(Daphne) most recently appeared as Isabella in Theatre for a New Audience’s production of Measure for Measure (dir. Arin Arbus). Other New York: The Tempest (CSC), The Young Left (Cherry Lane), Father Joy (SPF), Much Ado About Nothing (NYSF), Spring Awakening (Prospect Theater Co.), The Beach Plays (HB Playwrights), Talk to me Like the Rain, The Vortex. Regional: Othello (TFANA/Intiman), Uncle Vanya (Long Wharf),
Lady with a Lapdog (A.R.T.), Tonight at 8:30 (Williamstown). TV & Film: “The Practice”, “Law & Order”, “The District”, Good Dick, The Sensation
of Sight, The Prince and Me.
(Casting Director) Alaine Alldaffer is the Casting Director for Playwrights Horizons and The Huntington Theater in Boston. Theater credits include Deadman’s Cellphone with Mary Louis Parker (PWH), Grey Gardens (PWH and Broadway), Walmartopia the musical, Knights of Prosperity (ABC), ED (NBC). Currently in the works is This with Parker Posey at Playwrights Horizons. She credits Lisa Donadio as co-casting director for Lascivious Something.
(Scenery) Marsha Ginsberg works in the interdisciplinary overlap between scenic design for theater and opera, installation art and photography. She studied Theater Design at NYU Tisch School of Arts, and Visual Arts at the Whitney Museum Independent Study Program and Cooper Union, School of Art. Her work for the stage has consistently forged new directions in considering stage space, as well as innovating approaches to re/viewing canonical works or visualizing new texts. Notable work in opera includes collaborations with directors Roy Rallo: Don Pasquale (Nationaltheater Weimar, Germany); La Finta Giardiniera (San Francisco Opera Center); Bluebeard’s Castle and Elektra (Long Beach Opera); and with Christopher Alden: Die Entfuhrung Aus Dem Serail (Theater Basel, Switzerland); Imeneo (Glimmerglass Opera/NYC Opera); Carmen (Nationaltheater Manheim, Germany); In Mahler’s Shadow, EOS Orchestra, La Serva Padrone, Pauvre Matelot, Rita (San Francisco Opera Center). Recent world premieres: the theatrical installation, Bleakhouse in collaboration with Heiko Kalmbach, for Crash! Boom! BAU! Festival commemorating 90th year of the Bauhaus, Theaterhaus, Jena, Germany; The Obie award winning Telephone by Ariane Reines, dir. Ken Rus Schmoll, Foundry Theater at Cherry Lane, NYC; Kafeneion dir. Dimitri Kourtakis, Athens/Epidaurus Festival, Greece; Knock-Out by Katharina Schmitt (based on Gerhard Richter painting cycle, “October 18, 1977”) dir. Heiko Kalmbach at Theaterhaus Jena, Thalia Theater, Hamburg. Recent solo and group exhibitions: Pavlov’s Lab and Other Rooms, solo exhibit at Magnus Muller Gallery, Berlin, displaying photos, a stage construction and performance series; Design Life Now, National Design Triennial, Cooper Hewitt Museum, ICA Boston and Contemporary Arts Museum, Houston, TX. She teaches scenic design to architects at The School of Constructed Environments, Parsons School of Design, and is currently teaching in Masterstudiengang Buehnenbild, TU, Berlin, Germany. She has held assistant professorships at Swarthmore College, Wesleyan College and UCLA, Department of Theater, Film and TV.
(Lighting) Broadway: Superior Donuts, Top Girls, 110 In The Shade (Tony nom.), Well, Awake and Sing! (Tony nom.), Rabbit Hole, A Touch of the Poet, In My Life, The Light In The Piazza (Tony, Drama Desk, Outer Critics awards), The Tale of the Allergist’s Wife, Seven Guitars (Tony nom.), The Piano Lesson among others. Recent: KDO! (Foret Nationale, Brussels), Kafeneion (Athens Festival); Garden Of Earthly Delights (Minetta Lane); Orpheus X (TFANA); Kaos (NYTW). Awards: Obie, Michael Merritt Award, etc.
