

Starring Quincy Tyler BernstineJessica Love, Larry Pine, Charles Socarides

A first term congresswoman worries for the state of our republic when she experiences Washington’s political fundraising apparatus up close. When she doesn’t play along with lobbyists, her numbers suffer, and her party tries to push her aside. Tries. #KingsPlay

WEEK 4: April 14 – April 16

THE RUG DEALER

“I’m mad to be a woman running this rug business…but sometimes the right person comes along for the right rug and the match is magic.”

By Riti Sachdeva
Directed by Lee Sunday Evans
Produced by Rachel Sussman

Starring Farah Bala, Soraya Broukhim, Edward HajjRita Wolf

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay

WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


FREE EVENTS: THE PIPELINE TO THE PIPELINE SERIES

SATURDAY, APRIL 9, 4-6PM
The Bechdel Project Happy Hour

Bechdel Project invites you to celebrate our friends at Women’s Project Theater and their first-ever Pipeline Festival with a Bechdel Project Happy Hour on Saturday, April 9th from 4-6 PM! Join us for drinks, pies, Bechdel test trivia games and lively discussion. First 30 people in the door get a free slice of pie! This Pipeline Festival event is sponsored by Dirty Socks Winery, Greenpoint Beer and Ale and New York Distilling Company. Pies provided by Pie, Pint & Play and Pie Birds started by actress / NY Times recommended baker Jessica Giannone.

SATURDAY, APRIL 16, 4-6PM
A Roundtable Discussion for Lady Designers
On Saturday, April 16th from 4-6 PM, the Pipeline Festival will host an event for female-identified theater designers to eat, drink, be merry, and discuss the current state of the industry and how to design a glass ceiling that’s not so shatterproof. By invitation only.

@WomensProject #PipelineFestival / #WPLab

Photographs by Eric T. Michelson Photography
Video by Eric Pearson & Bajan Brownstone | Music for video by herMajestyNYC

ARCHER ROOSE | Official Wine Sponsor

Sarah Burgess

(Playwright) SARAH BURGESS‘s play Dry Powder premiered at the Public Theater this March. Dry Powder was a recipient of the 2016 Laurents/Hatcher Foundation Award, and a finalist for the Blackburn prize.  Other plays include Camdenside (Ground Floor selection, Berkeley Rep; Kilroys List 2015) and FAIL: Failures (ANT Fest).  Writer for The Tenant (Woodshed Collective) and “Naked Radio,” Naked Angels’ podcast series.  Burgess has been a writer-in-residence at SPACE on Ryder Farm and the Cape Cod Theatre Project. Member of the WP Lab; Ars Nova Play Group alum.

Adrienne Campbell-Holt

(Director) Adrienne Campbell-Holt is the Founding Artistic Director of Colt Coeur, a Brooklyn-based theatre company. Upcoming: world premiere of Cal in Camo (co-pro Rattlestick & Colt Coeur), Dear Elizabeth (Dorset Theater Festival). Recent world premieres: Theresa Rebeck’s The Nest (Denver Theatre Company), One Child Born (Oberon at American Repertory Theater), How to Live on Earth by MJ Kaufman (Colt Coeur @ HERE, September 2015), Chiara Atik’s 52nd to Bowery (EST Marathon), Dry Land by Ruby Rae Spiegel (Colt Coeur @ HERE, NYC), Greg Moss’ REUNION (South Coast Rep), Everything is Ours by Nikole Beckwith (Colt Coeur @ HERE), Recall by Eliza Clark (Colt Coeur @ Wild Project), Fish Eye (Colt Coeur @ HERE). Other productions: Red starring Tim Daly (Dorset Theater Festival, VT), The Last Days of Judas Iscariot (Yale), world premiere of Seven Minutes in Heaven by Steven Levenson (Emerging America Festival, Huntington Theatre Company and Colt Coeur @ HERE). Adrienne is a Time Warner/Women’s Project Lab 2014-2016 Fellow. She has developed work with La Jolla Playhouse, Roundabout Underground, Playwrights Horizons, Clubbed Thumb, New Georges, Playwrights’ Center and EST. She is also the director of #makeitfair. BA Barnard College, Columbia University.

Lee Sunday Evans

(Director) Lee Sunday Evans Recent Credits include: Bull in a China Shop by Bryna Turner (LCT3), [Porto] by Kate Benson (Bushwick Starr), Caught by Christopher Chen (Play Co.), Macbeth (Hudson Valley Shakespeare Festival), Wellesley Girl by Brendan Pelsue (Humana Festival), D Deb Debbie Deborah by Jerry Lieblich (Clubbed Thumb), A Beautiful Day in November on the Banks of the Greatest of the Great Lakes. by Kate Benson (OBIE Award – New Georges/Women’s Project). Her work has been presented/developed at: Baryshnikov Arts Center, Sundance Theater Lab, BAX, CATCH, LMCC, Robert Wilson’s Watermill Center, Juilliard. Lee received the 2016 Susan Stroman Directing Award from The Vineyard Theater. Upcoming: Miller, Mississippi by Boo Killebrew (Dallas Theater Center), Dance Nation by Clare Barron (Playwrights Horizons).

Pearl Hodiwala

(Producer) Pearl Hodiwala is from Sydney, Australia and has a background in development, fundraising and producing and theatre management.  Pearl has worked as Philanthropy Coordinator at Belvoir Street Theatre, and Producing Fellow at The Public Theater. Currently, Pearl is Strategy and Business Development Coordinator with Disney Theatrical Productions and Managing Director of Kaimera Productions (www.kaimeraproductions.com).  Selected works: Jupiter (a play about power) (La Mama), The Fall (Flamboyan Theatre) and Underland (59E59). Member of the Women’s Project Producers Lab 2014-2016. Bachelor Arts and Science from Sydney University and Masters of Arts Administration from Columbia University.

Monet Hurst-Mendoza

(Playwright) Monet Hurst-Mendoza is a New York-based playwright from Los Angeles, CA. Her plays have been developed with Rising Circle Theater Collective, |the claque|, Lookingglass Theatre, The Oneness Project, The Other Mirror, The Kupferberg Center, #serials@The Flea, Amios (Shotz!), and Playwright’s Playground at Classical Theatre of Harlem. She is the current Playwright in Residence for The Other Mirror, and a member of the 2016 inaugural Mitten Lab in Detroit, |the claque|’s Octo-Group, the 2017 Emerging Writers Group at The Public Theater, and the 2014-2016 Women’s Project Lab Time Warner Foundation Fellow. Proud member: Rising Circle Theater Collective, and |the claque|. B.A.: Marymount Manhattan College.

Rachel Karpf Reidy

(Producer) Rachel Karpf Reidy works with artists and cultural institutions to produce theater and live performance pieces that inspire, delight, and move audiences. Recent works include Todd Almond and Courtney Love’s Kansas City Choir Boy (ART/Beth Morrison Projects) and Jay Scheib and Keeril Makan’s Persona (M.I.T & National Sawdust/Beth Morrison Projects). As Associate Director of Page 73: Clare Barron’s You Got Older, directed by Anne Kauffman (2 OBIE Awards, 4 Drama Desk Award noms., Susan Smith Blackburn Prize finalist); George Brant’s Grounded, directed by Ken Rus Schmoll (Drama Desk Award nom.); Cori Thomas’ When January Feels Like Summer, directed by Daniella Topol (co-produced with EST). With the Institute for Psychogeographic Adventure, she has produced large-scale site-specific performance adventures including in the Brooklyn Museum (BEAT Festival), PRELUDE, Stony Brook University, and throughout the DUMBO neighborhood. For 13P: Lucy Thurber’s Monstrosity, Julia Jarcho’s American Treasure, and Madeline George’s The Zero Hour. Other projects at LCT3/Lincoln Center Theater, New York Theater Workshop, and the Commonweal Theatre. Creator of the lecture series Saloon; grant review panelist for NSYCA and others. BA: Dartmouth College. rachelkarpfreidy.com

Sarah Krohn

(Director) Sarah Krohn’s directing credits include Horse Girls by Jenny Rachel Weiner (the cell), The Pits by Joshua Harmon (Williamstown Theater Festival), You Remind Me of You by Matthew Capodicasa (Fordham/Primary Stages), The Next War by Kate Mulley (Columbia Playwriting); Parade (Yale Dramat), and Victor Frange Presents Gas, which she co-conceived with Dan O’Neil (Incubator Arts). Member of the 2014-16 Women’s Project Theater Lab, Lincoln Center Theater Director’s Lab and Soho Rep’s Writer/Director Lab; recipient of Williamstown Theater Festival’s Sagal Fellowship; co-facilitator of the New Georges Jam writer/director group. Graduate of Columbia University (BA) and Carnegie Mellon (MFA). www.sarahkrohn.com

Kristen Luciani

(Producer) Kristen Luciani currently works in general management at DR Theatrical Management. She is also an independent producer and formerly served as Associate Producer to Elizabeth I. McCann. Kristen has previously worked with The Public Theater and Playwrights Horizons. Independent credits include: Judith (Kraine Theater) and We Declare You a Terrorist (Summer Play Festival). As Management Associate to Liz McCann and Joey Parnes, Broadway credits include: Hair, The Merchant of Venice, and Bloody Bloody Andrew Jackson. Kristen is also the co-founder and Executive Producer of Paradox Productions, a boutique Executive Producing and General Management firm (www.paradoxprods.com). She holds a BFA in Theater/Producing from NYU-Tisch School of the Arts.

