(George Frederick Watts/The Porpoise) has been collaborating with Anne Bogart since 1986. As a member of SITI he has performed nationally and internationally with productions of Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Intimations for Saxophone, A Midsummer Night’s Dream, La Dispute, Hay Fever, bobrauschenbergamerica, War of the Words, War of the Worlds – The Radio Play, Culture of Desire, Cabin Pressure, and Small Lives/Big Dreams. He has also choreographed and appeared in the world premiere of Nicholas and Alexandra at Los Angeles Opera, Lilith and Seven Deadly Sins at New York City Opera as well as additional Bogart productions at the Alley Theatre, Trinity Rep., River Arts Rep., and Opera/Omaha. Other regional credits include Tina Landau’s 1969 at ATL, Stonewall: Night Variations for EnGarde Arts, Deadly Virtues and Hamlet at ATL, and Jon Robin Baitz’s A Fair Country for Steppenwolf. His choreography has appeared at BAM’s Harvey Theater, Arena Stage, New York Theatre Workshop, New York City Opera, Los Angeles Opera and at the Prince Music Theatre. He recently directed and choreographed the world premiere of systems/layers a dance/theater collaboration between SITI and the Kentucky based band Rachel’s, and appeared in the Rude Mechs’ Match-Play based on Deborah Hay’s award-winning dance The Match.
(Alfred Lord Tennyson) has performed with Anne Bogart and the SITI Company in theaters all over the U.S. and at festivals around the world including The Kennedy Center, BAM, The Humana Festival, Melbourne Arts Festival, Singapore Arts Festival, American Repertory Theater, Dublin Festival, Wexner Center, The Israel Festival, Edinburgh International Festival and The Bogota Theater Festival. Off Broadway: Radio Macbeth, Death and the Ploughman (CSC), War of the Worlds (BAM), Culture of Desire (NYTW), Trojan Women 2.0 (En Garde Arts), Hotel Cassiopeia (BAM). SITI Credits: Radio Macbeth (Macbeth), Hotel Cassiopeia, Death and the Ploughman, War of the Worlds (Orson Welles), bobrauschenbergamerica, systems/layers (with Rachel’s), La Dispute, A Midsummer Night’s Dream, Cabin Pressure, Going Going Gone, Culture of Desire, The Medium, Private Lives, Hay Fever, War of the Worlds – The Radio Play (Orson Welles), Short Stories. Regional Theater: American Repertory Theater, Actors Theater of Louisville, Milwaukee Repertory Theater, San Jose Repertory Theater, Magic Theater, Portland Stage Company, Alabama Shakespeare Festival, Court Theatre.
(Set and Costume Design) – has designed 19 productions as a member of SITI Company, including Who Do You Think You Are, Radio Macbeth, La Dispute, Intimations for Saxophone, Bob, Culture of Desire, Room and Score. Recent work as a set and/or costume designer includes Oedipus Complex at the Goodman Theatre, The Unmentionables at Steppenwolf Theatre, The Elephant Man at Minnesota Opera, Un Ballo in Maschera at Boston Lyric Opera. and Hello Dolly at Papermill Playhouse. His work has been seen at Arena Stage, American Repertory Theatre, Seattle Rep, Mark Taper Forum, the Goodman Theatre, La Jolla Playhouse, Old Globe, Berkeley Rep, Long Wharf, Yale Rep, Prince Music Theatre, Actors Theatre of Louisville, EnGarde Arts, New York Theatre Workshop, The Public Theater, Manhattan Theatre Club, Playwrights Horizons, Glimmerglass Opera, Houston Grand Opera, New York City Opera, Opera Colorado, Santa Fe Opera, Opera Theatre of St. Louis, Opera Colorado, Seattle Opera, and internationally. Upcoming projects include Julius Caesar at ART, Blythe Spirit at Trinity Rep and I Capuleti e I Montecchi at Glimmerglass Opera.