(Costumes) Theresa Squire has been designing costumes in New York for over 10 years. Although she designs mainly for theatre, her work has also been seen in dance, film, print, industrials and commercials. Her costumes were seen on Broadway in High Fidelity and The Lieutenant of Inishmore. She is the resident costume designer for the Drama Desk Award winning Keen Company (Carl Forsman). She has designed for Soho Rep, (Blasted directed by Sarah Benson), The Atlantic Theatre Company (The Lietutent of Inishmore directed by Wilson Milam, The Cherry Orchard, directed by Scott Zigler and The Ionesco’s directed by Carl Forsman), Barrow Street Theatre (Orson’s Shadow directed by David Cromer and Two Men Talking directed by Dan Milne), The New Group (Rafta Rafta, Directed by Scott Elliot, Sin, A Cardinal Deposed, Everything’s Turning into Beautiful, both directed by Carl Forsman and Accomplices directed by Ian Morgan), The Flying Machine/Soho Rep (Frankenstein, Signals of Distress, Utopians all directed by Joshua Carlbach) The Hourglass Group (Trouble in Paradise directed by Elyse Singer, Beebo Brinker Chronicles directed by Leigh Silverman), Merrimack Repertory Theatre (The Fantastiks! Directed by Jonathan Silverstein, Dinah Was directed by Charles Towers and The Breadwinner), Chautauqua Theatre Company (Ah Wilderness directed by Lisa Rothe), New World Stages (Elvis People directed by Henry Wishcamper), Long Wharf (The Good Theif directed by Carl Forsman), Dorset Theatre Festival, (Dulcy, Sleuth directed by Jess Berger) Virginia Opera Company (The Pirates of Penzance directed by Worth Gardner), 2nd Ave Theatre (Hydriotaphia directed by Michael Wilson), Writer’s Theatre of Chicago (Crime and Punishment directed by Michael Halberstam), 2nd Stage (Peter and Jerry directed by Pam MacKinnon). She just finished working on a full length dance piece Remember Me with Parson’s Dance and East Village Opera Company.
(Sound Design and Original Music) Broken Chord Collective composes and designs music and sound for theatre. The sound design and music for Lascivious Something was created by collective members Daniel Baker and Aaron Meicht. Other credits include productions in New York at Atlantic Theater Company, Cherry Lane Theatre, Juilliard, Keen Company, La Mama E.T.C., Primary Stages, Manhattan Theatre Club, Rattlestick Playwrights Theater, Second Stage Theatre, and Women’s Project. Regional credits include productions at Dallas Theater Center, Geva Theatre Center, Hartford Stage, The Huntington, Long Wharf Theatre, Oregon Shakespeare Festival, Shakespeare Theatre Company (Washington DC), Weston Playhouse, Westport Country Playhouse, Portland Center Stage, Passage Theatre Company and Yale Rep. www.brokenchordcollective.com.
(Co-Producer) Cherry Lane Theater originally developed Sheila Callaghan’s Lascivious Something in our Obie-Award winning Mentor Project program, and we are thrilled and honored to be collaborating with the Women’s Project to present the play and these artists’ work to New York audiences. A landmark in Greenwich Village’s cultural landscape, Cherry Lane Theatre serves as a vital lab for the development of new American works and the cultivation of a diverse, multigenerational audience. Our primary focus is the playwright as central to the dramatic event and the text as intrinsic to theatrical innovation and excellence. As New York City’s longest continuously running Off-Broadway theatre, Cherry Lane has helped to define American drama, fostering theatre that is daring and relevant for 85 years. Since 1997, our resident company produces under the leadership of Founding Artistic Director Angelina Fiordellisi and Managing Director James King. Mainstage productions include our Discovery Series, new plays developed within our award-winning programs and our Heritage Series which features groundbreaking off-broadway classics presented at Cherry Lane since 1924. Our 60-seat Studio Theatre, built in 1998, has been the incubator for hundreds of new plays where CLT Company and guests have developed and produced the work of emerging playwrights. Our newest space, the 90-seat Cherry Pit, located at 155 bank street, is home to Solo Fest at the Pit, NY Fringe Festival, late-night, alternative and avant-garde programming, as well as a home for Naked Angels and other not-for-profit companies. Join the Cherry Lane community: support playwriting and the future of American drama. To sponsor playwrights and productions, please call 212-989-2020 extension 26. To view our entire production history, visit our website, www.cherrylanetheatre.org.