Martyna Majok

(Playwright) Martyna Majok (pronounced “my-oak”) was born in Bytom, Poland, and aged in Jersey and Chicago. Her plays have been performed and developed at Steppenwolf Theatre Company, Marin Theatre Company, Actors Theatre of Louisville, Williamstown Theatre Festival, LAByrinth Theatre Company, Rattlestick Playwrights Theatre, Women’s Project Theater, Ensemble Studio Theatre, The John F. Kennedy Center, Dorset Theatre Festival, New York Stage & Film, Yale Cabaret, The Playwright and Director Center of Moscow, Round House Theatre, Satori Group, Red Tape Theatre, and The LIDA Project, among others. Awards include the inaugural Women’s Invitational Prize at Ashland New Play Festival, Marin Theatre’s David Calicchio Emerging American Playwright Prize, New York Theatre Workshop’s 2050 Fellowship, Aurora Theatre’s Global Age Project Prize, National New Play Network’s Smith Prize for Political Playwriting, Jane Chambers Student Feminist Playwriting Prize, and The Merage Fellowship for the American Dream. Commissions from Manhattan Theatre Club, Marin Theatre Company, Actors Theatre of Louisville, The New Yorker website, Ensemble Studio Theatre, and The Foundry Theatre. Publications by Samuel French and Smith & Kraus. Residencies at SPACE on Ryder Farm, Fuller Road, and Ragdale. BA: University of Chicago; MFA: Yale School of Drama. Martyna is currently part of the Lila Acheson Wallace American Playwright Program at The Juilliard School. She has taught playwriting at Williams College, Wesleyan University, SUNY Purchase, and as an assistant to Paula Vogel at Yale. Alumna of EST’s Youngblood. Member of Women’s Project Lab, Ars Nova’s Uncharted, The Dramatist Guild, and New York Theatre Workshop’s Usual Suspects. Martyna was the 2012-2013 NNPN playwright-in-residence at NJRep. She is the 2015-2016 PoNY Fellow at the Lark Play Development Center.

Liz Olson

(Producer) Liz Olson is a freelance producer and the General Manager/Line Producer of Tectonic Theater Project (Carmen, The Tallest Tree in the Forest, Uncommon Sense). Previously, she was the Managing Director of Studio 42, where she produced Ken Urban’s Wasps and worked on productions of Bekkah Brunstetter’s Miss Lilly Gets Boned and Gregory S. Moss’s Billy Witch. In the past, she has worked at NYU’s Skirball Center for the Performing Arts, NYTW, Playwrights Realm, and Two River Theater Company. She is the producer for Reentry, which tours US Naval bases as part of their soldier reintegration training. This brings her full circle in life as she is a third generation Navy brat who now produces theater for the Navy. Freelance includes Couriers and Contrabands and Be A Good Little Widow.  She holds an MBA in Public and Nonprofit Management from Boston University and a bachelor’s from The College of William and Mary.

Riti Sachdeva

(Playwright) Riti Sachdeva is a theatre maker, dancer, and cultural worker. She has developed work with the Public Theater, The Civilians R&D Group, PlayWrights Center, National New Play Network, University of Hawaii Asian Theatre Program, American Theater Company, Working Theatre, Manhattan Theatre Works, and Lincoln Center Director’s Lab. Her play Parts of Parts & Stitches received The Kennedy Center’s Quest for Peace award. She is a recipient of a TCG On the Road grant and recently traveled to Kerala, India to start adapting elements of Kathakali to her stage play Other Farmers’ Fields. Acting highlights include work with DisneyChannel, HBO, various awesome indie films, National Hispanic Cultural Center, MTWorks, Honest Aaccomplice, EarSay, Hybrid, and performances of her original works with MidNites cHiLd Productions in LA, Toronto, Albuquerque, Santa Fe, and NYC.  Riti continues to write, act, and study her beloved flamenco.

Susan Soon He Stanton

(Playwright) Susan Soon He Stanton’s plays include Takarazuka!!!, Today Is My Birthday, SEEK, The Things Are Against Us, Cygnus, The Underneath, and more. Her plays have been produced or developed at Clubbed Thumb, East West Players, Playwrights Horizons, New York Theater Workshop, Kennedy Center, The Flea, Washington Ensemble Theater, Joe’s Pub, Oregon Shakespeare Festival, and others.

She is a two-time Sundance Institute Fellowship/Residency recipient. Writing groups and residencies include Public Theater’s Emerging Writers Group, Playwrights Center Corewriter, SoHo Rep Writer-Director Lab, Lark Van Lier Fellowship, Hedgebrook, and MaYi Playwrights Lab. Other awards include Southern Rep’s Ruby Prize Runner-up, Susan Glaspell Prize Finalist, Kilroy’s List, a Susan Smith Blackburn nomination, and a NET Partnership Grant with Satori Group. She is a writing consultant for Disney Creative Entertainment. She received a Feature Film Development Grant from the Sloan Foundation. Films include Dress, Dispatched, Good House, and Same Will. BFA: NYU Tisch, MFA: Yale School of Drama.

 

Rachel Sussman

(Producer) Rachel Sussman is a New York-based producer committed to nurturing diverse work through creative collaboration. She serves as the Director of Programming for The New York Musical Theatre Festival and is a co-founder of The Indigo Theatre Project as well as The MITTEN Lab, a new emerging artist residency in her native state of Michigan. Rachel has worked with such companies as Second Stage Theatre, 321 Theatrical Management, RKO Stage, Goodspeed Musicals’ Mercer Colony, Lincoln Center’s American Songbook, The Tony Awards, and CREATE-Ireland in Dublin, Ireland. Producing credits include: Talk to me about Shame (FringeNYC, Overall Excellence Award), Lemon Cake (133rd St. Arts Center), The Imaginary Menagerie (Joe’s Pub), and, most recently, The Woodsman (59E59 & New World Stages). She is currently developing a new musical with composer/lyricist Shaina Taub. Rachel is a trustee for The Awesome Foundation NYC and sits on Advisory Boards for The Musical Theatre Factory and Strangemen & Co. She is a graduate of the Commercial Theater Institute and a University Scholar alumna of NYU Tisch.

Danya Taymor

(Director) Danya Taymor is a director and translator. Recent work includes Brian Watkins’ Wyoming (Lesser America) and My Daughter Keeps Our Hammer (The Flea), Anna Moench’s In Quietness (Dutch Kills/Walkerspace) and Wildrose (Sheen Center/The Claque), Lucy Teitler’s Engagements (Ensemble Studio Theater), I Hate Fucking Mexicans (The Flea) Chekhov’s The Cherry Orchard and Shakespeare’s The Tempest (NYU/Stella Adler). She is a 2014-2016 Time Warner Directing Fellow at Women’s Project Theater, a 2005 fellow at New York Theatre Workshop, an Artist in Residence at Theatre for a New Audience, an Associate Artist at The Flea Theater, a New Georges Affiliated Artist, a Visiting Artist at Strasberg/NYU and an alumna of the Lincoln Center Directors Lab and The Drama League. Upcoming work: Sarah Gancher’s The Place We Built (The Flea) and Justic Kuritzke’s The Sensuality Party (The New Group). BA: Duke University

Tamilla Woodard

(Director) Tamilla Woodard is a theatre director working nationally and internationally. Currently, she is serving as the Artistic Director of The Five Boroughs/One City Project, a multi-year initiative of The Working Theater. The project supports the commissioning and development of 5 Playwright/Director teams working in collaborations and creating theatrical works in response to and inside of working class communities in all 5 boroughs. She is co-founder of PopUp Theatrics, a partnership creating site specific and immersive productions and collaborations around the world.

She is a current Time Warner Directing Fellow at the Women’s Project Theater Lab, a Usual Suspect at New York Theatre Workshop, alumnus of The Lincoln Center Directors Lab and former Audrey Fellow at New Georges. She graduated from The Yale School of Drama’s Acting program and is the recipient of The Josephine Abady Award from The League of Professional Theatre Women and The Charles Bowden Award from New Dramatists. Her work has been presented and developed at the Working Theater, NYTW, New Georges, HERE, The Lark, The Actors Theatre of Louisville, PS122, DR 2, The Culture Project, Urban Stages, Dance Theatre Workshop, The Kitchen Theatre and for festivals and theater’s around the US and Internationally.