(Lighting Design) – is a SITI Company member and has designed lighting for Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, systems/layers, Death and the Ploughman, bobrauschenbergamerica, War of the Worlds – The Radio Play, and the Midsummer Night’s Dream touring production. He has designed lights for: Hamlet at Classic Stage Company; The Darkling for American Opera Projects, The Importance of Being Earnest at the Arena Stage, Marina: A Captive Spirit with American Opera Projects, Twisted Olivia w/members of the Ridiculous Theatre Company, Showpeople with Anne Bogart @ Exit ART, Macbeth (scenic and lighting design), The Laramie Project, Death of A Salesman in Baton Rouge, LA, and Get Your War On, The Match, Cherrywood, How Late It Was How Late (Production Design), Requiem for Tesla, El Parasio, Big Love and Lipstick Traces with Austin Theatre Company the Rude Mechs.
(Sound Design) – has been a SITI Company member since 1993 and first collaborated with Anne Bogart in 1990 while resident sound designer at Actors Theatre of Louisville. His work for theater and dance has been heard in over 400 productions nationally and internationally. His accolades include a 1998 Obie award for SITI’s Bob, The Princess Grace Award, an Entertainment Design Magazine EDDY, the 2004 and 2005 Henry Hewes Design award, a 2006 Lortell and AUDELCO Award. As director: Kid Simple (2004 Humana Festival at Actors Theater of Louisville), Lilly’s Purple Plastic Purse and Eurydice (Children’s Theater Co. Minneapolis), Big Love (Rude Mechanicals Austin, Texas), SITI Company’s War of the Worlds – The Radio Play and Radio Macbeth.
(Dramaturg) – Prior to joining Women’s Project as the Associate Artistic Director in September 2006, Megan worked as a dramaturg and educator in Seattle and New York. Recent credits include Sand, transfigures, Corporate Carnival, and Girls Just Wanna Have Fund$ (WP); Mac Wellman’s Harm’s Way, aTack and the AmerikAn trip, tik (newFangled theatReR); Burial at Thebes and Sincerity Forever (New Workshop Theatre). In 2005, Megan curated the Building Bridges New Play Festival, which included works by Stephanie Fleischmann, Sibyl Kempson, and Erin Courtney. She has also worked with ACT Theatre’s Young Playwrights Program and Intiman Theatre’s award-winning Living History program. Megan is a collaborator on Lynn M. Thomson’s musical work-in-progress, Parlor Song, which completed a residency at Tribeca PAC. She received her MFA in Dramaturgy from Brooklyn College.
(Stage Manager) – with SITI, Elizabeth has worked on the creation of Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Intimations for Saxophone, A Midsummer Night’s Dream, La Dispute, Hayfever, Death and the Ploughman, bobrauschenbergamerica, Score, and systems/layers (with the band Rachel’s), and has toured these as well as Bob, Room, War of the Worlds, War of the Worlds – The Radio Play, and Cabin Pressure. She has worked on Gull and Shutter with Lightbox, Match-Play with the Rude Mechs, Dead Man’s Cell Phone with Ms. Bogart, Apparition, To The Lighthouse, and Doris to Darlene with Les Waters. Elizabeth is the Artistic Associate of the O’Neill Playwrights Conference.
(Playwright) Liz Duffy Adams is a WP Lab alumna, a New Dramatists alumna (2001–2008) and a recipient of a New York Foundation for the Arts Fellowship Award, a Will Glickman Award, a Frederick Loewe Award in Music Theatre, a Weston Playhouse Music Theater Award, and a commission from Children’s Theater Company, Minneapolis. Her work has been written, produced, or developed at the Humana Festival, Portland Center Stage, Portland Stage Company, Syracuse Stage, Bay Area Playwrights Festival, MacDowell Colony, Djerassi Resident Artists Program, Millay Colony for the Arts, New Georges, Shotgun Players, Moxie Theater, Clubbed Thumb, and Crowded Fire Theater among other organizations. Publications include Poodle With Guitar And Dark Glasses in Applause’s “Best American Short Plays 2000-2001,” numerous short plays and monologues in anthologies from Heinemann and Smith & Kraus, and several plays published by Playscripts, Inc. Adams was profiled in American Theatre magazine’s December 2004 issue. BFA: NYU’s Experimental Theater Wing; MFA: Yale School of Drama.