LYNN ROSEN (Playwright) Productions include: Apple Cove, (Women’s Project, 2010-2011 season, directed by Giovanna Sardelli; Todd Mountain Theater Project, NY); Washed Up On The Potomac (“Working It Out,” Centerstage, Baltimore; The Ensemble Studio Theatre Marathon, NYC); Back From The Front (The Working Theater, NYC; The NY International Fringe Festival; The Fire Dept “At War: American Playwrights Respond to Iraq”); Ideal Home (New Georges, NYC); Nighthawks (The Studio Theatre, D.C.; Willow Cabin Theatre Company, NYC; published by Samuel French); NEXT! (multiple productions in Germany). Her newest full-length plays Puddy Tat and Washed Up On The Potomac have been developed with many theatres, including: The Lark Play Development Center (Writing Fellow 2003-4), The New Harmony Project, New Georges, Centerstage (FirstLook), and The New Group. She was commissioned in 2003 and 2010 by The EST/Sloan Foundation for Progress In Flying, also workshopped at Geva Theatre and The Working Theater, and she is currently working on a commission for New Georges called Goldor & Mythyka: A Hero Is Born. A member of the Women’s Project Lab (2008-2010), EST, The Dramatists Guild, and The Fire Dept, as well as a New Georges and Lark Affiliated Artist, Lynn was named one of “50 To Watch” by The Dramatist magazine. She is originally from Gary, Indiana.
(Director) Giovanna Sardelli has collaborated with Lynn Rosen on her fringe production of Back From The Front and the Barebones workshop of Apple Cove at the Lark Play Development Center and the Todd Mountain Theatre Project production. Other select credits: West Coast Premiere of The Whipping Man by Matthew Lopez (Old Globe), World Premieres of Christopher Wall’s Dreams of The Washer King (Playwrights Realm), Lila Rose Kaplan’s Wildflower, Rajiv Joseph’s plays Animals Out of Paper (Joe A. Callaway Award for Outstanding Director, Lucille Lortel Nomination Outstanding Play), All This Intimacy (all for Second Stage), The Leopard and The Fox (Alter Ego), Huck & Holden (Cherry Lane); Absalom by Zoe Kazan (Actors Theatre of Louisville Humana Festival), Padraic Lillis’ Two Thirds Home (Broken Watch), and Adriana Sevan’s Taking Flight (The Goodman, CTG, San Diego Rep and Sundance Institute Theatre Lab). Giovanna has developed new plays with The Lark Play Development Center (where she serves on the Artistic Cabinet), EST (where she is also a member), Sundance Institute Theatre Lab, TheatreWorks and The Playwrights’ Center among others. She spent two seasons as Director of the Shakespeare Sedona Institute and two seasons as the Artistic Director of Studio Tisch. Giovanna received her MFA in Acting from the Graduate Acting Program at NYU and is a graduate of their Director’s Lab. At NYU she has directed shows and presentations for the Graduate Acting Program, The Graduate Musical Theatre Writing Program, the Stella Adler Conservatory, and the Dramatic Writing Program. Giovanna is on the faculty of the Graduate Acting Program and the Department of Dance at NYU. Upcoming: The North Pool by Rajiv Joseph (TheatreWorks).
(Gary Hall) — NY Stage: Long Day’s Journey into Night at Irish Repertory Theatre (Jamie), director Charlotte Moore; After the Ball, Irish Rep (Lord Windermere), director Tony Walton; Woyzeck, Ensemble Studio Theatre (Woyzeck); Bella, Lincoln Center (Jacob); The Milk of Paradise, The Women’s Project (Billy), dir. Joan Vail Thorne; Twelfth Night, Phoenix Theatre Co. (Orsino), dir. John Barton, RSC; Paint Your Wagon, Musicals Tonight (Ben Rumson); Salvation, Hudson Stage (Jack). Regional Stage: The Boyfriend, Goodspeed Opera House (Percy Browne), dir. Julie Andrews; Where’s Charley? Goodspeed (Sir Francis), dir. Tony Walton; Shenandoah, W.V. Public Theatre (Charlie Anderson); On the 20th Century, Goodspeed, (Max Jacobs); Brigadoon, Goodspeed (MacLaren); 1776, Goodspeed (Chase; Hamlet, N.J. Shakespeare Festival (Laertes); Song of Singapore, Piper’s Alley, Chi. (Hans); A Christmas Carol, Indiana Repertory Theatre (3 seasons: Scrooge, Marley, Scrooge); The Herbal Bed, Indiana Rep (Goche). TV: 30 Rock; Ryan’s Hope 1980-82; One Life to Live; All My Children; Law & Order.