Most recent work includes: A Midsummer Nights Dream, NY Times Critics Pick, Cherry Smoke by James McManus and La Ruta, by Ed Cardona Jr, for Working Theater, NYC- NY Times End of Year List of Notable productions. For PopUP: Broken City: Harlem, a site specific commission by The Harlem Arts Festival. Long Distance Affair, a Skype immersive performance with editions in Romania, Argentina, Mexico, Scotland and the US; INSIDE, a site specific production with editions in Bucharest and Madrid. Upcoming: The Block, by Dan Hoyle, Working Theater, Harbur Gate, by Kathleen Cahill, Salt Lake Acting Company and Broken City: Wall Street, PopUP Theatrics.

  • Go Behinds the Scenes of The Pipeline Festival

Get to Know the Cast of QUEENS

SOFIYA AKILOVA (Stage Direction) is a tv, film, and theatre actor, and a writer.  She emigrated from Uzbekistan to New York with her family in 1990. She attended LaGuardia High School for Performing Arts and completed her bachelor’s in English Literature at Queens College.  Sofiya is also an alumna of NYU Grad Acting. Recently, she has performed in productions at Yale Rep and The Old Globe Theatre. She has also appeared in the following television shows: Madam SecretaryTURN: Washington’s SpiesAllegiance, and Alpha House. Sofiya is a recent and proud member of the 52nd Street Project.

PAOLA LÁZARO (Isabela/Glenys) is an actress and playwright born and raised in San Juan, Puerto Rico. She holds a B.F.A. in Dramatic Writing from SUNY Purchase College, M.F.A. in Playwriting from Columbia University.  In 2015 she was nominated for a Drama Desk Award for Outstanding Featured Actress in a Play in To the Bone at Cherry Lane Theatre. Lázaro was also in Martyna Majok’s John Who’s Here From Cambridge at EST. She received the Tow Foundation Playwright-in-Residence grant at the Atlantic Theater for 2016-2017 for her play Tell Hector I Miss Him, premiering next season at Atlantic. Her most recent play There’s Always the Hudson will have a reading at Labyrinth Theater in May as part of their Up Next Series. Paola was awarded the Arts Entertainment Scholarship Award from NHFA, a member of the Public Theater’s 2015 Emerging Writers Group and was selected Playwright-in-Residence for the Sundance Theater Lab in Morocco 2016.

MARJAN NESHAT (Aamani/Nasima) Recent theater credits include Irina in Three Sisters, Fallaci directed by Oskar Eustis, Scorched, Hermia in A Midsummer Night’s Dream, Aiesha Ghazali in The Near East, Masha in The Seagull with Dianne Wiest. She just finished work on the film The Book of Henry with Naomi Watts and a recurring role on the ABC drama “Quantico.” Other film and TV credits include a starring role in the independent film Almost in Love with Alan Cumming, RoboCop, Sex in the City 2, Funny in Farsi (directed by Barry Sonnenfeld), “Person of Interest,” “Royal Pains,” “Blue Bloods,” “Black Box,” “Unforgettable,” “Fringe,” multiple Law and Orders. She is a member of The Actors Center in NYC.

AMANDA QUAID (Inna) New York: The (curious case of the) Watson Intelligence (Playwrights Horizons, world premiere by Madeleine George), Luck of the Irish (LCT3, Lortel nom), Cock (The Duke), A Public Reading…Walt Disney (Soho Rep, world premiere by Lucas Hnath), Pericles (Public, AEA St. Clair Bayfield Award), Equus (Broadway), The Illusion (Signature), Galileo (CSC), Happy Hour (Atlantic), The Witch of Edmonton (Red Bull), The Seagull (dir. Max Stafford-Clark), three plays at Irish Rep, most recently The Weir. Regional: Old Globe, Shakespeare Theatre, Barrington Stage Company, Folger, Hudson Valley Shakespeare Festival. TV/film: “Blue Bloods,” “Law & Order: SVU,” Non-Stop. Faculty: HB Studio, The Freeman Studio. Quaid directed her first short film, English, in 2014, which premiered at Cannes Short Film Corner and will screen in May as part of the New York Women in Film and Television’s Immigrant Experiences Series. For more info, visit amandaquaid.com.

ANA REEDER (Renia) Broadway: Big Knife, Hedda Gabler, Top Girls, Sight Unseen; Off-Broadway: Radiance, The Maids, Happy Hour, Living Room in Africa, The Wooden Breeks, Small Tragedy (Obie), Humble Boy, An Experiment with an Air Pump,Time of the Cuckoo, Some Voices, Killers and Other Family, Maid, Macbeth, Henry VIII, Hedda Gabler (NYTW); London: The Distance from Here (Almeida Theatre) Williamstown: A Streetcar Named Desire. Film: No Country for Old Men, The Locksmith (original title: Homewrecker/ Best of Next/Sundance), Acts of Worship (Independent Spirit Award Nomination/Best Actress, Best Actress/Santa Barbara Film Festival), Marie and Bruce, One for the Money. TV: HBO’s You Don’t Know Jack, Damages, Law & Order, Blue Bloods. BA: Middlebury College, MFA: NYU.

ANDREA SYGLOWSKI (Pelagiya/Lera) recently appeared in the world premiere productions of The Nest by Theresa Rebeck (The Denver Center) and Of Good Stock by Melissa Ross (South Coast Rep). Her 2014 production of Venus in Fur at the Huntington Theatre garnered her the 2014 Elliott Norton Award for Best Actress in a Large Theatre, and an IRNE Award for Best Actress. She has participated in new play development workshops at The Roundabout, New York Theatre Workshop, Labyrinth Theatre Company, Bay Street Theatre, The Lark, Ars Nova, Jewish Plays Project, Ma-Yi Theatre Company, The New York Society Library, and BAM.  Other credits include: Asking for Trouble (Ensemble Studio Theatre), The Walk Through (Slate Theatre Company), A Flea in her Ear, Bully to You, Schmoozy Togetherness, White Trash Anthem (Williamstown Theatre Festival), Three Sisters, Loves Labours Lost, Elijah, Carve (Chautauqua Theatre Company) Much Ado About Nothing, A Midsummer Night’s Dream (Shakespeare at the Manor) TV: ‘The Good Wife,’ ‘How to Get Away with Murder,’ ‘Elementary.’ Film: Every New York City Party Happens in a Bathroom. Training: USC and The Juilliard School, class of 2013, where she was the proud recipient of the Robin Williams Scholarship.


FINAL WEEK OF THE PIPELINE FESTIVAL

WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Rachel Karpf Reidy

Karpf-Reidy,-Rachel-Headshot-200px(Producer) Rachel Karpf Reidy works with artists and cultural institutions to produce theater and live performance pieces that inspire, delight, and move audiences. Recent works include Todd Almond and Courtney Love’s Kansas City Choir Boy (ART/Beth Morrison Projects) and Jay Scheib and Keeril Makan’s Persona (M.I.T & National Sawdust/Beth Morrison Projects). As Associate Director of Page 73: Clare Barron’s You Got Older, directed by Anne Kauffman (2 OBIE Awards, 4 Drama Desk Award noms., Susan Smith Blackburn Prize finalist); George Brant’s Grounded, directed by Ken Rus Schmoll (Drama Desk Award nom.); Cori Thomas’ When January Feels Like Summer, directed by Daniella Topol (co-produced with EST). With the Institute for Psychogeographic Adventure, she has produced large-scale site-specific performance adventures including in the Brooklyn Museum (BEAT Festival), PRELUDE, Stony Brook University, and throughout the DUMBO neighborhood. For 13P: Lucy Thurber’s Monstrosity, Julia Jarcho’s American Treasure, and Madeline George’s The Zero Hour. Other projects at LCT3/Lincoln Center Theater, New York Theater Workshop, and the Commonweal Theatre. Creator of the lecture series Saloon; grant review panelist for NSYCA and others. BA: Dartmouth College. rachelkarpfreidy.com


WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Tamilla Woodard

Woodard,-Tamilla-Headshot-200px(Director) Tamilla Woodard is a theatre director working nationally and internationally. Currently, she is serving as the Artistic Director of The Five Boroughs/One City Project, a multi-year initiative of The Working Theater. The project supports the commissioning and development of 5 Playwright/Director teams working in collaborations and creating theatrical works in response to and inside of working class communities in all 5 boroughs. She is co-founder of PopUp Theatrics, a partnership creating site specific and immersive productions around the world. She is a Usual Suspect at New York Theatre Workshop, alumnus of The Lincoln Center Directors Lab and former Audrey Fellow at New Georges. She graduated from The Yale School of Drama’s Acting program and is the recipient of The Josephine Abady Award from The League of Professional Theatre Women and The Charles Bowden Award from New Dramatists. Her work has been presented and developed at the Working Theater, NYTW, New Georges, HERE, The Lark, The Actors Theatre of Louisville, PS122, DR 2, The Culture Project, Urban Stages, Dance Theatre Workshop, The Kitchen Theatre and for festivals and theater’s Internationally. Most recent work includes: A Midsummer Nights Dream, NY Times Critics Pick, Cherry Smoke by James McManus, and La Ruta by Ed Cardona Jr, for Working Theater, NYC (NY Times End of Year List of Notable productions). For PopUP: Broken City: Harlem, a site specific commission by The Harlem Arts Festival. Long Distance Affair, a Skype immersive performance with editions in Romania, Argentina, Mexico, Scotland and the US; INSIDE, a site specific production with editions in Bucharest and Madrid. Upcoming: The Block by Dan Hoyle, Working Theater and Broken City: Wall Street, PopUP Theatrics.


WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


@WomensProject #PipelineFestival / #WPLab

WATCH: Behind the Scenes with the QUEENS Creative Team

WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: RACHEL SUSSMAN

Rachel-Sussman---#RugDealerPlay-350px

(Producer) Rachel Sussman is a New York-based producer committed to nurturing diverse work through creative collaboration. She serves as the Director of Programming for The New York Musical Theatre Festival and is a co-founder of The Indigo Theatre Project as well as The MITTEN Lab, a new emerging artist residency in her native state of Michigan. Rachel has worked with such companies as Second Stage Theatre, 321 Theatrical Management, RKO Stage, Goodspeed Musicals’ Mercer Colony, Lincoln Center’s American Songbook, The Tony Awards, and CREATE-Ireland in Dublin, Ireland. Producing credits include: Talk to me about Shame (FringeNYC, Overall Excellence Award), Lemon Cake (133rd St. Arts Center), The Imaginary Menagerie (Joe’s Pub), and, most recently, The Woodsman (59E59 & New World Stages). She is currently developing a new musical with composer/lyricist Shaina Taub. Rachel is a trustee for The Awesome Foundation NYC and sits on Advisory Boards for The Musical Theatre Factory and Strangemen & Co. She is a graduate of the Commercial Theater Institute and a University Scholar alumna of NYU Tisch.


 

Instagram square Rug Dealer

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: THE CAST OF THE RUG DEALER

Farah Bala (Shiraz) Originally from Bombay, India, Farah is an actor, producer & leadership coach based in NY. Barrymore Award Nomination for Outstanding Leading Actress (alongside theatre veteran Anna Deavere Smith). MFA Theater: Sarah Lawrence College; 2-year recipient of the Fezana Performing Arts Award. Select Theatre: Tales from the Tunnel; Honor Killing; In the Book Of; One-woman show To The Death of My Own Family, Macbeth, Two Gentlemen of Verona. Select Film & TV: Entre Nos; The War Within; Karma, Confessions and Holi; Broad City. New play development at The Actors Studio, Labyrinth, Women’s Project, Red Bull, Rising Circle, The Lark, Ma Yi, among others. Profiled in Umbrage Edition’s national award winning book, GREEN CARD STORIES – one of 50 profiles of recent immigrant stories from around the world. farahbala.com

Soraya Broukhim (Azar) NYC Theatre Credits: Petrol Station (NYU/BAM), No Place to Hide (The Living Theatre, Bread & Puppet Theatre), I am Gordafarid (NYTW & Rising Circle), Soundwaves: The Passion of Noor Inayat Khan (Fringe), Blackbird (One woman show, Schmucks Theatre), Here We Are, History of the World, SMOPS, Korach by Judith Malina (The Living Theatre), Red Tent Fabrik (JoyceSoho), Antigone, Betrothed (Ripe Time), Gut Girls (Chocolate Factory), Woyzeck (CultureProject), Innocent Erendira (Here), Logic of the Birds (Lincoln Center). Regional Theatre: Scorched (Syracuse Stage), In the Heart of America (Interact Co. PA), Wintertime (San Jose Rep), Afghan Women (Passage Theatre, NJ), Sodom & Gomorrah (O’Neill  Playwrights Conference), Danny and the Deep Blue Sea (CT), & Blue Demon (WTF) dir. Darko Tresnjak. Europe: Antigone (Romania, UNESCO/ITI). TV/Film: “Madam Secretary,” Xenophilia, Flat Tire, Headshot, Rosewater, America 1979, Eugenia & John, An Encounter with Simone Weil, The Push. Graduate of Fordham University LC, BAADA, NTI, & St. Petersburg Arts Theatre Academy. Adjunct Professor of Theatre at Fordham University and Artistic Associate of the Living Theatre. sorayabroukhim.com

Edward A. Hajj (Raba) is delighted to be a part of the first ever “Pipeline Festival.” New York credits include: Manhattan Theatre Club, Roundabout Theatre, New Georges, NAATCO, The Cherry Lane, Lark, New Dramatists, Naked Angels, Lincoln Center & EST.  Regional: Actors Theatre, Hartford Stage, Long Wharf, Alliance, InterAct. Many thanks to Rachel, Lee, Riti, Lisa and the WP staff, my acting partners and the “rug-dealing” production team. The best is yet to come. edwardhajj.com

Rita Wolf (Mariam) started her career with the Royal Court Youth Theatre in London. Her first professional job was Joint Stock Theatre Co’s Borderline by Hanif Kureishi. She has gone on to a career in theatre, TV and film which in the US includes Tony Kushner’s Homebody/Kabul at NYTW, BAM and Mark Taper Forum, David Grieg’s The American Pilot at MTC (Drama Desk nomination) and A.R. Gurney’s O, Jerusalem at The Flea. In 1991 she co-founded Kali Theatre Co in London to produce exclusively the work of female South Asian Theatre practitioners. Their latest show The Dishonoured by Aamina Ahmad opened in London this March.


 

Instagram square Rug Dealer

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay


@WomensProject #PipelineFestival / #WPLab

VIEW PRODUCTION PHOTOS: VEIL’D

VIEW PHOTOS: FALL IN LOVE WITH VEIL’D by Monet Hurst-Mendoza, directed Sarah Krohn, and produced by Kristen Luciani for THE PIPELINE FESTIVAL!
THE PIPELINE FESTIVAL: VEIL'D


Veil'd---Instagram-Post-Ad


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Kristen Luciani

Luciani, Kristen -Headshot- 400px

(Producer) Kristen Luciani currently works in general management at DR Theatrical Management. She is also an independent producer and formerly served as Associate Producer to Elizabeth I. McCann. Kristen has previously worked with The Public Theater and Playwrights Horizons. Independent credits include: Judith (Kraine Theater) and We Declare You a Terrorist (Summer Play Festival). As Management Associate to Liz McCann and Joey Parnes, Broadway credits include: Hair, The Merchant of Venice, and Bloody Bloody Andrew Jackson. Kristen is also the co-founder and Executive Producer of Paradox Productions, a boutique Executive Producing and General Management firm (www.paradoxprods.com). She holds a BFA in Theater/Producing from NYU-Tisch School of the Arts.


 

Veil'd---Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

PHOTOS: The Pipeline Festival ‘Kick Off’

View a slideshow of photographs from the ‘Kick Off’ toast and party for WP’s inaugural Pipeline Festival:

The Pipeline Festival Kick Off


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: CYGNUS Begins March 24!

WEEK 1: March 24 – 26

CYGNUS

An inexplicable and life-altering event sends Cydney on a search for a divine solution to her earthly problems.

By Susan Soon He Stanton
Directed by Danya Taymor
Produced by Liz Olson

Starring Damon DaunnoTeresa Avia Lim, Kate Rigg

Cydney believes an angel rescued her from an ineffable trauma, and the truth may prove stranger than she imagines. In this mythic, hilarious, and poetic new play, Susan Soon He Stanton spins a dark fairy tale where a burnt feather may illuminate the possibility of a divine intervention. #CygnusPlay


Cgynus-Instagram-Post-Ad


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: CYGNUS’ Kate Rigg

Kate Rigg 1 (Cygnus)Kate Rigg (Mama Hansen) Off Broadway: The JammerThree Kinds of Exile (Atlantic), BFE (LongWharf/Playwrights Horizons), Dogeaters (The Public) Vagina Monologues (Westside Theater) Most Fabulous Story (NYTW) Regional: Playmakers Rep, ATL, Brava, CTGLA, New World Theater, Out North, Conworks. TV: The PathLaw and Order SVU, Law and Order, Law and Order CI, Fox’s Family Guy, One Night Stand-Up, Dr. Phil,  Comedy Central Women in Comedy, Showtime’s Hot Tamales, Film: Race Is the Place, That’s What She Said, The Naughty Show. Artist Residencies: Smithsonian Institute, NYFA, Comedy Central Theater. Lead Singer of the spoken word/rock outfit Slanty Eyed Mama. Stand Up Comic and solo artist in stadiums and dive bars around the world.  Graduate: Julliard. www.katerigg.com


Cgynus-Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: CYGNUS’ Teresa Avia Lim

Teresa-Avia-Lim-(Cygnus)Teresa Avia Lim (Cydney Hansen) Theatre: NAATCO’S Awake and Sing and Macbeth Mobile Shakespeare Unit at the Public Theater, Peerless at Yale Rep, 4000 Miles at Long Wharf Theatre, Seminar at Philadelphia Theatre Co. Originated her roles in Water by the Spoonful at Hartford Stage, Edith Can Shoot Things and Hit Them at Humana Festival/ Actors theatre of Louisville and Concerning Strange Devices From the Distant West at Berkeley Rep. Also appeared in productions of Lorenzaccio, Pericles, Macbeth, and the Tempest at The Shakespeare Theatre of Washington DC. Television: “Blue Bloods”, “Limitless”, “Unforgettable”, “Law and Order: Criminal Intent”. Film: Dispatched. Training: Yale School of Drama: An Inaugural Recipient of Jerome L. Greene Scholarship.


