Mary Bacon
Mary Bacon (Blue) Drama Desk Award for Patti in Coal Country, and Susan in Nothing Gold Can Stay, and her NYC theatre career. Broadway: Rock N Roll, Arcadia. Off-Broadway select credits: DIG, (Primary Stages), Coal Country, (Audible/The Public), Giant; (The Public), Harrison, TX, Roads to Home, Little Women, Happy Now? and Charles Busch’s The Tribute Artist; (Primary Stages), Days to Come, Women Without Men (Drama Desk/Lortel nominations, The Mint), Eccentricities of a Nightingale ( TACT). Recent regional: THE SCARLET LETTER (Two River),SWEAT (Guthrie). Film/TV and more at marybacon.net. Actors Center Member. For Andrew.
Sasha Diamond
Sasha Diamond (Red) (she/her) New York: Regretfully, So the Birds Are (Playwrights Horizons & WP Theatre), Peerless (Primary Stages), Once Upon a (Korean) Time (Ma-Yi), Teenage Dick (Ma-Yi & The Public), Bobbie Clearly (Roundabout), Significant Other (Broadway), Kentucky (Ensemble Studio Theatre), and others. Television credits include: Mystic Christmas (Hallmark), The Equalizer (CBS), Bull (CBS), New Amsterdam (NBC), NCIS: New Orleans (CBS), Magnum: PI (CBS), Tommy (CBS).
Amy Jo Jackson
Amy Jo Jackson (Green) (they/she): WP Debut! NYC: Ensemble Studio Theater, Company XIV, Prospect, Red Bull, NY Shakespeare Exchange, Exit Pursued by a Bear. Fav Regional: Singin’ in the Rain (Weston), Fun Home (SpeakEasy Stage), Cabaret (Flat Rock), Little Mermaid (Arkansas Rep), Cymbeline (Opera House Arts), Film/TV: Dicks: The Musical (A24), High Maintenance, and the singing voice of a crab in Under the Boardwalk (Paramount). They won a 2022 Bistro Award for their acclaimed Tennessee Williams solo show The Brass Menagerie (official selection of the 2022 Provincetown Tennessee Williams Festival and 2023 Tennessee Williams Festival St. Louis). Her play You Know What They Say About Scorned Women was a 2024 winner of the Red Bull Short New Play Festival. Their original musical Hatchetation (@hatchetationthemusical) was a 2021 selection at the O’Neill (NMTC) and the 2023 Kilroy’s List/Web. She was a finalist for the 2022 Larson Grant and is the recipient of a 2023 EST/Sloan Commission. Their work as a nightlife artist has found them on just about every cabaret and comedy stage in NYC, with solo engagements at 54 Below, Joe’s Pub, the Green Room 42 and the Duplex. This one’s for Jeff and the fam.
Richard Masur
Richard Masur (My Dad) Here is a sampling of his 52 year career: Broadway: Prayer For The French Republic, Lucky Guy, Democracy, and The Changing Room; Off-Broadway (partial): Sarah, Sarah, The Ruby Sunrise, Fetch Clay, Make Man, Relevance, The Net Will Appear. He has appeared in over 60 feature films, including Who’ll Stop the Rain; The Thing; Heartburn; Risky Business; Under Fire; My Girl; License to Drive; Another Year Together; Before, During and After; and Hudson. TV series (partial) – The Girls on the Bus, Kaleidoscope, Transparent, Younger, Girls, Bull, The Good Wife, The Good Fight, Orange Is the New Black, Red Oaks, MASH, One Day at a Time. Over 40 TV movies including – Fallen Angel, Adam, The Burning Bed (Emmy Nomination), It, And The Band Played On, and 61*. He was most recently seen on the HBO Max series The Girls On The Bus. Former National President, VP and Board Member of Screen Actors Guild & National Board Member of SAG-AFTRA. For a full list of his credits go to imdb.com.
