(Director)Adrienne is the Founding Artistic Director of Colt Coeur, a Brooklyn-based theatre company. Upcoming: The Big and the Small by Amelia Roper (Colt Coeur/NTYW) and Afterwords, a new musical by Zoe Sarnak and Emily Kaczmarek (Village Theater, Seattle). Adrienne has recently directed the world premieres of Downstairs by Theresa Rebeck starring Tyne Daly and Tim Daly (Dorset Theater Festival), Empathitrax by Ana Nogueria (Colt Coeur @ HERE, 2016), the world premiere of Cal in Camo by William Francis Hoffman (co-pro Rattlestick & Colt Coeur), a workshop production of Kings by Sarah Burgess starring Larry Pine and Quincy Tyler Bernstine (WP Theater, NYC), Dear Elizabeth by Sarah Ruhl (Dorset Theater Festival). Recent world premieres: Theresa Rebeck’s The Nest (Denver Theatre Company), One Child Born (Oberon at American Repertory Theater), How to Live on Earth by MJ Kaufman (Colt Coeur @ HERE, September 2015), Chiara Atik’s 52nd to Bowery (EST Marathon), Dry Land by Ruby Rae Spiegel (Colt Coeur @ HERE, NYC), Greg Moss’ REUNION (South Coast Rep), Everything is Ours by Nikole Beckwith (Colt Coeur @ HERE), Recall by Eliza Clark (Colt Coeur @ Wild Project), Fish Eye (Colt Coeur @ HERE). Other productions: Red starring Tim Daly (Dorset Theater Festival), The Last Days of Judas Iscariot (Yale), world premiere of Seven Minutes in Heaven by Steven Levenson (Emerging America Festival, Huntington Theatre Company and Colt Coeur @ HERE). Adrienne is a New Georges Affiliated Artist and an alum of the Time Warner/Women’s Project Lab, Lincoln Center Directors Lab, and a Foeller Fellow (Williamstown). She has developed work with La Jolla Playhouse, Roundabout Theater Company, Playwrights Horizons, Clubbed Thumb, Playwrights’ Center and EST. She is the Associate Director on the Broadway production of Dear Evan Hansen and the director of #makeitfair. Upcoming: Theresa Rebeck’s The Basement at Dorset Theatre Festival and Jon Caren’s A View of the Canyon at IAMA. BA Barnard College, Columbia University.
(Playwright) SARAH BURGESS‘s play Dry Powder premiered at the Public Theater this March. Dry Powder was a recipient of the 2016 Laurents/Hatcher Foundation Award, and a finalist for the Blackburn prize. Other plays include Camdenside (Ground Floor selection, Berkeley Rep; Kilroys List 2015) and FAIL: Failures (ANT Fest). Writer for The Tenant (Woodshed Collective) and “Naked Radio,” Naked Angels’ podcast series. Burgess has been a writer-in-residence at SPACE on Ryder Farm and the Cape Cod Theatre Project. Member of the WP Lab; Ars Nova Play Group alum.
(Director) Lee Sunday Evans Recent Credits include: Bull in a China Shop by Bryna Turner (LCT3), [Porto] by Kate Benson (Bushwick Starr), Caught by Christopher Chen (Play Co.), Macbeth (Hudson Valley Shakespeare Festival), Wellesley Girl by Brendan Pelsue (Humana Festival), D Deb Debbie Deborah by Jerry Lieblich (Clubbed Thumb), A Beautiful Day in November on the Banks of the Greatest of the Great Lakes. by Kate Benson (OBIE Award – New Georges/Women’s Project). Her work has been presented/developed at: Baryshnikov Arts Center, Sundance Theater Lab, BAX, CATCH, LMCC, Robert Wilson’s Watermill Center, Juilliard. Lee received the 2016 Susan Stroman Directing Award from The Vineyard Theater. Upcoming: Miller, Mississippi by Boo Killebrew (Dallas Theater Center), Dance Nation by Clare Barron (Playwrights Horizons).
(Producer) Pearl Hodiwala is from Sydney, Australia and has a background in development, fundraising and producing and theatre management. Pearl has worked as Philanthropy Coordinator at Belvoir Street Theatre, and Producing Fellow at The Public Theater. Currently, Pearl is Strategy and Business Development Coordinator with Disney Theatrical Productions and Managing Director of Kaimera Productions (www.kaimeraproductions.com). Selected works: Jupiter (a play about power) (La Mama), The Fall (Flamboyan Theatre) and Underland (59E59). Member of the Women’s Project Producers Lab 2014-2016. Bachelor Arts and Science from Sydney University and Masters of Arts Administration from Columbia University.