Cgynus-Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: CYGNUS’ Damon Daunno

Damon Daunno (Cygnus)

Damon Daunno (Jason) is an Actor and Musician from New Jersey. He received a B.F.A. in Drama from NYU’s Tisch School of the Arts. Some acting credits include: Broadway: Kneehigh Theater Co.’s Brief Encounter. Off Broadway: Kneehigh Theater Co.’s Wild Bride (St.Ann’s Warehouse), Tristan and Yseult (St.Ann’s Warehouse). Regional: Oklahoma! (Bard), These Paper Bullets! (Geffen Playhouse), The Last Goodbye (Williamstown), Fly By Night (Dallas Theater Center), Jesus in India (Magic). Film & TV: “The Following” (Fox). He is also a composer and multi-intsrumentalist and has produced scores for short and feature length films. He is represented by Abrams Artist Agency and Authentic Management.


Cgynus-Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Susan Soon He Stanton

Soon-He-Stanton,-Susan---Headshot-200px(Playwright) Susan Soon He Stanton’s plays include Takarazuka!!!, Today Is My Birthday, SEEK, The Things Are Against Us, Cygnus, The Underneath, and more. Her plays have been produced or developed at Clubbed Thumb, East West Players, Playwrights Horizons, New York Theater Workshop, Kennedy Center, The Flea, Washington Ensemble Theater, Joe’s Pub, Oregon Shakespeare Festival, and others.

She is a two-time Sundance Institute Fellowship/Residency recipient. Writing groups and residencies include Public Theater’s Emerging Writers Group, Playwrights Center Corewriter, SoHo Rep Writer-Director Lab, Lark Van Lier Fellowship, Hedgebrook, and MaYi Playwrights Lab. Other awards include Southern Rep’s Ruby Prize Runner-up, Susan Glaspell Prize Finalist, Kilroy’s List, a Susan Smith Blackburn nomination, and a NET Partnership Grant with Satori Group. She is a writing consultant for Disney Creative Entertainment. She received a Feature Film Development Grant from the Sloan Foundation. Films include Dress, Dispatched, Good House, and Same Will. BFA: NYU Tisch, MFA: Yale School of Drama.


Cgynus-Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Liz Olson

Olson,-Liz---headshot-200px(Producer) Liz Olson is a freelance producer and the General Manager/Line Producer of Tectonic Theater Project (Carmen, The Tallest Tree in the Forest, Uncommon Sense). Previously, she was the Managing Director of Studio 42, where she produced Ken Urban’s Wasps and worked on productions of Bekkah Brunstetter’s Miss Lilly Gets Boned and Gregory S. Moss’s Billy Witch. In the past, she has worked at NYU’s Skirball Center for the Performing Arts, NYTW, Playwrights Realm, and Two River Theater Company. She is the producer for Reentry, which tours US Naval bases as part of their soldier reintegration training. This brings her full circle in life as she is a third generation Navy brat who now produces theater for the Navy. Freelance includes Couriers and Contrabands and Be A Good Little Widow.  She holds an MBA in Public and Nonprofit Management from Boston University and a bachelor’s from The College of William and Mary.


Cgynus-Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Pearl Hodiwala

Hodiwala,Pearl-Headshot-200px(Producer) Pearl Hodiwala is from Sydney, Australia and has a background in development, fundraising and producing and theatre management.  Pearl has worked as Philanthropy Coordinator at Belvoir Street Theatre, and Producing Fellow at The Public Theater. Currently, Pearl is Strategy and Business Development Coordinator with Disney Theatrical Productions and Managing Director of Kaimera Productions (www.kaimeraproductions.com).  Selected works: Jupiter (a play about power) (La Mama), The Fall (Flamboyan Theatre) and Underland (59E59). Member of the Women’s Project Producers Lab 2014-2016. Bachelor Arts and Science from Sydney University and Masters of Arts Administration from Columbia University.


Kings - Twitter Post Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: LEE SUNDAY EVANS

Lee-Sunday-Evans-#rugdealerplay(Director) Lee Sunday Evans is a director and choreographer. Credits Include: Wellesley Girl by Brendan Pelsue at Humana/Actors Theater of Louisville, a workshop production of Miller, Mississippi by Boo Killebrew at Alley All New, D Deb Debbie Deborah by Jerry Lieblich at Clubbed Thumb; A Beautiful Day in November on the Banks… by Kate Benson at New Georges/Women’s Project Theater (OBIE Award), The Play About My Dad by Boo Killebrew at 59E59 Theatres; God’s Ear by Jenny Schwartz at Juilliard; Family Play (1979 to Present) by CollaborationTown; and The Caucasian Chalk Circle by Bertolt Brecht with original music by Nicholas C. Williams. Additionally, her work has been presented/developed at Baryshnikov Arts Center, Sundance Institute Theater Program, Brooklyn Arts Exchange, CATCH, Lower Manhattan Cultural Council and Robert Wilson’s Watermill Center. She is currently developing new projects with Andy Bragen, Kate Benson and Matthew Paul Olmos among others. As the resident director for CollaborationTown, she is currently developing a new musical as part of New Victory’s LabWorks, and working on a commission from LCT3. Upcoming: Macbeth at Hudson Valley Shakespeare Festival.


 

Instagram square Rug Dealer

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Adrienne Campbell-Holt

Campbell-Holt,-Adrienne-Headshot-200px(Director) Adrienne Campbell-Holt is the Founding Artistic Director of Colt Coeur, a Brooklyn-based theatre company. Upcoming: world premiere of Cal in Camo (co-pro Rattlestick & Colt Coeur), Dear Elizabeth (Dorset Theater Festival). Recent world premieres: Theresa Rebeck’s The Nest (Denver Theatre Company), One Child Born (Oberon at American Repertory Theater), How to Live on Earth by MJ Kaufman (Colt Coeur @ HERE, September 2015), Chiara Atik’s 52nd to Bowery (EST Marathon), Dry Land by Ruby Rae Spiegel (Colt Coeur @ HERE, NYC), Greg Moss’ REUNION (South Coast Rep), Everything is Ours by Nikole Beckwith (Colt Coeur @ HERE), Recall by Eliza Clark (Colt Coeur @ Wild Project), Fish Eye (Colt Coeur @ HERE). Other productions: Red starring Tim Daly (Dorset Theater Festival, VT), The Last Days of Judas Iscariot (Yale), world premiere of Seven Minutes in Heaven by Steven Levenson (Emerging America Festival, Huntington Theatre Company and Colt Coeur @ HERE). Adrienne is a Time Warner/Women’s Project Lab 2014-2016 Fellow. She has developed work with La Jolla Playhouse, Roundabout Underground, Playwrights Horizons, Clubbed Thumb, New Georges, Playwrights’ Center and EST. She is also the director of #makeitfair. BA Barnard College, Columbia University.


Kings - Twitter Post Ad

 


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: UNTITLED

WEEK 5: April 21 – April 23

UNTITLED

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #UntitledPipeline

 


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: THE RUG DEALER

WEEK 4: April 14 – April 16

THE RUG DEALER

THE RUG DEALER

“I’m mad to be a woman running this rug business…but sometimes the right person comes along for the right rug and the match is magic.”

By Riti Sachdeva
Directed by Lee Sunday Evans
Produced by Rachel Sussman

Starring Farah Bala, Soraya Broukhim, Edward HajjRita Wolf

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay

 


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: KINGS

WEEK 3: April 7 – April 9

KINGS

By Sarah Burgess
Directed by Adrienne Campbell-Holt
Produced by Pearl Hodiwala

Starring Quincy Tyler BernstineJess Love, Larry Pine, Charles Socarides

A first term congresswoman worries for the state of our republic when she experiences Washington’s political fundraising apparatus up close. When she doesn’t play along with lobbyists, her numbers suffer, and her party tries to push her aside. Tries. #KingsPlay

 


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: VEIL’D

WEEK 2: March 31 – April 2

VEIL’D 

Not every fairy tale has sunshine.