Lakisha May
Lakisha May (Me) (she/her) Broadway: Jaja’s African Hair Braiding, Skeleton Crew (Manhattan Theatre Club); Off-Broadway: Everybody, In The Blood (Signature Theatre Company), Sojourners (NYTW, Playwright’s Realm), The Miser (Moliere in the Park); Regional Theater: La Jolla Playhouse, American Conservatory Theater, Alliance Theater, Arden Theatre, Marin Theater Company, and others. Film & TV: Historias del Canal, City on a Hill, Boardwalk Empire, Law & Order: SVU, Forever, Blue Bloods and others. Education: MFA, The American Conservatory Theater. BA, Spelman College. Lakisha creates her own work and has produced projects with Nikyatu Jusu, Rashad Frett, Saheem Ali, Monkeypaw Productions, and others. kishamay.com @kisha_may
Constance Shulman
Constance Shulman (Another Woman): Recent: Summerworks/Winterworks at Clubbed Thumb (Find Me Here/Chairs), The Best We Could, Manhattan Theater Club, Shhhh, Atlantic Theater Company, The Rose Tattoo, Roundabout, Broadway, Bobbie Clearly, Roundabout Underground (Drama Desk Nomination). TV: The Curse, SHO; Orange Is The New Black (three time SAG award for Best Ensemble in a comedy series), DOUG, animated series Nickelodeon/Disney. Film: From Fried Green Tomatoes to Strawberry Mansion.
Mathilde Dratwa
Mathilde Dratwa (Playwright) is a Belgian playwright and screenwriter based in Brooklyn. Her plays include Dirty Laundry (world premiere WP), which was commissioned and released as an audio play by Audible, for which she won the Henley Rose Award; Milk & Gall (world premiere Theatre503, London, published by Nick Hern Books); A Play about David Mamet Writing a Play about Harvey Weinstein; and Esther Perel Ruined My Life. Her work has been presented by the Ground Floor at Berkeley Rep, the Ojai Playwrights Conference, Roundabout Theatre Company, Rattlestick, Berkshire Theatre Group, American Players Theater, LAByrinth Theater Company, the Cape Cod Theater Project, and in London at the Young Vic. Mathilde is an inaugural Powers Playwriting Fellow at the Old Globe, an Affiliated Writer at the Playwrights’ Center, and was recently a member of the Orchard Project’s Greenhouse, a Dramatist Guild Foundation Playwriting Fellow and a member of New York Foundation for the Arts’ Immigrant Artist Program. She also writes for film and television; she has developed content for Netflix, FX, Chernin Entertainment, LuckyChap, Endeavor, Dirty Films, Red Wagon, Sony/TriStar and Wiip.
Rebecca Martinez
Rebecca Martinez (Director) (she/her) is a multidisciplinary director and the Cohort Collaborations Director for One Nation/One Project. Recent projects: Bite Me (WP Theater / Colt Coeur), It Happened in Key West (Fulton Theatre), Sancocho (WP Theater), Living and Breathing (Two River), Los Complicados (EST Marathon), Randy’s Dandy Coaster Castle (Egg & Spoon Collective), Songs About Trains (Working Theater and Radical Evolution), Somewhere Over the Border (Syracuse Stage and Geva Theatre). Rebecca co-adapted and directed the 2023 & 2024 touring bilingual musical production of The Comedy of Errors (The Public Theater’s Mobile Unit, Drama Desk Nomination, Outstanding Adaptation). She has developed new work with The Public Theater, Amas Musical Theater, the O’Neill, Latinx Playwrights Circle, the Sol Project, NAMT, INTAR, Working Theater, The Playwrights Realm, among others. Affiliations: Member of the Obie Award winning Sol Project Collective, Co-facilitator of the WP Directors Lab, 2021 TCG Rising Leaders of Color, Lincoln Center Theater Directors Lab, INTAR’s Unit52, New Georges Affiliated Artist, Drama League Directing Fellow, member of SDC. Awards: Colorado Henry Award for Directing; four Portland, Oregon Drammy Awards; Lilla Jewel Award for Women Artists. Rebecca is originally from Colorado with ancestral roots in the Southwest and Bohemia. rebeccamartinez.org
Raul Abrego
Raul Abrego (Set Designer) is a set designer for Opera, Theater and Television. His work has been seen at The Juilliard Opera Center, The Manhattan School of Music, The Spoleto Opera Festival in Italy, The Rattlestick, Cherry Lane Theater and Intar. Noted Recent projects: Adamandi for Princeton University, book and lyrics by Mel Hornyak and Elliot Valentine Lee Directed by Georgina Escobar, Ain’t Misbehavin’ for Barrington Stage and Geva Theater Center, directed by Jeffrey Page. The Brobot Johnson Experience by Darian Dauchan at The Bushwick Starr, Living and Breathing by Mando Alvarado Directed by Rebecca Martinez for Two River Theater, How to Melt Ice by Amalia Oliva Rojas for Boundless Theater Company and New Perspectives directed by Elena Araoz. Assistant Art Director credits for Television include: The Marvelous Mrs. Maisel Season 3 & 4, Ghost (Power Book 2) and John Wick, Art Director for Falling Water (pilot), The Outcasts (film) and Production Designer for 2009 film Cruzando.