(Alan King) Off-Broadway: The Aliens (Dir: Sam Gold; Rattlestick Theater Company), The Cherry Orchard (Dir: Scott Zigler; Atlantic Theater Company), Back From the Front (Dir: Giovanna Sardelli; NYC Fringe Festival), Apple Cove (Dir: Giovanna Sardelli; The LARK). Regional: First Day (Dir: Sturgis Warner; The Kitchen Theater), The Persians (Dir: Ethan McSweeney; Shakespeare Theatre Co.), Romeo and Juliet (Rachel Kavanaugh; DC Shakespeare Theatre). Film: The Hurt Locker (Dir: Kathryn Bigelow; Summit Entertainment). TV:Law & Order (NBC). Training: Juilliard School of Drama
(Edie King)
Finishing her role on Season 10 of The CW series Smallville, Allison Mack stars as “Chloe,” The Daily Planet’s eager journalist and longtime friend/confidante to Clark Kent. She has also directed two episodes of the series. Since beginning her career at age 4 in a commercial for German Chocolate, Mack has consistently worked in television and film. She garnered much attention for her portrayal of a teenager who abuses and inflicts wounds to her wrist on 7th Heaven. In the fall of 2000, she starred in The WB’s The Nightmare Room and The Opposite Sex and had a recurring role in Evening Shade. Mack also starred in Showtime’s critically-acclaimed feature My Horrible Year which was Eric Stoltz’s directorial debut. Mack also starred in the Disney features Honey, We Shrunk Ourselves, Camp Nowhere and voiced the character of “Tiffany Nickle” in Warner Brothers hit animated feature The Ant Bully. She made her NY theatre debut last year with The Westside Theatre production of Loss, Loss and What I Wore.
(Duke) Theatre credits include: The House of the Spirits, The Denver Center; The Sins of Sor Juana, The Goodman; Age of Iron, Classic Stage Company; Finn, Mabou Mines; Boleros for the Disenchanted, American Conservatory Theatre; The Vigil or the Guided Cradle, Impetuous Theatre Group. Film and TV Credits include NBC’s Law and Order. He also directed an experimental short film called No Se which was screened at the New York International Independent Film and Video festival. He studied film at University of California Santa Barbara and graduated from The Juilliard School’s Drama Division.
(Mary Hall) Off-Broadway: Perfect Harmony; My First Time; The Awesome 80s Prom; Carrie; I Can Cry (NY Fringe Festival). TV: The upcoming ABC series Body of Proof; Law & Order; Gossip Girl; Lipstick Jungle; New Amsterdam; L & O: Criminal Intent; Hope & Faith; MTV’s Damage Control; As The World Turns; All My Children. Film: Meskada; The Good Guy; 3 Backyards; Confessions of a Shopaholic; Baby Mama; Being Michael Madsen; The Last International Playboy; peoples. Kathy can be seen and heard in numerous commercials and voiceovers, including the animated series Starveillance on E! Entertainment. Many thanks to the cast and crew! Lots of love to my amazing family!! www.kathysearle.com
(Casting Director) Alaine Alldaffer is the Casting Director for Playwrights Horizons and The Huntington Theater in Boston. Theater credits include Deadman’s Cellphone with Mary Louis Parker (PWH), Grey Gardens (PWH and Broadway), Walmartopia the musical, Knights of Prosperity (ABC), ED (NBC). Currently in the works is This with Parker Posey at Playwrights Horizons. She credits Lisa Donadio as co-casting director for Apple Cove .
(Scenery) – Recent designs: Incident At Vichy (The Beckett Theater), Eurydice (Second Stage), All My Sons and Prelude To A Kiss (both at The Huntington Theater), She Loves Me (Oregon Shakespeare Theater), The Glass Menagerie (with Rita Moreno at Berkeley Rep), The Bluest Eye (Hartford Stage). Selected designs: August Wilson’s Seven Guitars and Joe Turner’s Come And Gone (Broadway), The Notebooks of Leonardo DaVinci (Second Stage), Silk, and Journey To The West (the Goodman) written and directed by Mary Zimmerman.