(Director) Wendy McClellan is a WP Lab member and a New York based director who has developed and directed new American plays in New York and across the country. Her world premiere credits include Deborah Stein’s Wallflower (Stages Repertory Theatre, Houston), Laurie Brook’s Brave No World (The Kennedy Center), Jennifer Maisel’s Birds (Rorschach Theatre, DC) and Goody Fucking Two-Shoes (Actors Theatre of Louisville). She recently directed Sarah Hammond’s Green Girl in SPF at The Public. Developmental work in New York includes directing the Loewe Award Workshops of two new musicals at New Dramatists: Liz Duffy Adams and John Hodian’s The Listener of Junk City, and Runway 69 by Erin Kamler and Carson Kreitzer. Also at New Dramatists, she developed Sarah Hammond’s House on Stilts and Liz Duffy Adams’ Or. With Mabou Mines Suite she directed the workshop of Julia Pearlstein’s commedia play Rat Bastards, and with New Georges she led a workshop of Olga Humphrey’s restoration farce Cornbury, among others. As Director of the Apprentice/Intern Company at Actors Theatre of Louisville, she developed and directed the anthologies Neon Mirage, Uncle Sam’s Satiric Spectacular, Fast and Loose, and Trepidation Nation for the Humana Festival of New American Plays, all of which received critical acclaim, prompting Neon Mirage and Uncle Sam’s to remount at the New York International Fringe Festival. In ATL’s regular season she directed productions of Glen Berger’s Underneath the Lintel and Barbara Field’s adaptation of A Christmas Carol. In addition to her duties as a director, Wendy was a core member of the Artistic Staff, lending a voice in season planning and Humana Festival play selection. As Artistic Director of Oasis Theatre Company in Los Angeles, she developed and directed the world premieres of Gregory Gunter’s Rave. Bakkhai. Muthafu**. and Antigone. Tertiary. Sexxx., for which she received an LA Weekly Award nomination in Best Comedy Direction. She also developed and directed the world premiere of Leon Martell and Penka Kouneva’s musical Steel: John Henry & the Shaker, which was subsequently nominated for an Ovation Award as Best New Musical. She was co-producer of Framework: 98 and 99, a city-wide event that occasioned the first opportunity for Anne Bogart and the SITI Company to work in Los Angeles. In addition to Actors Theater of Louisville, she has held staff positions regionally at A.S.K. Theater Projects, Mark Taper Forum and Great Lakes Theater Festival, and acted as consultant for the John F. Kennedy Center for the Performing Arts. She was the recipient of the 2006 New York Coalition for Women in the Arts and Media’s Collaboration Award. Wendy is an Affiliated Artist with New Georges, a member of SSDC, and a member of the Women’s Project Directors Lab 2008-2010. She is a graduate of The University of North Carolina’s School of the Arts.
(Nell Gwynne, Maria) Broadway: Desire Under The Elms, Major Barbara, Macbeth. Off-Broadway: The Voyage of the Carcass (Soho Playhouse), Tony Kushner’s Homebody/Kabul at New York Theater Workshop, and Romola and Nijinsky at Primary Stages. Regional: How Shakespeare Won The West (Huntington Theatre), The Unmentionables (Yale Rep, Dir: Anna D. Shapiro), Rocket To The Moon (Dir: Daniel Fish), Baltimore Center Stage, Barrington Stage, Cincinnati Playhouse, Indiana Rep, etc. On television, Kelly has been seen on Law & Order, Law & Order: SVU, Hack, The Jury, as well as a recurring role on Strangers with Candy. Films include “Catch Me If You Can”, “Slippery Slope”, and “Hysterical Psycho”. Kelly is a founding member of the theater company “Stage13”.