(Playwright) Monet Hurst-Mendoza is a New York-based playwright from Los Angeles, CA. Her plays have been developed with Rising Circle Theater Collective, |the claque|, Lookingglass Theatre, The Oneness Project, The Other Mirror, The Kupferberg Center, #serials@The Flea, Amios (Shotz!), and Playwright’s Playground at Classical Theatre of Harlem. She is the current Playwright in Residence for The Other Mirror, and a member of the 2016 inaugural Mitten Lab in Detroit, |the claque|’s Octo-Group, the 2017 Emerging Writers Group at The Public Theater, and the 2014-2016 Women’s Project Lab Time Warner Foundation Fellow. Proud member: Rising Circle Theater Collective, and |the claque|. B.A.: Marymount Manhattan College.
(Producer) Rachel Karpf Reidy works with artists and cultural institutions to produce theater and live performance pieces that inspire, delight, and move audiences. Recent works include Todd Almond and Courtney Love’s Kansas City Choir Boy (ART/Beth Morrison Projects) and Jay Scheib and Keeril Makan’s Persona (M.I.T & National Sawdust/Beth Morrison Projects). As Associate Director of Page 73: Clare Barron’s You Got Older, directed by Anne Kauffman (2 OBIE Awards, 4 Drama Desk Award noms., Susan Smith Blackburn Prize finalist); George Brant’s Grounded, directed by Ken Rus Schmoll (Drama Desk Award nom.); Cori Thomas’ When January Feels Like Summer, directed by Daniella Topol (co-produced with EST). With the Institute for Psychogeographic Adventure, she has produced large-scale site-specific performance adventures including in the Brooklyn Museum (BEAT Festival), PRELUDE, Stony Brook University, and throughout the DUMBO neighborhood. For 13P: Lucy Thurber’s Monstrosity, Julia Jarcho’s American Treasure, and Madeline George’s The Zero Hour. Other projects at LCT3/Lincoln Center Theater, New York Theater Workshop, and the Commonweal Theatre. Creator of the lecture series Saloon; grant review panelist for NSYCA and others. BA: Dartmouth College. rachelkarpfreidy.com
(Director) Sarah Krohn’s directing credits include Horse Girls by Jenny Rachel Weiner (the cell), The Pits by Joshua Harmon (Williamstown Theater Festival), You Remind Me of You by Matthew Capodicasa (Fordham/Primary Stages), The Next War by Kate Mulley (Columbia Playwriting); Parade (Yale Dramat), and Victor Frange Presents Gas, which she co-conceived with Dan O’Neil (Incubator Arts). Member of the 2014-16 Women’s Project Theater Lab, Lincoln Center Theater Director’s Lab and Soho Rep’s Writer/Director Lab; recipient of Williamstown Theater Festival’s Sagal Fellowship; co-facilitator of the New Georges Jam writer/director group. Graduate of Columbia University (BA) and Carnegie Mellon (MFA). www.sarahkrohn.com
(Producer) Kristen Luciani currently works in general management at DR Theatrical Management. She is also an independent producer and formerly served as Associate Producer to Elizabeth I. McCann. Kristen has previously worked with The Public Theater and Playwrights Horizons. Independent credits include: Judith (Kraine Theater) and We Declare You a Terrorist (Summer Play Festival). As Management Associate to Liz McCann and Joey Parnes, Broadway credits include: Hair, The Merchant of Venice, and Bloody Bloody Andrew Jackson. Kristen is also the co-founder and Executive Producer of Paradox Productions, a boutique Executive Producing and General Management firm (www.paradoxprods.com). She holds a BFA in Theater/Producing from NYU-Tisch School of the Arts.