(Costumes) – Dramatis Personae, Cherry Lane; Dreams of the Washer, Cherry Lane; Taming of the Shrew, Hudson Valley Shakes; Love Song, Hudson Stage; Marrying Meg, The Theatre at St. Clements; Animals Out of Paper, Second Stage; All this Intimacy, Second Stage; Jayson with a Y, Lion, Theatre Row; Baby by Tere O’Conner, DTW; In Case You Forget, New York Stage and Film; Dangerous Beauty, New York Stage and Film; Choke by Tere O’Conner; Cinderella, a new musical, Lyric Stage. Amy is a member of United Scenic Artists local 829 and has an MFA from NYU Tisch School for the Arts.
(Lights) – Recent designs: Tigers Be Still (Roundabout). Other New York: Public-NYSF, Lincoln Center, Labyrinth, Ma-Yi, Soho Rep, City Center, and Juilliard Opera Center. Regional: ACT, Berkeley Rep, Houston Grand Opera, Huntington, Kansas City Rep, La Jolla Playhouse, Shakespeare Theatre, Santa Fe Opera, and Westport. International: West End, RSC-Stratford, Nederlandse Opera, Edinburgh International Festival, Epidaurus-Greece, LaScala, and Opéra de Lyon. Awards/Nominations: Drama Desks, Lortel, Hewes, Craig Noel Award, Bay Area Critics Award. www.japhyweideman.com
(Sound) – Broadway: Bloody Bloody Andrew Jackson. Huck and Holden (Cherry Lane), All This Intimacy and Animals Out of Paper (Second Stage) dir. Giovanna Sardelli. Other NY: Playwrights Horizons, The Public, Primary Stages, The Atlantic, MTC, New Group, LAByrinth, The Play Company, P73, Les Freres, Juilliard, Fordham, SPF, NYMF, Clubbed Thumb, Rattlestick. Regional: Williamstown, Barrington Stage, NY Stage & Film, Philadelphia Stage, Yerba Buena PAC, Berkshire Theater Festival. underground International Tour, Screwtape Letters National Tour, Rash at Edinburgh Fringe.
(Assistant Director) Nicole Watson is a member of the WP Lab 2010-2012. She has a BA in history from Yale and an MA in interdisciplinary studies from NYU’s Gallatin School of Individualized Study. Credits include a workshop of Oyamo’s new musical White Hot Black Spice (New Dramatists, NYC)Deconstruction by Anne Phelan(Open Source Gallery, Brooklyn) Reverb by Radha Blank (The Fire This Time Festival) Traffic Jam,(Secret Theatre, NYC), One Minute-Play Festival (Here Arts Center, NYC), Derek Walcott’s Ti-Jean and His Brothers (NYU-Tisch School of the Arts, NYC),Foreclosure (NYTE at the Access Theatre, NYC), David Hilder’s Just Exactly Like(The Flea, NYC), Daniel McCoy’s Eli and Cheryl Jump (2009 Fringe Festival, NYC), Words, Words, Words and Time Flies, (Chelsea Rep Lab, NYC) The Snow Queen (Urban Stages on Tour, NYC), and The Fantastiks (The Cathedral School, NYC).
(Associate Producer) Elizabeth R. English is a member of the 2010-2012 WP Lab. Before coming to New York, Elizabeth has produced theater in Los Angeles, Chicago, and at the Edinburgh Fringe. Recently she co-produced with award-winning LA based Rogue Artists Ensemble their workshop production ofHYPERBOLE: origins at the inaugural Hollywood Fringe Festival. Her developmental production ofThe Exile of Petie DeLarge by Jennifer Barclay has been presented at Son of Semele Theater and REDCAT in downtown Los Angeles. She worked with Big Dance Theater during their residency at the Getty Villa, and produced Silver Years of Dust, three shorter dance theater pieces by members of that company at Highways Performance Space. In 2009 she produced Erik Ehn and Katie Shook’s object theater and multimedia adaptation of “Godzilla”, One Eye Gone, at the Edinburgh Fringe Festival. She produced the Chicago premiere of John Patrick Shanley’s The Big Funk, nominated for two Joseph Jefferson Awards, and the Los Angeles premiere of Thomas Bradshaw’s Strom Thurmond Is Not A Racist for Blank-the-Dog. Elizabeth founded her own production company, A Collection of Shiny Objects, to explore alternative models for the development of theatrical and multidisciplinary live performance. She has a BS in Theatre from Northwestern University and an MFA in Producing from the California Institute of the Arts. www.collectshinyobjects.com.