(Director) Lee Sunday Evans is a director and choreographer. Credits Include: Wellesley Girl by Brendan Pelsue at Humana/Actors Theater of Louisville, a workshop production of Miller, Mississippi by Boo Killebrew at Alley All New, D Deb Debbie Deborah by Jerry Lieblich at Clubbed Thumb; A Beautiful Day in November on the Banks… by Kate Benson at New Georges/Women’s Project Theater (OBIE Award), The Play About My Dad by Boo Killebrew at 59E59 Theatres; God’s Ear by Jenny Schwartz at Juilliard; Family Play (1979 to Present) by CollaborationTown; and The Caucasian Chalk Circle by Bertolt Brecht with original music by Nicholas C. Williams. Additionally, her work has been presented/developed at Baryshnikov Arts Center, Sundance Institute Theater Program, Brooklyn Arts Exchange, CATCH, Lower Manhattan Cultural Council and Robert Wilson’s Watermill Center. She is currently developing new projects with Andy Bragen, Kate Benson and Matthew Paul Olmos among others. As the resident director for CollaborationTown, she is currently developing a new musical as part of New Victory’s LabWorks, and working on a commission from LCT3. Upcoming: Macbeth at Hudson Valley Shakespeare Festival.
(Charles II of England, William Scott, and Lady Davenant) has made a career of developing new works for the stage and screen, including The Laramie Project (Emmy Nomination), Gross Indecency: The Three Trials of Oscar Wilde by Moises Kaufman, Lucie Tiberghien’s The Quiet Room and Innocents by Rachel Dickstein. As a writer/director Andy created The Fanmaker’s Inquisition, adapted from the novel by Rikki Ducornet. He also developed Goldstar Ohio by Michael Tisdale, directing the stage version at The Cleveland Public Theatre, and the short film starring Michael Emerson. Currently he is writing The Laramie Project: 10 Years Later, an epilogue to The Laramie Project. For Women’s Project, he wrote the text and served as ringmaster for the site specific Corporate Carnival, which was presented in the Winter Garden at the World Financial Center. Andy was invited to participate in The Lincoln Center Directors Lab in 2008. As an actor he has performed in countless plays in New York, Regionally, and in Europe. Regionally, he has been seen at Playmaker’s Rep, Cincinnati Playhouse, Hartford Stage, Theatre Virginia, Berkeley Rep and La Jolla Playhouse. FILM/TV: “Laramie;” “Law & Order.” He is the recipient of two AUDIE Awards for his audiobook narrations. As an original member of Tectonic Theatre Project, Andy has worked under the mentorship of Mr. Kaufman, and now teaches the techniques which he and Tectonic developed over the past seventeen years. He has taught workshops at New York University, DePaul University, Naropa Institute and in Osaka, Japan, among others. Andy was invited to be a participant in the Lincoln Center Directors Lab in 2008. Andy grew up in Cincinnati, Ohio and is a graduate of NYU.
(Aphra Behn) –is thrilled to be joining the Women’s Project for this production. Theater credits include: Ruby Sunrise (Public Theater, dir. Oskar Eustis), Frank’s Home (Playwright’s Horizons, dir. Robert Falls), Dollhouse (The Goodman Theater, dir. Robert Falls) for which she was nominated for a Jefferson Award, and Ghosts (The Lantern Theater) for which she received a Barrymore Award for Best Supporting Actress. More recently she has been seen on AMC’s Mad Men as Rachel Menken (2008 Golden Globe Best Drama, 2008 Emmy for Best Ensemble) and FX’s Sons of Anarchy as Tara Knowles. Other TV credits include recurring roles on Life on Mars and Nip/Tuck. Film credits include: Funny People, Push, and the upcoming film Leaves of Grass starring Ed Norton, directed by Tim Blake Nelson. She has an M.F.A. from NYU’s Graduate Acting Program at Tisch and a B.A. in English from Bryn Mawr.
