(Costume Design) Regional: English (Long Wharf); The Scarlet Letter (American Stage); English (TheaterWorks, Hartford); School for Lies (Dartmouth College); Forgiveness, (Barrington Stage); Selling Kabul (Northern Stage); English (Barrington Stage); Layalina (The Goodman); Selling Kabul (Seattle Rep); Unseen (OSF); When Monica Met Hillary (Miami New Drama); 9 Parts of Desire (Portland Center Stage); King Lear (Northern Stage); Noura (The Guthrie); Noura (The Old Globe); Selling Kabul (Williamstown Theatre Festival). Off-Broadway: Show/Boat: A River (Target Margin Theater); We Live In Cairo (NYTW); The Mulberry Tree (La Ma Ma); Munich Medea: Happy Family, Weightless (WP Theater), The Vagrant Trilogy (The Public Theater); Heartland (Geva Theater/59E59); First Down (Noor Theater/59E59); Hindsight (Fault Line Theater); One Night (Target Margin Theater); Dina is a Target Margin Associate Artist and Princess Grace Honorarium recipient.
Jeanette Oi-Suk Yew (Lighting Design) is an award-winning designer for theatre, dance, opera, musicals, music performances and large-scale immersive installation. NY Times described her designs as “clever” and “inventive”. Recent: Kimberly Akimbo (Broadway), King Lear (STC), WILD: A Musical Becoming (A.R.T.), The Nosebleed (LCT3), Gloria: A Life (Daryl Roth Theatre), Walden (Theaterworks), Golden Shield (MTC), cullud wattah (The Public), Oratorio for Living Things (Ars Nova). Plus designing for immersive experiences like Nevermore Park: Home of Flyboy with artist Hebru Brantley. www.jeanetteyew.com
UptownWorks / Daniela Hart (Sound Design) The UptownWorks sound team is a group of designers that creates collaboratively for theatre, film, podcasts, music production and other media. Select design highlights include Lady Day (Baltimore Center Stage); Tiny Father (Barrington Stage/Chautauqua); Avaaz (South Coast Rep); Singularity Play (HarvardTDM); Black Odyssey (Classic Stage); Chicken & Biscuits (Asolo Rep); Espejos:Clean (Hartford Stage/Syracuse Stage); Which Way To The Stage (Signature DC); the ripple, the wave…(Berkeley Rep/Goodman); Blues Clues & You! (Round Room Live); Queen (Long Wharf Theater/A.R.T.NY); Fires in the Mirror (Baltimore Center Stage/Long Wharf Theatre). This design was led by Daniela Hart (uptownworksnyc.com), Bailey Trierweiler (btsounddesign.com) and Noel Nichols (noelnicholsdesign.com). Daniela, Noel & Bailey received their MFAs in Sound Design from Yale School of Drama.
Skylar Fox (Magic Design) Broadway: Fat Ham (OBIE award); associate designer for Harry Potter & the Cursed Child, Back to the Future, and A Beautiful Noise . Off-Broadway/ International: Boop! (Broadway in Chicago), The Comeuppance (Signature Theatre), You Will Get Sick (Roundabout Theatre Company), Wicked, Matilda (Atilier de Cultura, São Paulo) Charlie and the Chocolate Factory (London Grand), and Damn Yankees (Shaw Festival). He is the co-artistic director of Nightdrive, where he has directed and co-written The Grown-Ups (Top 10 NYC Theatre Productions of 2021, Time Out NY), Alien Nation, Providence, RI, Thank You Sorry, and Apathy Boy. www.skylarfox.com & nightdrive.org.