(Playwright) Martyna Majok (pronounced “my-oak”) was born in Bytom, Poland, and aged in Jersey and Chicago. Her plays have been performed and developed at Steppenwolf Theatre Company, Marin Theatre Company, Actors Theatre of Louisville, Williamstown Theatre Festival, LAByrinth Theatre Company, Rattlestick Playwrights Theatre, Women’s Project Theater, Ensemble Studio Theatre, The John F. Kennedy Center, Dorset Theatre Festival, New York Stage & Film, Yale Cabaret, The Playwright and Director Center of Moscow, Round House Theatre, Satori Group, Red Tape Theatre, and The LIDA Project, among others. Awards include the inaugural Women’s Invitational Prize at Ashland New Play Festival, Marin Theatre’s David Calicchio Emerging American Playwright Prize, New York Theatre Workshop’s 2050 Fellowship, Aurora Theatre’s Global Age Project Prize, National New Play Network’s Smith Prize for Political Playwriting, Jane Chambers Student Feminist Playwriting Prize, and The Merage Fellowship for the American Dream. Commissions from Manhattan Theatre Club, Marin Theatre Company, Actors Theatre of Louisville, The New Yorker website, Ensemble Studio Theatre, and The Foundry Theatre. Publications by Samuel French and Smith & Kraus. Residencies at SPACE on Ryder Farm, Fuller Road, and Ragdale. BA: University of Chicago; MFA: Yale School of Drama. Martyna is currently part of the Lila Acheson Wallace American Playwright Program at The Juilliard School. She has taught playwriting at Williams College, Wesleyan University, SUNY Purchase, and as an assistant to Paula Vogel at Yale. Alumna of EST’s Youngblood. Member of Women’s Project Lab, Ars Nova’s Uncharted, The Dramatist Guild, and New York Theatre Workshop’s Usual Suspects. Martyna was the 2012-2013 NNPN playwright-in-residence at NJRep. She is the 2015-2016 PoNY Fellow at the Lark Play Development Center.
(Producer) Liz Olson is a freelance producer and the General Manager/Line Producer of Tectonic Theater Project (Carmen, The Tallest Tree in the Forest, Uncommon Sense). Previously, she was the Managing Director of Studio 42, where she produced Ken Urban’s Wasps and worked on productions of Bekkah Brunstetter’s Miss Lilly Gets Boned and Gregory S. Moss’s Billy Witch. In the past, she has worked at NYU’s Skirball Center for the Performing Arts, NYTW, Playwrights Realm, and Two River Theater Company. She is the producer for Reentry, which tours US Naval bases as part of their soldier reintegration training. This brings her full circle in life as she is a third generation Navy brat who now produces theater for the Navy. Freelance includes Couriers and Contrabands and Be A Good Little Widow. She holds an MBA in Public and Nonprofit Management from Boston University and a bachelor’s from The College of William and Mary.
(Playwright) Riti Sachdeva is a theatre maker, dancer, and cultural worker. She has developed work with the Public Theater, The Civilians R&D Group, PlayWrights Center, National New Play Network, University of Hawaii Asian Theatre Program, American Theater Company, Working Theatre, Manhattan Theatre Works, and Lincoln Center Director’s Lab. Her play Parts of Parts & Stitches received The Kennedy Center’s Quest for Peace award. She is a recipient of a TCG On the Road grant and recently traveled to Kerala, India to start adapting elements of Kathakali to her stage play Other Farmers’ Fields. Acting highlights include work with DisneyChannel, HBO, various awesome indie films, National Hispanic Cultural Center, MTWorks, Honest Aaccomplice, EarSay, Hybrid, and performances of her original works with MidNites cHiLd Productions in LA, Toronto, Albuquerque, Santa Fe, and NYC. Riti continues to write, act, and study her beloved flamenco.
(Playwright) Susan Soon He Stanton’s plays include Takarazuka!!!, Today Is My Birthday, SEEK, The Things Are Against Us, Cygnus, The Underneath, and more. Her plays have been produced or developed at Clubbed Thumb, East West Players, Playwrights Horizons, New York Theater Workshop, Kennedy Center, The Flea, Washington Ensemble Theater, Joe’s Pub, Oregon Shakespeare Festival, and others.
She is a two-time Sundance Institute Fellowship/Residency recipient. Writing groups and residencies include Public Theater’s Emerging Writers Group, Playwrights Center Corewriter, SoHo Rep Writer-Director Lab, Lark Van Lier Fellowship, Hedgebrook, and MaYi Playwrights Lab. Other awards include Southern Rep’s Ruby Prize Runner-up, Susan Glaspell Prize Finalist, Kilroy’s List, a Susan Smith Blackburn nomination, and a NET Partnership Grant with Satori Group. She is a writing consultant for Disney Creative Entertainment. She received a Feature Film Development Grant from the Sloan Foundation. Films include Dress, Dispatched, Good House, and Same Will. BFA: NYU Tisch, MFA: Yale School of Drama.