By Monet Hurst-Mendoza
Directed by Sarah Krohn
Produced by Kristen Luciani

Starring Dahlia AzamaPurva Bedi, Tommy Crawford, Dariush KashaniMatthew Van Oss

16-year old Dima has a rare skin allergy that compels her to hide behind her mother’s old burqa. Her parents worry she’s lonely and wish they could give her the perfect American upbringing they imagined when they left Afghanistan. But they don’t know about Dima’s secret friends: Elliot, a self-described beatnik who spends his days hawking poems on the street corner below her window, and a talking nurse shark named Speedo. With a little encouragement from her fairy god-shark, Dima and Elliot’s relationship begins to blossom–but can Dima really expect a happy ending? #VeildPlay

 

 


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: CYGNUS

WEEK 1: March 24 – 26

CYGNUS

An inexplicable and life-altering event sends Cydney on a search for a divine solution to her earthly problems.

By Susan Soon He Stanton
Directed by Danya Taymor
Produced by Liz Olson

Starring Damon DaunnoTeresa Avia Lim, Kate Rigg

Cydney believes an angel rescued her from an ineffable trauma, and the truth may prove stranger than she imagines. In this mythic, hilarious, and poetic new play, Susan Soon He Stanton spins a dark fairy tale where a burnt feather may illuminate the possibility of a divine intervention. #CygnusPlay

 


@WomensProject #PipelineFestival / #WPLab

PHOTO FLASH: THE PIPELINE FESTIVAL

Go Behind the Scenes of the Pipeline Festival Photo Shoot with this slideshow:

The Pipeline Festival


@WomensProject #PipelineFestival / #WPLab

GO BEHIND THE SCENES: THE PIPELINE FESTIVAL


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Sarah Burgess

Burgess,-Sarah-Headshot-200px(Playwright) SARAH BURGESS‘s play Dry Powder premiered at the Public Theater this March. Dry Powder was a recipient of the 2016 Laurents/Hatcher Foundation Award, and a finalist for the Blackburn prize.  Other plays include Camdenside (Ground Floor selection, Berkeley Rep; Kilroys List 2015) and FAIL: Failures (ANT Fest).  Writer for The Tenant (Woodshed Collective) and “Naked Radio,” Naked Angels’ podcast series.  Burgess has been a writer-in-residence at SPACE on Ryder Farm and the Cape Cod Theatre Project. Member of the WP Lab; Ars Nova Play Group alum.


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Sarah Krohn

Krohn,-Sarah-Headshot-cropped 400px

(Director) Sarah Krohn’s directing credits include Horse Girls by Jenny Rachel Weiner (the cell), The Pits by Joshua Harmon (Williamstown Theater Festival), You Remind Me of You by Matthew Capodicasa (Fordham/Primary Stages), The Next War by Kate Mulley (Columbia Playwriting); Parade (Yale Dramat), and Victor Frange Presents Gas, which she co-conceived with Dan O’Neil (Incubator Arts). Member of the 2014-16 Women’s Project Theater Lab, Lincoln Center Theater Director’s Lab and Soho Rep’s Writer/Director Lab; recipient of Williamstown Theater Festival’s Sagal Fellowship; co-facilitator of the New Georges Jam writer/director group. Graduate of Columbia University (BA) and Carnegie Mellon (MFA). www.sarahkrohn.com


 

Veil'd---Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Lee Sunday Evans

Evans,-Lee-Sunday-Headshot-300px

(Director) Lee Sunday Evans is a director and choreographer. Credits Include: Wellesley Girl by Brendan Pelsue at Humana/Actors Theater of Louisville, a workshop production of Miller, Mississippi by Boo Killebrew at Alley All New, D Deb Debbie Deborah by Jerry Lieblich at Clubbed Thumb; A Beautiful Day in November on the Banks… by Kate Benson at New Georges/Women’s Project Theater (OBIE Award), The Play About My Dad by Boo Killebrew at 59E59 Theatres; God’s Ear by Jenny Schwartz at Juilliard; Family Play (1979 to Present) by CollaborationTown; and The Caucasian Chalk Circle by Bertolt Brecht with original music by Nicholas C. Williams. Additionally, her work has been presented/developed at Baryshnikov Arts Center, Sundance Institute Theater Program, Brooklyn Arts Exchange, CATCH, Lower Manhattan Cultural Council and Robert Wilson’s Watermill Center. She is currently developing new projects with Andy Bragen, Kate Benson and Matthew Paul Olmos among others. As the resident director for CollaborationTown, she is currently developing a new musical as part of New Victory’s LabWorks, and working on a commission from LCT3. Upcoming: Macbeth at Hudson Valley Shakespeare Festival.

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Susan Soon He Stanton

Soon-He-Stanton,-Susan---Headshot-300px

(Playwright) Susan Soon He Stanton’s plays include Takarazuka!!!, Today Is My Birthday, SEEK, The Things Are Against Us, Cygnus, The Underneath, and more. Her plays have been produced or developed at Clubbed Thumb, East West Players, Playwrights Horizons, New York Theater Workshop, Kennedy Center, The Flea, Washington Ensemble Theater, Joe’s Pub, Oregon Shakespeare Festival, and others.

She is a two-time Sundance Institute Fellowship/Residency recipient. Writing groups and residencies include Public Theater’s Emerging Writers Group, Playwrights Center Corewriter, SoHo Rep Writer-Director Lab, Lark Van Lier Fellowship, Hedgebrook, and MaYi Playwrights Lab. Other awards include Southern Rep’s Ruby Prize Runner-up, Susan Glaspell Prize Finalist, Kilroy’s List, a Susan Smith Blackburn nomination, and a NET Partnership Grant with Satori Group. She is a writing consultant for Disney Creative Entertainment. She received a Feature Film Development Grant from the Sloan Foundation. Films include Dress, Dispatched, Good House, and Same Will. BFA: NYU Tisch, MFA: Yale School of Drama.

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: RITA SACHDEVA

RITI-SACHDEVA

(Playwright) Riti Sachdeva is a theatre maker, dancer, and cultural worker. She has developed work with the Public Theater, The Civilians R&D Group, PlayWrights Center, National New Play Network, University of Hawaii Asian Theatre Program, American Theater Company, Working Theatre, Manhattan Theatre Works, and Lincoln Center Director’s Lab. Her play Parts of Parts & Stitches received The Kennedy Center’s Quest for Peace award. She is a recipient of a TCG On the Road grant and recently traveled to Kerala, India to start adapting elements of Kathakali to her stage play Other Farmers’ Fields. Acting highlights include work with DisneyChannel, HBO, various awesome indie films, National Hispanic Cultural Center, MTWorks, Honest Aaccomplice, EarSay, Hybrid, and performances of her original works with MidNites cHiLd Productions in LA, Toronto, Albuquerque, Santa Fe, and NYC. Riti continues to write, act, and study her beloved flamenco.


 

Instagram square Rug Dealer

When Raba Zacharai suddenly passes away, his daughter Shiraz inherits the prominent Persian rug shop he built in New Haven after leaving Iran in 1979. After diving into a love affair with a dangerously beautiful customer and discovering her mother’s secret longing to return to her homeland after years in exile, Shiraz must negotiate the costly business of carpets, family, duty, and desire. #RugDealerPlay

 


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Martyna Majok

Majok, Martyna-Headshot-200px(Playwright) Martyna Majok was born in Bytom, Poland, and aged in Jersey and Chicago. Her plays have been performed and developed at Steppenwolf Theatre Company, Marin Theatre Company, Actors Theatre of Louisville, LAByrinth Theatre Company, Rattlestick Playwrights Theatre, Women’s Project Theater, Ensemble Studio Theatre, The John F. Kennedy Center, Williamstown Theatre Festival, Dorset Theatre Festival, New York Stage & Film, Yale Cabaret, The Playwright and Director Center of Moscow, Round House Theatre, Satori Group, Red Tape Theatre, and The LIDA Project, among others. Awards include the inaugural Women’s Invitational Prize at Ashland New Play Festival, The Kennedy Center’s Jean Kennedy Smith Award, Marin Theatre’s David Calicchio Emerging American Playwright Prize, New York Theatre Workshop’s 2050 Fellowship, Aurora Theatre’s Global Age Project Prize, National New Play Network’s Smith Prize for Political Playwriting, Jane Chambers Student Feminist Playwriting Prize, and The Merage Fellowship for the American Dream. Commissions from Geffen Playhouse, South Coast Rep, Manhattan Theatre Club, Marin Theatre Company, “The New Yorker” website, Ensemble Studio Theatre, and The Foundry Theatre. Publications by Dramatists Play Service, Samuel French, TCG, and Smith & Kraus. Residencies at SPACE on Ryder Farm, Fuller Road, Marble House Project, and Ragdale. BA: University of Chicago; MFA: Yale School of Drama. Martyna is currently part of the Lila Acheson Wallace American Playwright Program at The Juilliard School. She has taught playwriting at Williams College, Wesleyan University, SUNY Purchase, and as an assistant to Paula Vogel at Yale. Alumna of EST’s Youngblood. Member of Women’s Project Lab, The Dramatist Guild, and New York Theatre Workshop’s Usual Suspects. Martyna was the 2012-2013 NNPN playwright-in-residence. She is the 2015-2016 PoNY Fellow at the Lark Play Development Center.


