Constance Shulman (Another Woman): Recent: Summerworks/Winterworks at Clubbed Thumb (Find Me Here/Chairs), The Best We Could, Manhattan Theater Club, Shhhh, Atlantic Theater Company, The Rose Tattoo, Roundabout, Broadway, Bobbie Clearly, Roundabout Underground (Drama Desk Nomination). TV: The Curse, SHO; Orange Is The New Black (three time SAG award for Best Ensemble in a comedy series), DOUG, animated series Nickelodeon/Disney. Film: From Fried Green Tomatoes to Strawberry Mansion.
Mathilde Dratwa (Playwright) is a Belgian playwright and screenwriter based in Brooklyn. Her plays include Dirty Laundry (world premiere WP), which was commissioned and released as an audio play by Audible, for which she won the Henley Rose Award; Milk & Gall (world premiere Theatre503, London, published by Nick Hern Books); A Play about David Mamet Writing a Play about Harvey Weinstein; and Esther Perel Ruined My Life. Her work has been presented by the Ground Floor at Berkeley Rep, the Ojai Playwrights Conference, Roundabout Theatre Company, Rattlestick, Berkshire Theatre Group, American Players Theater, LAByrinth Theater Company, the Cape Cod Theater Project, and in London at the Young Vic. Mathilde is an inaugural Powers Playwriting Fellow at the Old Globe, an Affiliated Writer at the Playwrights’ Center, and was recently a member of the Orchard Project’s Greenhouse, a Dramatist Guild Foundation Playwriting Fellow and a member of New York Foundation for the Arts’ Immigrant Artist Program. She also writes for film and television; she has developed content for Netflix, FX, Chernin Entertainment, LuckyChap, Endeavor, Dirty Films, Red Wagon, Sony/TriStar and Wiip.
Rebecca Martinez (Director) (she/her) is a multidisciplinary director and the Cohort Collaborations Director for One Nation/One Project. Recent projects: Bite Me (WP Theater / Colt Coeur), It Happened in Key West (Fulton Theatre), Sancocho (WP Theater), Living and Breathing (Two River), Los Complicados (EST Marathon), Randy’s Dandy Coaster Castle (Egg & Spoon Collective), Songs About Trains (Working Theater and Radical Evolution), Somewhere Over the Border (Syracuse Stage and Geva Theatre). Rebecca co-adapted and directed the 2023 & 2024 touring bilingual musical production of The Comedy of Errors (The Public Theater’s Mobile Unit, Drama Desk Nomination, Outstanding Adaptation). She has developed new work with The Public Theater, Amas Musical Theater, the O’Neill, Latinx Playwrights Circle, the Sol Project, NAMT, INTAR, Working Theater, The Playwrights Realm, among others. Affiliations: Member of the Obie Award winning Sol Project Collective, Co-facilitator of the WP Directors Lab, 2021 TCG Rising Leaders of Color, Lincoln Center Theater Directors Lab, INTAR’s Unit52, New Georges Affiliated Artist, Drama League Directing Fellow, member of SDC. Awards: Colorado Henry Award for Directing; four Portland, Oregon Drammy Awards; Lilla Jewel Award for Women Artists. Rebecca is originally from Colorado with ancestral roots in the Southwest and Bohemia. rebeccamartinez.org
Raul Abrego (Set Designer) is a set designer for Opera, Theater and Television. His work has been seen at The Juilliard Opera Center, The Manhattan School of Music, The Spoleto Opera Festival in Italy, The Rattlestick, Cherry Lane Theater and Intar. Noted Recent projects: Adamandi for Princeton University, book and lyrics by Mel Hornyak and Elliot Valentine Lee Directed by Georgina Escobar, Ain’t Misbehavin’ for Barrington Stage and Geva Theater Center, directed by Jeffrey Page. The Brobot Johnson Experience by Darian Dauchan at The Bushwick Starr, Living and Breathing by Mando Alvarado Directed by Rebecca Martinez for Two River Theater, How to Melt Ice by Amalia Oliva Rojas for Boundless Theater Company and New Perspectives directed by Elena Araoz. Assistant Art Director credits for Television include: The Marvelous Mrs. Maisel Season 3 & 4, Ghost (Power Book 2) and John Wick, Art Director for Falling Water (pilot), The Outcasts (film) and Production Designer for 2009 film Cruzando.