(Producer) Rachel Sussman is a New York-based producer committed to nurturing diverse work through creative collaboration. She serves as the Director of Programming for The New York Musical Theatre Festival and is a co-founder of The Indigo Theatre Project as well as The MITTEN Lab, a new emerging artist residency in her native state of Michigan. Rachel has worked with such companies as Second Stage Theatre, 321 Theatrical Management, RKO Stage, Goodspeed Musicals’ Mercer Colony, Lincoln Center’s American Songbook, The Tony Awards, and CREATE-Ireland in Dublin, Ireland. Producing credits include: Talk to me about Shame (FringeNYC, Overall Excellence Award), Lemon Cake (133rd St. Arts Center), The Imaginary Menagerie (Joe’s Pub), and, most recently, The Woodsman (59E59 & New World Stages). She is currently developing a new musical with composer/lyricist Shaina Taub. Rachel is a trustee for The Awesome Foundation NYC and sits on Advisory Boards for The Musical Theatre Factory and Strangemen & Co. She is a graduate of the Commercial Theater Institute and a University Scholar alumna of NYU Tisch.
(Director) Danya Taymor is a director and translator. Recent work includes Brian Watkins’ Wyoming (Lesser America) and My Daughter Keeps Our Hammer (The Flea), Anna Moench’s In Quietness (Dutch Kills/Walkerspace) and Wildrose (Sheen Center/The Claque), Lucy Teitler’s Engagements (Ensemble Studio Theater), I Hate Fucking Mexicans (The Flea) Chekhov’s The Cherry Orchard and Shakespeare’s The Tempest (NYU/Stella Adler). She is a 2014-2016 Time Warner Directing Fellow at Women’s Project Theater, a 2005 fellow at New York Theatre Workshop, an Artist in Residence at Theatre for a New Audience, an Associate Artist at The Flea Theater, a New Georges Affiliated Artist, a Visiting Artist at Strasberg/NYU and an alumna of the Lincoln Center Directors Lab and The Drama League. Upcoming work: Sarah Gancher’s The Place We Built (The Flea) and Justic Kuritzke’s The Sensuality Party (The New Group). BA: Duke University
(Director) Tamilla Woodard is a theatre director working nationally and internationally. Currently, she is serving as the Artistic Director of The Five Boroughs/One City Project, a multi-year initiative of The Working Theater. The project supports the commissioning and development of 5 Playwright/Director teams working in collaborations and creating theatrical works in response to and inside of working class communities in all 5 boroughs. She is co-founder of PopUp Theatrics, a partnership creating site specific and immersive productions and collaborations around the world.
She is a current Time Warner Directing Fellow at the Women’s Project Theater Lab, a Usual Suspect at New York Theatre Workshop, alumnus of The Lincoln Center Directors Lab and former Audrey Fellow at New Georges. She graduated from The Yale School of Drama’s Acting program and is the recipient of The Josephine Abady Award from The League of Professional Theatre Women and The Charles Bowden Award from New Dramatists. Her work has been presented and developed at the Working Theater, NYTW, New Georges, HERE, The Lark, The Actors Theatre of Louisville, PS122, DR 2, The Culture Project, Urban Stages, Dance Theatre Workshop, The Kitchen Theatre and for festivals and theater’s around the US and Internationally.
Most recent work includes: A Midsummer Nights Dream, NY Times Critics Pick, Cherry Smoke by James McManus and La Ruta, by Ed Cardona Jr, for Working Theater, NYC- NY Times End of Year List of Notable productions. For PopUP: Broken City: Harlem, a site specific commission by The Harlem Arts Festival. Long Distance Affair, a Skype immersive performance with editions in Romania, Argentina, Mexico, Scotland and the US; INSIDE, a site specific production with editions in Bucharest and Madrid. Upcoming: The Block, by Dan Hoyle, Working Theater, Harbur Gate, by Kathleen Cahill, Salt Lake Acting Company and Broken City: Wall Street, PopUP Theatrics.