WEEK 5: April 21 – April 23

QUEENS

The award-winning playwright Martyna Majok unveils her latest work for Pipeline Festival audiences.

By Martyna Majok
Directed by Tamilla Woodard
Produced by Rachel Karpf Reidy

Starring Sofiya AkilovaPaola Lázaro, Marjan NeshatAmanda Quaid, Ana Reeder, Andrea Syglowski

Martyna Majok, author of WP’s recent hit IRONBOUND, continues her exploration of the people on the fringes of society through a fierce and funny new play about immigrant women seeking more than the American Dream. Don’t miss this chance to see this award-winning playwright’s newest work in its earliest stages! #QueensPlay


@WomensProject #PipelineFestival / #WPLab

The Pipeline Festival: Monet Hurst-Mendoza

Hurst-Mendoza,-Monet-Headshot-cropped 440px

“Variety excites me. I like seeing atypical stories told from various perspectives.” – Monet Hurst-Mendoza

(Playwright) Monet Hurst-Mendoza is a New York-based playwright from Los Angeles, CA. Her plays have been developed with Rising Circle Theater Collective, |the claque|, Lookingglass Theatre, The Oneness Project, The Other Mirror, The Kupferberg Center, #serials@The Flea, Amios (Shotz!), and Playwright’s Playground at Classical Theatre of Harlem. She is the current Playwright in Residence for The Other Mirror, and a member of the 2016 inaugural Mitten Lab in Detroit, |the claque|’s Octo-Group, the 2017 Emerging Writers Group at The Public Theater, and the 2014-2016 Women’s Project Lab Time Warner Foundation Fellow. Proud member: Rising Circle Theater Collective, and |the claque|. B.A.: Marymount Manhattan College.


 

Veil'd---Instagram-Post-Ad

 


@WomensProject #PipelineFestival / #WPLab

John Krasinski to Lead Sarah Burgess’ DRY POWDER at The Public in 2016

Sarah Burgess headshotThe Public Theater announced today that John Krasinski has been cast in the role of “Seth” in the world premiere play DRY POWDER by Sarah Burgess (WP Lab Member, PIPELINE FESTIVAL). Directed by Thomas Kail, this gripping, razor-sharp new play about the people molding and messing with the American economy begins previews on Tuesday, March 1 and runs through Sunday, April 10. Read more here at Broadway World.

Learn more about THE PIPELINE FESTIVAL by the WP Lab, including Playwright Sarah Burgess: http://bit.ly/pipelinefestival.

#PipelineFestival

Take a Look Inside! WP’s New Season Brochure!


WP’s New Season Brochures! Subscribe Today!

Theatermania Features WP’s New Season!

theatermania logo

Sarah Ruhl’s Dear Elizabeth to Make New York Premiere at Women’s Project. The two-character drama is on tap for the organization’s 2015-16 season.

The two-character drama is on tap for the organization’s 2015-16 season.

David Gordon • Off-Broadway • Aug 24, 2015

Off-Broadway’s Women’s Project Theater has announced its 2015-16 season, set to take place at the organization’s new home, theMcGinn/Cazale Theatre.

The season will kick off with the New York premiere of Sarah Ruhl’s Dear Elizabeth, under the direction of Kate Whoriskey. Performed with a rotating cast (still to be announced), the drama follows the friendship between poets Elizabeth Bishop and Robert Lowell, whose relationship spanned 30 years and included more than 400 letters. The play will run from October 26-December 5.

Next is Martyna Majok’s Ironbound, directed by Daniella Topol. A coproduction with Rattlestick Playwrights Theater, the work follows Darja, a Polish immigrant cleaning lady, over the course of 20 years as she negotiates for her future with three different men who can offer her love or security, but never both. The work runs March 2-April 10.

Closing out the first season at the McGinn/Cazale is the first-ever WP Pipeline Festival, in which WP Lab playwrights, directors, and producers present five brand-new plays from March 24-April 23. The writers are Sarah Burgess, Monet Hurst-Mendoza, Martyna Majok, Riti Sachdeva, and Susan Soon-He Stanton. Directors are Adrienne Campbell-Holt, Lee Sunday Evans, Sarah Krohn, Danya Taymor, and Tamilla Woodard. Producers are Rachel Karpf Reidy, Pearl Kermani, Kristen Luciani, Liz Olson, and Rachel Sussman.

Women’s Project Theater is currently under the leadership of producing artistic director Lisa McNulty and managing director Maureen Moynihan.

For more information on WP’s New Season click here.

BroadwayWorld.com Features WP’s New Season!

bwwwhite

Sarah Ruhl’s DEAR ELIZABETH to Launch Women’s Project Theater’s 2015-16 Season at New Home

Women’s Project Theater, under the leadership ofProducing Artistic Director Lisa McNulty and Managing Director Maureen Moynihan, just announced the 2015-2016 Season and the beginning of its three-year residency at the McGinn/Cazale Theater (2162 Broadway, at 76th Street), creating an artistic home for women in theater.

“I’m thrilled for WP Theater to set down roots in this wonderful space with such a storied theatrical history, and to bring all of these brilliant women together in one season,” said McNulty. “Our upcoming season features such an exciting range of talent: from Sarah Ruhl, one of our most treasured and accomplished writers; to Martyna Majok, who is making her Off-Broadway debut; to a festival fully dedicated to new work from the emerging artists of the WP Lab. This is the essence of what WP Theater does-creating a theatrical home where female-identified artists are welcome at every point in their careers, a place where women’s voices are central. I’m also really excited to partner with The Kilroys and The Lilly Awards this year on a series of events that will celebrate all of these invaluable organizations under WP Theater’s new roof. With the generous support of The Royal Little Family Foundation, WP has been given the opportunity to make 76th & Broadway the destination for some of the most exciting new theater in town.”

WP Theater’s inaugural season at the McGinn/Cazale Theater will commence with the New York premiere of DEAR ELIZABETH, written by two-time Pulitzer Prize nominee and Tony Award nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play), directed by Kate Whoriskey (Ruined, Sweat) from October 26 to December 5, 2015. Drawn from the famed correspondence between Elizabeth Bishop and Robert Lowell – two of the twentieth century’s most brilliant poets – DEAR ELIZABETH tells a tale of unconventional friendship and intimacy that spanned thirty years and more than 400 letters, with postmarks from Maine to Key West, from London to South America. Performed with a rotating cast of the theater community’s most brilliant and beloved performers – to be announced shortly – DEAR ELIZABETH is an insightful and impassioned examination of Bishop and Lowell’s lives, their work, and the true nature of friendship.

In a co-production with Rattlestick Playwrights Theater, IRONBOUND by Martyna Majok (Petty Harbor), directed byDaniella Topol (When January Feels Like Summer, Row After Row) will make its New York Premiere March 2 – April 10, 2016 at Rattlestick Playwrights Theater. IRONBOUND is a darkly funny, heartbreaking portrait of a woman for whom love is a luxury – and a liability – as she fights to survive in America from award-winning playwright Martyna Majok. At a bus in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it’s time to talk money. Over the course of 20 years, three relationships, and three presidents, Darja negotiates for her future with men who can offer her love or security, but never both.

To cap off the first year at the McGinn/Cazale Theater, WP Theater will present the first-ever WP PIPELINE FESTIVAL in which WP Lab playwrights, directors and producers’ two-year residency culminates in the presentation of five brand new plays – written, directed and produced by the fifteen women of the WP Lab – from March 24 to April 23, 2016. As the artistic heart of WP Theater, the Lab provides rising stars in the industry with a vital professional network, entrepreneurial and leadership training, rehearsal space, and most significantly, tangible opportunities for the development and production of bold new work for the stage. The Lab artists featured in the inaugural WP PIPELINE FESTIVAL are:

Writers: Sarah Burgess, Monet Hurst-Mendoza, Martyna Majok, Riti Sachdeva, Susan Soon-He Stanton

Directors: Adrienne Campbell-Holt, Lee Sunday Evans, Sarah Krohn, Danya Taymor, Tamilla Woodard

Producers: Rachel Karpf Reidy, Pearl Kermani, Kristen Luciani, Liz Olson, Rachel Sussman

Some recent successes by WP Lab artists include: Director Adrienne Campbell-Holt’s theater company Colt Coeur’s production of Dry Land, by Ruby Rae Spiegel, earned rave reviews from New York’s top critics and was listed as one of New York Post’s Top 10 theater experiences of 2014. Playwright Majok’s IRONBOUND is a part of the 2015-2016 WP season, Lee Sunday Evans earned a 2015 Obie Award for her direction of A Beautiful Day in November on the Banks of the Greatest of the Great Lakes (New Georges, in association with WP Theater) and Sarah Burgess’s play, Dry Powder, is slated for the 2015-2016 season at the Public Theater, directed by Thomas Kail.