(Set Design) is currently designing a trilogy of plays for Company XIV, a neo- baroque dance company in Brooklyn, and Open The Dark Door (NYMTF). Off-Broadway, Zane designed the costumes for The Brothers Size (dir. Tea Alagic, The Public Theater/Foundry Theater), with tours to The Studio Theater (Washington, D.C.) and The Abbey (Dublin, Ireland). International credits include Macbeth premiering at the Volksbühne Am Rosa-Luxemburg-Platz (Berlin); Bambiland (National Theater of Lithuania; Oskaras Korsunovas Theater); and Sleeping Beauty (Seoul Performing Arts Festival, South Korea). New York credits include costumes and scenery for A Kingdom, (Performance Space 122); costumes for Going Down Swingin’ and scenery for (NYMTF); Cherubina (Fractured Atlas); costumes and scenery for Iphigenia at Alus (Active Eye) and scenery for Food for Fish (The Krain); scenery for Binibon (The Kitchen). Regional/University credits include scenery for Until We Find Each Other (dir. Anna Shapiro, Steppenwolf Garage Theater); All’s Well that Ends Well (dir. James Bundy/Mark Rucker, Yale Rep); Baal (Columbia University); Marat/Sade, Slaves and Prowlers (Bard College); La Bohème (Yale Opera); Flyin’ West and Orange Woman (Princeton University); Hedda Gabler (Yale University Theater); Evita (Northwestern University); Anna Karenina, Don Juan Returns from the War, Selki and Cat on a Hot Tin Roof (DePaul University); costumes for MSN Dream, As You like It (Yale School of Drama) and Don’t Look Back (dir. Joe Roach, World Performance Project). Zane is a member of Wingspace, a theatrical design collective.
(Costume Design) designed costumes for the Second Stage Uptown The Butcher of Baraboo, NYU’s Our Lady of 121st Street and Hair, and Alley Theatre’s productions of Black Comedy, Wait Until Dark, Glengarry Glen Ross, The Crucible, After the Fall, Proof, Steel Magnolias, Fully Committed, Who’s Afraid of Virginia Woolf?, The Thirteenth Chair, The Woman in Black and And Then There Were None. She also has designed for the Williamstown Theatre Festival Act I (The Trojan Women: A Love Story), Frontera at Hyde Park in Austin (Blood Pudding, David’s Red Haired Death, Deviant Craft, Race of the Ark Tattoo, and Clay Angels), University of Texas (guest designer for Love of the Nightingales). She was art director for the film Mantis by Trey McIntyre and her prop designs have been featured in Yale’s Theater magazine. She has a BA from University of Texas, Austin, and a MFA from NYU’s Tisch School of the Arts, Department of Design for Stage and Film.
(Lighting Design) has designed extensively at Trinity Rep, including Paris by Night, Cherry Orchard, A Delicate Balance, Dublin Carol, A Moon for the Misbegotten, The Ruby Sunrise, Homebody/Kabul, The New England Sonata, Dinner with Friends and numerous Christmas Carols. Off Broadway: The Ruby Sunrise (The Public Theater), Green Girl (Summer Play Festival), Play it Cool (NYMF Festival). Regional credits include: Actors’ Theatre of Louisville, (where she was resident lighting designer for two seasons and has designed a dozen world premiers as part of the Humana Festival of New American Plays), Alliance Theatre, Berkshire Theatre Festival, City Theatre Company, and Cleveland Play House. Other theatres include The New Repertory Theatre (Elliot Norton Award), Two Rivers Theatre Company, Gloucester Stage Company, Perishable Theatre, Boston Theatre Works, Opera Providence and Festival Ballet Providence, among the many. Deb is a member of United Scenic Artists.