(Director) – Anne Bogart is the Artistic Director of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a Professor at Columbia University where she runs the Graduate Directing Program. Works with SITI include American Document, Antigone, Under Construction, Freshwater, Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Death and the Ploughman, La Dispute, Score, bobrauschenbergamerica, Room, War of the Worlds, Cabin Pressure, War of the Worlds—The Radio Play, Alice’s Adventures, Culture of Desire, Bob, Going, Going, Gone, Small Lives/Big Dreams, The Medium, Noel Coward’s Hay Fever and Private Lives, August Strindberg’s Miss Julie, and Charles Mee’s Orestes. She is the author of three books: A Director Prepares, The Viewpoints Book and And Then, You Act.
(Adaptation) – Jocelyn Clark is a freelance dramaturg and writer. He is a member of the artistic staff of the Sundance Theatre Lab and has taught dramaturgy at the Kennedy Center (D.C) and at Columbia University. He has written five plays for Anne Bogart and SITI Company – Bob, Alice’s Adventures, Room, Score and Antigone. Here You Are Human, his new project with the Tiger Lilies, premiered in the Archa Theatre in Prague in September.
(Actor) – Associate artistic director for SITI. Company credits include: Under Construction, Radio Macbeth, Who Do You Think You Are, Hotel Cassiopeia, Death and the Ploughman, Midsummer Night’s Dream, Room, bobrauschenbergamerica, systems/layers, War of the Worlds, Cabin Pressure, The Medium, Culture of Desire, Going, Going, Gone, Orestes, and American Document with Martha Graham Dance Co. National and international venues include: Bonn Germany, Iberoamericano Bogota, BAM Next Wave, Humana, Bobigny, Melbourne, Edinburgh, Singapore Festivals; Wexner, Krannert and Walker Center for the Arts; In NY; Dance Theater Workshop, NYTW, CSC, Miller, Public, Joyce Theater. Regional credits with SITI include: San Jose Rep, ART Cambridge, Court Theatre, Actors Theatre of Louisville: (including Picnic, Adding Machine, Hay Fever, Miss Julie, Private Lives). Ongoing classes and residencies in the US and abroad over 18 years. Additional credits include The Women (Hartford Stage), Seven Deadly Sins, New York City Opera -(Kosovar Award for Anna II) Marina, a Captive Spirit, all with Anne Bogart. Resident company member: StageWest, Mass., The Milwaukee Repertory, The Alley Theatre, Houston. Associate artist for The Suzuki Company of Toga (SCOT), under the direction of Tadashi Suzuki; Venues include, Moscow Art Theatre, Toga Festival, Alexandrinksky Theatre, RSC, Theatre Olympics Athens and Shizuoka Japan, Buenos Aires Festival, Vienna Festival, Istanbul Festival, Festival Mundial Chile, Teatro Olympico Italy, Montpelier France, Hong Kong Festival. Ongoing faculty member: The Juilliard School of Drama; Associate Director Summer Training Program, Toga, Japan. Fox Fellowship recipient for Distinguished Achievement 2008.
(Playwright) is the author of the plays Bossa Nova (Yale Rep); The Luck of the Irish (Huntington Theatre Company); Rust (Magic Theatre); The Curious Walk of the Salamander, Sans-Culottes in the Promised Land (Actors Theatre of Louisville); 103 Within the Veil and The Gibson Girl (Company One, Moxie). She has developed her work at Sundance (Utah and Ucross), Magic Theatre, National New Play Network, Cardinal Stage, South Coast Repertory, Madison Rep, Page 73, Hourglass, Bay Area Playwrights, Playwrights Horizons, New Dramatists, The Mark Taper Forum, A.S.K., The Eugene O’Neill Theater Center, Guthrie Theater, Mixed Blood, McCarter Theatre Center, Humana Festival of New American Plays, Moxie Theatre and New Georges. She is the recipient of a Huntington Theatre Playwriting Fellowship, an NEA/TCG residency at Woolly Mammoth Theatre Company, and was recently Playwright-in-Residence at Company One. Ms. Greenidge has also received Sundance’s Time Warner Award for Bossa Nova. She attended Wesleyan University and The Playwright’s Workshop/University of Iowa and is a member of New Dramatists and Rhombus. Recipient of Aspen Theater Masters’ Visionary Playwright Award. (As of October 2011)