Jaimie Van Dyke (Production Stage Manager) OFF-BWAY/REGIONAL: SM credits: Ironbound (Rattlestick/WP), A Beautiful Day in November…(New Georges/WP, Obie Award), Bright Half Life (WP), HERE (NY Comedy Fest/186k Productions), How to Get into Buildings (New Georges), Roar of the Greasepaint… (Goodspeed Musicals), Tonight at 8:30 (Guild Hall) and 10 productions with Blessed Unrest. TOURS: With Hasan Minhaj: “Off With His Head”, “The King’s Jester”, “Homecoming King”, “Before the Storm” (stage manager & tour manager). Sworn Virgin and Doruntine (Balkan tour with Teatri Oda of Kosova & Blessed Unrest) TV/FILM: Producer “The King’s Jester”, Assoc. Producer “Homecoming King”, Screens Producer “Patriot Act with Hasan Minhaj”, GFX Producer “Game Theory with Bomani Jones”
Samantha Tutasi (Properties Supervisor) Ecuadorian-American props and scenic designer, most recent collaborations include: Theater – Coping Mechanism (Wild Project); Virgin, Mother, Whore (Boundless Theater Co.), Captain Courageous and The Secret Garden (Powerhouse Theater Collaborative); Film -.Egg Timer (dir. Annie Tippe). She frequently works with the American Theater Wing on their educational program, Springboard To Design. BFA: State University of New York at Purchase, 2022. samanthatutasidesign.myportfolio.com
DAVID GARELIK (Nathan) Select TV/Film: “Power Book 2: Ghost” (STARZ), “FBI” (CBS), “FBI: MOST WANTED” (CBS), “The Blacklist” (CBS), “Dear White People” (Netflix), “MacGyver” (CBS), “Madam Secretary” (CBS), Trey Edward Shults’ Waves (A24), Peter Berg’s Mile 22 (STX), Zoey Cassavetes’ Junior (Blackpill), and a lead role in Daniel Byers’ upcoming film Paradise. Theater: u/s LONG DAYS JOURNEY INTO NIGHT (The Geffen), THE GOOD MUSLIM (Ensemble Studio Theater). Love to my family, my teachers, and those that have believed in me/helped me memorize lines over the years. Thrilled to be here with WP Theater and Colt Coeur. Socials: @DavidGarelik
MALIKA SAMUEL (Melody) who starred in WP Theater’s Our Dear Dead Drug Lord, is an interdisciplinary storyteller and teaching artist, presently faculty at her alma mater NYU Tisch. Additionally, she applies her creative experiences and professional skills towards developing curricular interventions across the medical/healthcare education/practice continuum. Broadway: Harry Potter and the Cursed Child (OBC), The Music Man NY Theater: A Midsummer Night’s Dream (Double Feature Plays), Bernarda’s Daughters (TNG/TNBT and TNG/Audible Theater), Crumbs from the Table of Joy (Keen), Our Dear Dead Drug Lord (WP) TV: The Marvelous Mrs. Maisel, EVIL, Orange Is the New Black, Unbreakable Kimmy Schmidt, Chicago P.D., Law & Order: SVU, The Good Wife, Person of Interest, The Big C Hosting: Nick Studio 10, 2013 Kids’ Choice Awards Pre- Show, Kidz Bop Kidz Star USA Film: Holiday Rush, Submission, Central Park, Hello Apartment, Kilimanjaro Directing: in lucem: a devised piece (Tisch Drama Stages), The Wolves, Marie Antoinette and the Magical Negroes, The House of Bernarda Alba (NYU MSNR), Bloom Bloom Pow ( A.R.T/NY Theaters, movement direction) XOXO to family, friends, Paradigm and A3!
Eliana Pipes (Playwright) is a writer, filmmaker and actor based in her hometown of Los Angeles. Her plays include Dream Hou$e (world premiere co-production Alliance Theatre, Long Wharf Theatre, and Baltimore Center Stage, published by Concord Samuel French); Hoops (world premiere commission Milwaukee Chamber Theater); and Bite Me (world premiere WP Theater). She holds commissions from Two River Theater and South Coast Repertory. Her work has been developed or presented at the New York Theatre Workshop Dartmouth Residency, Playwright’s Realm Scratchpad Series, South Coast Repertory Pacific Playwright’s Festival, NNPN National New Play Showcase, Kennedy Center NNPN MFA Playwright’s Workshop, Old Globe Powers New Voices Festival, Fire This Time Festival, and Drama League DirectorFest. Her writing awards include the Dramatists Guild Foundation Fellowship, Alliance Kendeda Prize, Leah Ryan Prize, KCACTF Harold and Mimi Steinberg Award, National Latine Playwrights Award, and Dr. Floyd Gaffney Award. As a filmmaker she’s been awarded the Academy Gold Fellowship for Women through AMPAS, the WAVE Grant and Outfest x Colin Higgins Youth Filmmaker Grant. BA English Columbia University, MFA Playwriting Boston University. www.elianapipes.com.