(Sound Design)—New York credits include the world premiere of Steve Martin’s adaptation of The Underpants, and the premieres of John Patrick Shanley’s Dirty Story and Sailor Song. LAByrinth credits include Stephen Belber’s A Small Melodramatic Story and Robert Glaudini’s Dutch Heart of Man. Other New York credits include Chuck Mee’s Paradise Park with director Daniel Fish (Signature), Philip Roth in Khartoum and Sweet Storm (Public Lab); Future Me with original music by Stew (SPF); The Winter’s Tale with director Barry Edelstein (CSC); Trial By Water (Ma-Yi); A Soldier’s Wife (The Mint); Regional credits include Lee Blessing’s Winning Streak (George Street Playhouse), Stones In His Pockets (Alley Theatre), and The Colored Museum (Crossroads). For more info please visit elizabethrhodes.net.
(Casting Director) ALAINE ALLDAFFER is the Casting Director for Playwrights Horizons and The Huntington Theater in Boston. Theater credits include Deadman’s Cellphone with Mary Louis Parker (PWH), Grey Gardens (PWH and Broadway), Walmartopia the musical, Knights of Prosperity (ABC), ED (NBC). Currently in the works is This with Parker Posey at Playwrights Horizons. She credits Lisa Donadio as co-casting director for Or,.
(Stage Manager) is up, down, all around…Broadway: two dozen, including Souvenir; The Scarlet Pimpernel; Dream; Hughie; Inherit The Wind; Black and Blue; Carrie; The Tap Dance Kid; ‘night, Mother; Lena Horne; Brigadoon; The King and I; and A Christmas Carol (MSG). Off Broadway: Souvenir; Address Unknown; Rounding Third; Love, Janis; Tallulah Hallelujah! Tours: The Sound of Music (Marie Osmond); Hello, Dolly! (Paris); Porgy and Bess (Japan); On Your Toes (Makarova). Regional: Mark Taper Forum, Long Wharf. Thanks to Julie Crosby, the WP staff, and Norman.
Assistant Stage Manager) is happy to be joining the Women’s Project. Previous credits include The Mirror Rep (Shanghai Gesture), PTPNYC (Therese Raquin), Two River Theatre Company (Mary’s Wedding, A Year with Frog and Toad, ART), The Old Globe (I Just Stopped by to See the Man), Lake George Theatre Lab (Four by Four), Soho Playhouse (A Stone Carver), Passage Theatre (The Deacons, Second Line), Berkshire Theatre Festival (This is Our Youth, Pound of Flesh), Prospect Theatre (Dark Nights Festival), Stage 13 (Elephant in the Room!), Park Performing Arts Center (The Passion Play). Lisa has also worked at George Street Playhouse, Playwright’s Theatre, Shadow Lawn Stage, The Bickford, Charlotte Rep, NJPAC, Algonquin Theatre.
(Playwright) Rachel Axler is a playwright and Emmy-winning television writer. Her play, Archaeology, premiered at The Kitchen Theatre in 2009. Other plays of hers have been developed through The Lark Play Development Center, Manhattan Theatre Club, The Playwrights Foundation and the Eugene O’Neill National Playwrights Conference. Rachel has held fellowships at The Dramatists Guild and The Lark, and is currently working on commissioned plays for South Coast Rep and Lincoln Center Theater. Humor pieces of hers have been published in The New York Times, In Character and two editions of Monologues for Women, By Women. For television, Rachel wrote for The Daily Show with Jon Stewart for several years, where she received the 2006 Emmy Award for Outstanding Writing for a Variety, Music or Comedy Program and three Writers Guild Award nominations. She now writes for Parks and Recreation, on NBC. Rachel received her BA from Williams College and her MFA in Playwriting from UCSD. Member: Dramatists Guild, Writers Guild of America.