Lux Haac
Lux Haac (Costume Designer) Broadway: The Thanksgiving Play. Off-Broadway/New York: Manahatta, Mobile Unit: The Comedy of Errors (The Public Theater); Between Two Knees, Number Our Days: A Photographic Oratorio (PAC NYC); On That Day in Amsterdam (Primary Stages/59E59); 53% Of (Second Stage Uptown); Songs About Trains (Radical Evolution/Working Theater/New Ohio Theatre); Giizhibaa Giizhig | Revolving Sky (Incoming! Under the Radar/The Public Theater); Eureka Day (Colt Coeur/Walkerspace); Ajijaak on Turtle Island (IBEX Puppetry/New Victory Theater); R + J (Hypokrit NYC/Access Theater); ¡Figaro! (90210) (The Duke on 42nd Street). Regional: For the People (Guthrie Theater); The Wizard of Oz (Geva Theatre); Between Two Knees (OSF, Yale Rep, McCarter Theatre Center, Seattle Rep); Espejos: Clean (Hartford Stage, Syracuse Stage); LEAR (Cal Shakes); Kim’s Convenience (Westport Country Playhouse, TheatreSquared); Yoga Play, Ragtime (PlayMakers Repertory Company); Miss Bennet: Christmas at Pemberley (Arizona Theatre Company); Kamloopa (WAM Theatre); I and You, Annapurna (Syracuse Stage); Hear Me Say My Name (Discovery Theater/NMAI); Native Gardens (Syracuse Stage, Geva Theatre, Portland Center Stage). Upcoming: Dial M For Murder (Syracuse Stage). luxhaac.com @luxhaac
Tosin Olufolabi
Tosin Olufolabi (Sound Design) (she/her) is a sound designer, deviser, facilitator, and performer who received her education at the University of Richmond. After internships at two regional theaters, Berkshire Theatre Group, and Barrington Stage Company, she began professionally designing at SPARC, a children’s theater in Richmond VA. After graduating, she performed and sound designed at Raleigh Little Theatre in Stick Fly and dog & pony dc’s Beertown and later joined dog & pony dc as a company member. Then she was selected as the 2016 – 2017 sound apprentice for Olney Theatre Center where she assistant designed Proof. Since becoming a freelance artist her work includes NYC: Stargazers (Page 73); Bite Me (WP Theater). REGIONAL: The Thanksgiving Play (Steppenwolf Theatre); Gloria (2018 Helen Hayes Nomination for Outstanding Sound Design for a Hayes Production); There’s Always the Hudson and Hi, Are You Single?; Incendiary; The Sensational Sea Mink-ettes (Woolly Mammoth); Ain’t No Mo (Woolly Mammoth/Baltimore Center Stage); Life is a Dream (Baltimore Center Stage); Crying on Television, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, The Sound Inside, The Chinese Lady, Crumbs from the Table of Joy (Everyman Theater); School Girls; Or, The African Mean Girls Play; it’s not a trip it’s a journey (Round House Theatre); Sense & Sensibility (The Village); Moses, Fires in the Mirror (Theater J); The Thanksgiving Play (Olney Theatre Center); A Wind in the Door (Kennedy Center Theater for Young Audiences). OTHER: Lovers’ Vows (We Happy Few); My Barking Dog (Edge of the Universe Players 2); She Sings Light, Hatpin Panic, & Shakespeare’s Worst (Capital Fringe); Ties That Bind, Caucasian Chalk Circle, & Antigone (Catholic University); God is Dead & April is Getting Married (Three Muses); Peepshow (dog & pony dc); Abortion Road Trip, & Soldier Poet (Theatre Prometheus); Lela & Co. (Factory 449); Blacktop Sky (York College). Assistant design credits include Sally and Tom, Manahatta, & Plays of the Plague Year (The Public); Don’t Let the Pigeon Drive the Bus! (The Kennedy Center TYA); One Flew Over the Cuckoo’s Nest & Baggage (Gallaudet University); Zomo the Rabbit: A Hip-Hop Creation Myth, Thumbelina, Anatole & Davy Copperfield (Imagination Stage); Still Life with Rocket (Theater Alliance); and Proof (Olney Theatre Center). Most of her experience as a performer was in devised shows, such as Peepshow & DISCOVERED! (dog and pony dc), and Treasure Island (We Happy Few). Furthermore, she has designed two short films, Midheaven, an art film about life in Atlanta, and Silver Bullet, a dreamy animation.