Rebecca Martínez (Director) is a multidisciplinary director, the Cohort Collaborations Director for One Nation/One Project and the former BOLD Associate Artistic Director at WP Theater. Recent projects: a musical adaptation of The Comedy of Errors (The Public Theater’s Mobile Unit), Sancocho (WP Theater), Living and Breathing (Two River), Los Complicados (EST Marathon), Randy’s Dandy Coaster Castle (Egg & Spoon Collective), Songs About Trains (Working Theater and Radical Evolution), Somewhere Over the Border (Syracuse Stage and Geva Theatre). Rebecca has developed new work with The Public Theater, Amas Musical Theater, the O’Neill, Latinx Playwrights Circle, the Sol Project, NAMT, INTAR, Working Theater, The Playwrights Realm, among others. Affiliations: Sojourn Theatre Ensemble, 2021 TCG Rising Leaders of Color; Sol Project Collective, Lincoln Center Theater Directors Lab, INTAR’s Unit52, New Georges Affiliated Artist, WP Theater Directors Lab, Drama League Directing Fellow, member of SDC. Awards: Colorado Henry Award for Directing; four Portland, Oregon Drammy Awards; Lilla Jewel Award for Women Artists. Rebecca is originally from Colorado with deep ancestral roots in the Southwest. rebeccamartinez.org
Chika Shimizu (Scenic Design) is a New York based scenic designer. REGIONAL: RENT (Paper Mill Playhouse), Pacific Overtures (Signature Theatre, DC), The Great Wave (Berkeley Rep), Sanctuary City (Pasadena Playhouse), Somewhere (Geva Theatre), The Great Leap (Portland Center Stage), Vietgone, Tiger Style! (TheatreSquared), The Caucasian Chalk Circle (Yale Rep, CT Critics Circle Award Nom). OFF-BROADWAY: Belfast Girls (Irish Rep), The Naturalists (The Pond Theatre Company, Soho Rep), The Winning Side (Epic Theatre Ensemble, Theatre Row), Awake (The Barrow Group), Romulus The Great (Yangtze Repertory Theatre). INSTALLATION: Another Dream, Un(re)solved AR installation (Ado Ato Pictures, 2022 SXSW Innovation Award, Emmy Award, Currently On Tour). MFA in Design from Yale School of Drama. chikashimizu.com
Sarita Fellows (Costume Design), born in Freetown Sierra Leone, her more recent works include projects such as Death of a Salesman, Broadway; Drinking in America, Audible Minetta Lane Theater; Theater of the Mind, Denver Center of Performing Arts; Elyria, Atlantic Theater Co; A Midsummer’s Night Dream at Portland Center Stage, Blues for An Alabama Sky and Sweat, Guthrie theater; Joy and Pandemic, and Our Daughters Like Pillars, Huntington Theater; Seize The King, Alliance Theater; A Bright Room Called Day, Public Theater; Fefu and Her Friends, American Conservatory Theater. In the dance world, Sarita has worked with choreographers such as Liz Lerman, and Edisa Weeks. MFA in design from Tisch School of Design. Sarita also instructs at the University of Connecticut and Princeton. Recent awards include; Outstanding Achievement in Costume Design (The National Black Theater Festival 2022). Lily Award (2020)
Lucrecia Briceno (Lighting Design) is a Peruvian artist currently based in Brooklyn. Much of her work has been in association with artists developing innovative and original pieces. Her work includes theatre, opera, puppetry & dance, as well as collaborations in several non-performance projects. Her designs have been presented at such venues as Spoleto USA, The Public Theater, Oxford Playhouse (UK), Arena Stage, The Metropolitan Museum of Art, Dallas Theatre Center, WP, BAM (Fischer), Kennedy Center, Atlas Performing Arts (DC), Berlind Theatre, Chicago Shakespeare Theater, La Mama ETC, Birmingham Repertory (UK), Pregones Theatre/PRTT, Intar, HERE Arts Center, Soho Rep, Ohio Theatre, Irondale Center, among many others. She is a co-artistic director of Anonymous Ensemble, associate artist with The Civilians, and resident designer with Pregones Theatre/PRTT and La Micro; she has also been a guest artist/lecturer at NYU, Princeton University, Hunter College, the Pontificia Universidad Católica del Perú and JMU. MFA: NYU Tisch School of the Arts. Member of 829
Tosin Olufolabi (Sound Design) (she/her) is a sound designer and deviser. Her sound designs include Ain’t No Mo (Woolly Mammoth/Baltimore Center Stage); Sense & Sensibility (The Village); Fires in the Mirror (Theater J); Crying on Television, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery & The Sound Inside (Everyman Theater); Incendiary, There’s Always the Hudson, Hi, Are You Single?, Gloria* (Woolly Mammoth); it’s not a trip it’s a journey, School Girls; Or, The African Mean Girls Play (Round House Theatre); The Great Khan (San Diego Rep); The Thanksgiving Play (Olney Theatre Center); In the Middle of the Fields (Solas Nua); A Wind in the Door (Kennedy Center TYA); Distance Frequencies (Rorschach Theatre); Loveday Brooke in the Mystery of the Drawn Daggers & Lovers’ Vows (We Happy Few); Head Over Heels (Monumental Theater); My Barking Dog (Edge of the Universe Players 2); Peepshow (dog & pony dc); Lela & Co. (Factory 449). Assistant design credits include Plays for the Plague Year (Joe’s Pub); Don’t Let the Pigeon Drive the Bus! (The Kennedy Center TYA); Still Life with Rocket (Theater Alliance); and Proof (Olney Theatre Center). *Helen Hayes Nomination for Outstanding Sound Design for a Hayes Production
Ashley Wise is a Wig Hair Designer, native New Yorker from The Bronx, who recently made her Broadway design debut on Bob Fosse’s Dancin’. Ashley earned her Master of Fine Arts for Wig Design & Makeup design from the University of North Carolina School of the Arts after also completing the Juilliard Apprentice Program for wigs. She’s toured the country as wig and makeup Supervisor on the Hamilton tour and has made a career working on many other opera and theater productions. She also served as Hair Design Associate on shows including KPOP, 1776, Disney’s Hercules, and Once Upon a One more Time!