(Director) Pam Mackinnon directed world premieres of Jason Grote’s Maria/Stuart (Woolly Mammoth) and Richard Greenberg’s Our Mother’s Brief Affair (South Coast Rep); productions of Adrian Hall’s adaptation of Penn Warren’s All The King’s Men (Intiman), Lanford Wilson’s Burn This (Juilliard) and Richard Dresser’s Below the Belt (ACT-Seattle). She also continued her longstanding collaboration with Edward Albee directing A Delicate Balance (Arena Stage). New York productions include Edward Albee’s Peter and Jerry (Second Stage); Edward Albee’s Occupant (Signature); Itamar Moses’ The Four of Us (MTC); Itamar Moses’ Bach at Leipzig (NYTW); Sheri Wilner’s Father Joy (SPF), John Fugelsang’s All the Wrong Reasons (NYTW); Adam Bock’s Medea Eats (Clubbed Thumb), Gina Gionfriddo’s U.S. Drag (Clubbed Thumb) and Erin Courtney’s Alice the Magnet (Clubbed Thumb). Other recent productions include the premiere of Roberto Aguire Sacasa’s Good Boys and True (Steppenwolf), Bruce Norris’ The Unmentionables (Woolly Mammoth), David Mamet’s Romance (Goodman), Edward Albee’s The Goat or, Who Is Sylvia? (Alley and Vienna), Edward Albee’s Play About The Baby (Philadelphia and Goodman) and Caryl Churchill’s Mad Forest (Juilliard). She most recently directed the world premiere productions in New York of Cusi Cram’s A Lifetime Burning (Primary Stages) with Jennifer Westfeldt and John Patrick Shanley’s Savage in Limbo (Juilliard). She is presently directing Bruce Norris’ Clybourne Park (Playwrights Horizons) and Rachel Axler’s Smudge (Women’s Project). Pam is an Affliated Artist with Clubbed Thumb, a New York Theatre Workshop Usual Suspect and a Drama League alumna.
(Casting Director) Alaine Alldaffer is the Casting Director for Playwrights Horizons and The Huntington Theater in Boston. Theater credits include Deadman’s Cellphone with Mary Louis Parker (PWH), Grey Gardens (PWH and Broadway), Walmartopia the musical, Knights of Prosperity (ABC), ED (NBC). Currently in the works is This with Parker Posey at Playwrights Horizons. She credits Lisa Donadio as co-casting director for Smudge.
(Colby): Broadway: The Norman Conquests (u/s). Off-Broadway: The Drunken City (Theatre World Award 2008), Prayer For My Enemy(Playwrights Horizons), Oohrah!(Atlantic Theatre), Playlist 2009(Ars Nova). Regional: Three Sisters (Williamstown Theatre Festival); 43 Plays for 43 Presidents (Actors Theatre of Louisville); All My Sons, Living Out and Be Aggressive (Theatre Works Palo Alto);The Haunting of Winchester (San Jose Rep); 3F 4F (Magic Theatre); Ms. Beck is the former Artistic Director of Crowded Fire Theatre Company in San Francisco were she appeared in several productions including Trojan Woman, Top Girls, A-A-America,One Big Lie, Slow Falling Bird, We Are Not These Hands, and Anna Bella Eema.
(Nicholas): Broadway: Uncle Vanya, The Rainmaker. Off Broadway: That Pretty Pretty; or, The Rape Play (Rattlestick), The Seagull (CSC), You Never Can Tell (Roundabout), Telethon (Clubbed Thumb), Reborning (The Public/SPF), Steve & Idi (Rattlestick), Dying City (Lincoln Center). Regional: 33 Variations (Arena Stage) Sick, The Glass Menagerie, This Is Our Youth, Coyote On A Fence, A Dream Play (Berkshire Theatre Festival), Seasons’ Greetings (Denver Center), The Last Schwartz (Florida Stage). Greg holds an MFA in Acting from NYU and is a Lila Acheson Wallace Playwriting Fellow at The Juilliard School.