Brittany Hartman
Brittany Hartman (Hair Design) (she/her/hers) is currently the wig shop manager for Saturday Night Live and NBC studios. Film: Fire Island (Key Hairstylist, Hulu). Broadway: The Thanksgiving Play. Regional: DiscoShow (Speigelworld, Vegas), Rent (Papermill), Camp Siegfried (Second Stage), Wizard of Oz (GeVa), Snow in Midsummer (Classic Stage Company), Ragtime, Secret Garden, The Wiz, Singin’ in the Rain (Broadway Music Circus), Gypsy (Theatre Aspen), A Christmas Carol, La Dispute, Macbeth (Hartford Stage). Broadway (selected associate design credits): Jagged Little Pill, Frankie and Johnny… (2019 revival), Bandstand, Sunset Boulevard (2017 revival), A Gentleman’s Guide to Love & Murder, Of Mice and Men (2014 revival), Violet.
Samantha Tutasi
Samantha Tutasi (Properties Supervisor) Ecuadorian-American theater artist, most recent collaborations include: Properties Design – Munich Medea: Happy Family (WP Theater), Coping Mechanism (Wild Project); Scenic Design – La Musica Deuxième (A/Park Productions). Authorial Intent; Exit, Pursued By A Bear; The Laramie Project (ASDS Rep Theater). Captain Courageous; The Secret Garden (Powerhouse Theater Collaborative). Virgin, Mother, Whore (Boundless Theater Co.). Film – Egg Timer (dir. Annie Tippe). She frequently works with the American Theater Wing on their educational program, Springboard To Design. BFA: State University of New York at Purchase, 2022. samanthatutasidesign.myportfolio.com
Judi Lewis Ockler
Judi Lewis Ockler (Intimacy Director) has had the privilege of collaboration with Classic Stage Company (Snow in Midsummer, A Midsummer Night’s Dream, A Man of No Importance), Signature Theater (Hot Wing King, One in Two, Jasper), WP Theater/Second Stage/Colt Coeur (Hatef**k, Our Dear Dead Drug Lord, Bite Me), Cherry Lane Theater (This Beautiful Future), New World Stages (Dracula, A Comedy of Terrors!, MsTrial), Theater Row (Inheritance of a Long Term Fault, w/Clutch Productions),The Mint Theater (The Rat Trap, US premiere) The Connelly Theater (Persuasion, w/Bedlam; Stargazers, w/Page 73),The Flea Theater, w/TOSOS (Bar Dykes, Rock the Line) and Williamstown Theater Festival (A Raisin in the Sun, A Human Being, of a Sort, directed by Robert O’Hara; Whitney White). Intimacy Coordinator tv/film credits include Out of the Blue, directed by Neil La Bute; Plan B, with Jamie Lee and John Heder, Up Here (Hulu). She teaches and directs intimacy and violence in performance at NYU Tisch, National Theater Institute, Atlantic Theater School, AMDA, The New School, and Sarah Lawrence College. judilewisockler.com
Fran Acuña-Almiron
Fran Acuña-Almiron (Production Stage Manager) New York based Stage Manager who has worked with various companies around the city and has worked internationally as a Company Manager for One Year Lease Theater’s Summer Program. She is thrilled to be working with WP Theater for the first time on this amazing production! Endless thanks to Christian who makes it possible for her to continue doing what she loves.
Celina Revollar
Celina Revollar (Assistant Stage Manager) is a proud Dominican and Peruvian stage manager from New Jersey. She is a graduate from Montclair State University with BFA in Theatrical Production focused in Stage Management. Recent credits include Andrew Lloyd Webber’s Bad Cinderella (Broadway), Death Becomes Her (Broadway In Chicago), BUENA VISTA SOCIAL CLUB (Off Broadway), Vámonos (Off Broadway), The Hours Are Feminine (Off-Broadway), In Corpo (Off Broadway) and developmental projects for 321 Theatrical and RCI Theatricals.
Spark Theatrical/Laurie Bernhard
Spark Theatrical/Laurie Bernhard Laurie is an independent theatrical creative producer concentrating on daring new plays that provide a lens into the condition of being human. Laurie collaborates with playwrights, directors, dramaturgs, actors and designers exploring new work, experimenting and pushing boundaries. SPARK connects plays with non-profits that share a common mission, providing audiences with the opportunity for education and action beyond the play. SPARK Theatrical has multiple projects in development in Los Angeles and New York. Laurie is on the Boards of Ojai Playwrights Conference and Thunder River Theatre Company.