Judi Lewis-Ockler (Fight and Intimacy Director) has collaborated with Classic Stage Company (Snow in Midsummer, A Midsummer Night’s Dream, A Man of No Importance), Signature Theater (Hot Wing King,One in Two,Jasper), WP theater/Second Stage (Hatef**k, Our Dear Dead Drug Lord), Cherry Lane Theater (This Beautiful Future), New World Stages (Dracula, a Comedy of Terrors!, MsTrial), The Mint Theater (The Rat Trap, US premiere) Bedlam Theater Company (Persuasion), TOSOS (Bar Dykes, Rock the Line) and Williamstown Theater Festival (A Raisin in the Sun, A Human Being,of a Sort, directed by Robert O’Hara; Whitney White). Intimacy Coordinator tv/film credits include Out of the Blue, directed by Neil La Bute; Plan B, with Jamie Lee and John Heder, Up Here (Hulu). She teaches and directs intimacy and violence in performance at NYU Tisch, National Theater Institute, Atlantic Theater School, AMDA, and Sarah Lawrence College. Judilewisockler.com
Caren Celine Morris (Production Stage Manager) (she/her/hers) is a multidisciplinary theatre artist from The Bronx. She aims to promote inclusion, diversity, and accessibility in all of her projects. Caren has worked on projects with The Tank, The Shed, Ping Chong & Company, HERE Arts Center, Audible @ Minetta Lane Theatre, NYC Civic Engagement Commission, The Public, and The Bushwick Starr.
Siobhan Petersen (Assistant Stage Manager) (They/He) is a Brooklyn based stage manager. Their past credits include One Drop Cool (Moxie Productions), The Legend of the Chalk Circle (Tier 5 Theatre Company) and Twelfth Night (EMIT Theatre). He’d like to thank his parents for being pillars of support in his life, and always pushing him to do what he loves.
Addison Heeren (Properties Supervisor) is a NYC based prop supervisor. Some recent credits include (Broadway): Almost Famous (Asst. Props), Freestyle Love Supreme, Flying Over Sunset, Pass Over. (Off-Broadway): Monsoon Wedding (St. Ann’s), Sancocho (WP Theater), Fiddler Afn Dakh (Directed by Joel Grey), A Clockwork Orange (NWS), A Room of My Own (Abingdon), Pericles (Public). Instagram: @propstitutenyc
ZULEYMA GUEVARA (Caridad) is a NY based actress whose most recent stage credits include Somewhere by Matthew Lopez at Geva Theater, Carla in Grand Horizons at People’s Theater and this past spring was seen in the NYTimes pick of the week, Bruise and Thorn. Previous theater credits include the New Jersey premiere of Water by the Spoonful at Kean University, Columbia Stages La Paloma Prisoner and The Hour of The Star, the world premiere of Seven Spots on the Sun at the Cincinnati Playhouse in the Park and Working Theatre’s production of La Ruta. TV credits include “Sonia’s Choice”, “Legend of the 13 Suns”, “Gotham”, “FBI Most Wanted” as well as “Law and Order” and the CBS pilot “Limitless”. Film credits include New York State of Mind, Third Trinity, The Meal and the soon to be released Tumba del Mar.
SHIRLEY RUMIERK (Renata) is of Puerto Rican and Colombian descent will next be seen in Zack Braff’s film Good Person starring Morgan Freeman. She was series regular “Vanessa Suarez” on the NBC series “Rise” and appeared in HBO’s “Scenes from a Marriage”. She recurred as “Autumn Cox” on “Manifest” and as “Yolanda Carrion” in the Netflix series “Teenage Bounty Hunters” Shirley has guest-starred on “Chicago PD”, “New Amsterdam”, “East New York” and “Power”. She starred in the independent film 11:55 and can be seen in David Frankel’s feature Collateral Beauty. Shirley is a board member and alumna of The 52nd Street Project and Oliver Scholars. She is a graduate of Harvard University.