In addition to the two New York play premieres and WP PIPELINE FESTIVAL, WP Theater will also produce a series of events with other gender-focused theater and advocacy organizations, including The Kilroys (thekilroys.org) and The Lilly Awards (www.thelillyawards.org). WP Theater is invested in making its new artistic home a place where the theater community can come together to celebrate women’s talents and voices onstage. Details on these events to follow.

For details on WP subscriptions, visit WWW.WPTHEATER.ORG or call (212) 765-1706. WP Theater makes its home at the McGinn/Cazale Theater thanks to the generous support of The Royal Little Family Foundation.

WOMEN’S PROJECT THEATER (WP) is the nation’s oldest and largest theater company dedicated to developing, producing and promoting the work of female theater artists at every stage in their careers. WP Theater supports female-identified theater artists and the world-class, groundbreaking work they create, and provides a platform where their voices can be heard and celebrated on the American stage.

Founded in 1978 by visionary producer, Julia Miles, WP has been the launching pad for many of our nation’s most important theater artists. Eve Ensler, María Irene Fornés, Katori Hall, Pam MacKinnon, Lynn Nottage andLeigh Silverman, among many, many others, all found early artistic homes here. Throughout its 38 year history, WP has produced over 600 main stage productions and developmental projects, and published 11 anthologies of plays. No other producing institution in the country can claim this kind of ongoing history of advocacy and support for women in the theater, and we look ahead to the next generation of artists who will also begin their careers here.

WP Theater accomplishes its mission through several fundamental programs: the WP Lab, a two-year mentorship and new play development program for women playwrights, directors, and producers; the Playwright In Residence commissioning program; the Developmental series; and the Main Stage series, which features a full season of Off-Broadway productions written and directed by extraordinary theater artists.

Lisa McNulty (Producing Artistic Director). Lisa is about to enter her second season as Producing Artistic Director of Women’s Project Theater. Lisa comes to WP from Manhattan Theatre Club, where she served as Artistic Line Producer for eight seasons, working on more than 30 productions both on and off Broadway, including plays byLynn Nottage, Sarah Treem, Harvey Fierstein, and Tarell Alvin McCraney, among many, many others. Lisa has a long history with WP Theater. She was originally hired by the company’s founder, Julia Miles, as the Literary Manager from 1997-2000, where she dramaturged work by María Irene Fornés, Julie Hébert, and Karen Hartman, among others. In 2004, she returned to WP as its Associate Artistic Director where she served as the company’s casting director and literary manager and again ran WP’s Playwrights Lab. Her independent producing career includes projects with Sarah Ruhl, Todd Almond, and Lucy Thurber, all at 13P. Lisa has also served as the Producing Associate at the McCarter Theatre, acting as Line Producer on McCarter’s mainstage, as well as developing McCarter’s commissioned short series.

Maureen Moynihan (Managing Director) Maureen started her career in Chicago working for the Steppenwolf Theatre Company and commercial producer Fox Theatricals. Prior to joining WP Theater, Maureen spent over a decade working for Blue Man Productions in several positions including serving as their Executive Director for five North American Productions. Since moving to New York, she has worked for several nonprofit and commercial organizations including Manhattan New Music Project, York Theatre Company and the immersive theatrical experience Queen of the Night.

Selected through a highly competitive process, the WP Lab is the only program in America putting playwrights, directors, AND producers together in the same room. Providing both professional development and leadership training, Lab participants obtain executive coaching, make professional contacts, and receive training that proves invaluable to their development. The benefits of the WP Lab extend well beyond the two-year residency. Having forged strong working relationships in the Lab, both with fellow Lab artists and outside professional contacts, Lab artists continue to work together and with other brilliant voices in the artistic collective long after their official residency ends. WP’s top priority is to achieve a standard of excellence for these artists, advocating for women by producing stellar work featuring extraordinary talent.

For more information on WP’s New Season click here.

Playbill Features WP’s New Season!

playbill_logo

Sarah Ruhl NY Premiere Part of Women’s Project Theater Season 

By Robert Viagas
and Michael Gioia
25 Aug 2015

Women’s Project Theater, founded in 1978 to develop, produce and promote the work of women theatre artists, has announced its upcoming season lineup at its new artistic home.
To begin a three year residency at the McGinn/Cazale Theater (2162 Broadway, at 76th Street in New York) artistic director Lisa McNulty announced that the season will include the New York premieres of Sarah Ruhl’s Dear Elizabeth and Marytyna Majok’s Ironbound.

New this season will be the inaugural “Pipeline Festival,” which will include five new plays written, directed and produced by WP Lab Artists.

McNulty issued a statement calling the McGinn/Cazale Theater “an artistic home for women in theatre,” adding “I’m thrilled for WP Theater to set down roots in this wonderful space with such a storied theatrical history, and to bring all of these brilliant women together in one season. Our upcoming season features such an exciting range of talent: from Sarah Ruhl, one of our most treasured and accomplished writers; to Martyna Majok, who is making her Off-Broadway debut; to a festival fully dedicated to new work from the emerging artists of the WP Lab.”

She said, “This is the essence of what WP Theater does—creating a theatrical home where female-identified artists are welcome at every point in their careers, a place where women’s voices are central.”

Here’s a closer look at the season:

Dear Elizabeth (Oct. 26-Dec. 5) is written by two-time Pulitzer Prize nominee and Tony Award nominee Sarah Ruhl (The Oldest Boy, In the Next Room, or the vibrator play), directed by Kate Whoriskey. “Drawn from the famed correspondence between Elizabeth Bishop and Robert Lowell–two of the 20th century’s most brilliant poets–Dear Elizabeth tells a tale of unconventional friendship and intimacy that spanned 30 years and more than 400 letters, with postmarks from Maine to Key West, from London to South America.” It will be performed with a rotating cast of “the theater community’s most brilliant and beloved performers.”

Ironbound (Mar. 2-April 10, 2016) A co-production with (and performed at) Rattlestick Playwrights Theater. Written by Martyna Majok (Petty Harbor) and directed by Daniella Topol. Described as “a darkly funny, heartbreaking portrait of a woman for whom love is a luxury – and a liability – as she fights to survive in America. At a bus in a run-down New Jersey town, Darja, a Polish immigrant cleaning lady, is done talking about feelings; it’s time to talk money. Over the course of 20 years, three relationships, and three presidents, Darja negotiates for her future with men who can offer her love or security, but never both.”

The WP Pipeline Festival (Mar. 24-April 23) Five brand new plays – written, directed and produced by the fifteen women of the WP Lab: Writers Sarah Burgess, Monet Hurst-Mendoza, Martyna Majok, Riti Sachdeva and Susan Soon-He Stanton. Directors Adrienne Campbell-Holt, Lee Sunday Evans, Sarah Krohn, Danya Taymor and Tamilla Woodard. Producers  Rachel Karpf Reidy, Pearl Kermani, Kristen Luciani, Liz Olson and Rachel Sussman.

For more information on WP’s New Season click here.

American Theatre Magazine Features WP’s New Season!

copy-AT_masthead_tcg_blk_pad_logo

Women’s Project Theater Announces New Season in a New Home

Women’s Project Theater Announces New Season in a New Home
On the slate are Sarah Ruhl’s epistolary play about Elizabeth Bishop and Robert Lowell, and a co-production with Rattlestick of Martyna Majok’s ‘Ironbound.’
BY AMERICAN THEATRE EDITORS
NEW YORK CITY: Women’s Project Theater announced their 2015–16 season of plays, which will run in their new Upper West Side home at the McGinn/Cazale Theater. Producing artistic director Lisa McNulty and managing director Maureen Moynihan announced the beginning of a three-year residency at the theatre on Broadway at 76th Street.

“I’m thrilled for WP Theater to set down roots in this wonderful space with such a storied theatrical history, and to bring all of these brilliant women together in one season,” said McNulty in a statement. “This is the essence of what WP Theater does—create a theatrical home where female-identified artists are welcome at every point in their careers, a place where women’s voices are central.”

The season will begin with the New York premiere of Sarah Ruhl’s play Dear Elizabeth(Oct. 26–Dec. 5). The play, which will feature a rotating cast, examines the relationship between the poets Elizabeth Bishop and Robert Lowell through letters they wrote to each other.

Rattlestick Playwrights Theater and WP will then partner to present Ironbound by Martyna Majok (March 2–April 10), in its New York premiere. The play follows a woman for whom love is luxury.

Closing the season will be the first WP Pipeline Festival, running March 24–April 23. The festival will feature five new plays developed during the WP Lab’s two-year residency. The artists involved are Sarah Burgess, Money Hurst-Mendoza, Martyna Majok, Riti Sachdeva, Susan Soon-He Stanton, Adrienne Campbell-Holt, Lee Sunday Evans, Sarah Krohn, Danya Taymor, Tamilla Woodard, Rachel Karpf Reidy, Pearl Kermani, Kristen Luciani, Liz Olson, and Rachel Sussman.

WP Theater will also produce a series of events with other gender-focused theatre and advocacy groups, including the Kilroys and the Lilly Awards. Details of these events are yet to be announced.

For more information on WP’s New Season click here.