RAUL ABREGO (Scenic Design) is a set designer for Opera, Theater and Television. His work has been seen at The Juilliard Opera Center, The Manhattan School of Music, The Spoleto Opera Festival in Italy, The Rattlestick, Cherry Lane Theater and Intar. Noted Recent projects: Adamandi for Princeton University, book and lyrics by Mel Hornyak and Elliot Valentine Lee, directed by Georgina Escobar, Ain’t Misbehavin’ for Barrington Stage and Geva Theater Center, directed by Jeffrey Page. The Brobot Johnson Experience by Darian Dauchan at The Bushwick Starr, Living and Breathing by Mando Alvarado, directed by Rebecca Martinez for Two River Theater, How to Melt Ice by Amalia Oliva Rojas for Boundless Theater Company and New Perspectives directed by Elena Araoz. Assistant Art Director credits for Television include: “The Marvelous Mrs. Maisel” Season 3 & 4, “Ghost” (Power Book 2) and “John Wick”, Art Director for “Falling Water” (pilot), The Outcasts (film) and Production Designer for 2009 film Cruzando.
HARRY NADAL (Costume Design) Originally from San Juan, Puerto Rico. NEW YORK: Lincoln Center Institute, Atlantic Theater Co., Brooklyn Academy of Music, Juilliard, Intar, Labyrinth Theater Co., Pregones/PRTT, Boundless Theater, HERE Arts Center and Theater for the New City among others. REGIONAL: Arena Stage (Washington, DC), Chicago Opera Theater, TheaterWorks Hartford, Des Moines Metro Opera, Zach Theatre (Austin, TX), George Street Playhouse (New Brunswick, NJ), UrbanArias (Arlington, VA), Baltimore Center Stage, Boise Contemporary Theater, People’s Light Theater (Malvern, PA), Open Stage (Harrisburg, PA), Bloomsburg Theatre Ensemble and Danza del Alma (Cuba) among many. Faculty member at Pratt Institute’s Film School. MFA: New York University, Tisch School of the Arts. WEBSITE: harrynadal.com
MARÍA-CRISTINA FUSTÉ (Lighting Design) Broadway: Jagged Little Pill, Associate LD 2021 remount. Off Broadway: Songs About Trains (Working Theater/Radical Evolution); Fur, Mud, and The Conduct of Life (Boundless Theatre Company, NYC) Regional: Cleveland Playhouse, Alabama Shakespeare, Bay Street Theater. American Mariachi (Goodman Theatre, Chicago); Measure for Measure (Chicago Shakespeare Co); Anna in the Tropics (Barrington Stage, MA); Airness (Geva Theatre Center, NY); Children of Eden (Aurora Theatre, GA); Sweat (People’s Light Theater, PA); In The Heights (Westport Country Playhouse, CT); The Heath (MRT, MA). Opera: Cecilia Valdés (Teatro Colón, Bogotá); Tosca, Bluebeard’s Castle, Madama Butterfly, Don Pasquale, and L’Elisir d’Amore (Ópera de Puerto Rico, San Juan PR). Training: MFA in Lighting Design (NYU’s Tisch School of the Arts). Awards: Princess Grace Award 2018, Suzi Bass Award 2016/ 2017, Nomination 2019, HOLA Award 2022. MC is the Executive Artistic Director of Boundless Theatre Company: www.boundlesstheatre.org. Website: www.mcfuste.com
GERMÁN MARTÍNEZ (Sound Design) A proud son of immigrant parents, Germán Martínez is a Honduran-American NYC/NJ based Sound Designer. Germán is a Montclair State University alum (2018), and is the current Eastern Representative for the TSDCA (Theatrical Sound Designer and Composers Association). His work has been featured at: The Public, Theaterworks Hartford, Playhouse 46 ,Page 73, Williamstown Theatre Festival, MCC, American Repertory Theatre, Repertorio Español, GALA Hispanic, George Street Playhouse, Two River Theater, and Trinity Rep. Broadway credits include Associating on: Into The Woods. The Piano Lesson, and Ohio State Murders. As a designer, he seeks work that will uplift and support BIPOC, queer, and immigrant stories in innovative and beautiful ways. Germán calls this work, “art from the heart”. He invites any like-minded artists to collaborate. You can keep up with his work on Instagram: @GermanTheSoundDesigner.