Lux Haac (Costume Designer) Broadway: The Thanksgiving Play. Off-Broadway/New York: Manahatta, Mobile Unit: The Comedy of Errors (The Public Theater); Between Two Knees, Number Our Days: A Photographic Oratorio (PAC NYC); On That Day in Amsterdam (Primary Stages/59E59); 53% Of (Second Stage Uptown); Songs About Trains (Radical Evolution/Working Theater/New Ohio Theatre); Giizhibaa Giizhig | Revolving Sky (Incoming! Under the Radar/The Public Theater); Eureka Day (Colt Coeur/Walkerspace); Ajijaak on Turtle Island (IBEX Puppetry/New Victory Theater); R + J (Hypokrit NYC/Access Theater); ¡Figaro! (90210) (The Duke on 42nd Street). Regional: For the People (Guthrie Theater); The Wizard of Oz (Geva Theatre); Between Two Knees (OSF, Yale Rep, McCarter Theatre Center, Seattle Rep); Espejos: Clean (Hartford Stage, Syracuse Stage); LEAR (Cal Shakes); Kim’s Convenience (Westport Country Playhouse, TheatreSquared); Yoga Play, Ragtime (PlayMakers Repertory Company); Miss Bennet: Christmas at Pemberley (Arizona Theatre Company); Kamloopa (WAM Theatre); I and You, Annapurna (Syracuse Stage); Hear Me Say My Name (Discovery Theater/NMAI); Native Gardens (Syracuse Stage, Geva Theatre, Portland Center Stage). Upcoming: Dial M For Murder (Syracuse Stage). luxhaac.com @luxhaac
Tosin Olufolabi (Sound Design) (she/her) is a sound designer, deviser, facilitator, and performer who received her education at the University of Richmond. After internships at two regional theaters, Berkshire Theatre Group, and Barrington Stage Company, she began professionally designing at SPARC, a children’s theater in Richmond VA. After graduating, she performed and sound designed at Raleigh Little Theatre in Stick Fly and dog & pony dc’s Beertown and later joined dog & pony dc as a company member. Then she was selected as the 2016 – 2017 sound apprentice for Olney Theatre Center where she assistant designed Proof. Since becoming a freelance artist her work includes NYC: Stargazers (Page 73); Bite Me (WP Theater). REGIONAL: The Thanksgiving Play (Steppenwolf Theatre); Gloria (2018 Helen Hayes Nomination for Outstanding Sound Design for a Hayes Production); There’s Always the Hudson and Hi, Are You Single?; Incendiary; The Sensational Sea Mink-ettes (Woolly Mammoth); Ain’t No Mo (Woolly Mammoth/Baltimore Center Stage); Life is a Dream (Baltimore Center Stage); Crying on Television, Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, The Sound Inside, The Chinese Lady, Crumbs from the Table of Joy (Everyman Theater); School Girls; Or, The African Mean Girls Play; it’s not a trip it’s a journey (Round House Theatre); Sense & Sensibility (The Village); Moses, Fires in the Mirror (Theater J); The Thanksgiving Play (Olney Theatre Center); A Wind in the Door (Kennedy Center Theater for Young Audiences). OTHER: Lovers’ Vows (We Happy Few); My Barking Dog (Edge of the Universe Players 2); She Sings Light, Hatpin Panic, & Shakespeare’s Worst (Capital Fringe); Ties That Bind, Caucasian Chalk Circle, & Antigone (Catholic University); God is Dead & April is Getting Married (Three Muses); Peepshow (dog & pony dc); Abortion Road Trip, & Soldier Poet (Theatre Prometheus); Lela & Co. (Factory 449); Blacktop Sky (York College). Assistant design credits include Sally and Tom, Manahatta, & Plays of the Plague Year (The Public); Don’t Let the Pigeon Drive the Bus! (The Kennedy Center TYA); One Flew Over the Cuckoo’s Nest & Baggage (Gallaudet University); Zomo the Rabbit: A Hip-Hop Creation Myth, Thumbelina, Anatole & Davy Copperfield (Imagination Stage); Still Life with Rocket (Theater Alliance); and Proof (Olney Theatre Center). Most of her experience as a performer was in devised shows, such as Peepshow & DISCOVERED! (dog and pony dc), and Treasure Island (We Happy Few). Furthermore, she has designed two short films, Midheaven, an art film about life in Atlanta, and Silver Bullet, a dreamy animation.
Brittany Hartman (Hair Design) (she/her/hers) is currently the wig shop manager for Saturday Night Live and NBC studios. Film: Fire Island (Key Hairstylist, Hulu). Broadway: The Thanksgiving Play. Regional: DiscoShow (Speigelworld, Vegas), Rent (Papermill), Camp Siegfried (Second Stage), Wizard of Oz (GeVa), Snow in Midsummer (Classic Stage Company), Ragtime, Secret Garden, The Wiz, Singin’ in the Rain (Broadway Music Circus), Gypsy (Theatre Aspen), A Christmas Carol, La Dispute, Macbeth (Hartford Stage). Broadway (selected associate design credits): Jagged Little Pill, Frankie and Johnny… (2019 revival), Bandstand, Sunset Boulevard (2017 revival), A Gentleman’s Guide to Love & Murder, Of Mice and Men (2014 revival), Violet.
Samantha Tutasi (Properties Supervisor) Ecuadorian-American theater artist, most recent collaborations include: Properties Design – Munich Medea: Happy Family (WP Theater), Coping Mechanism (Wild Project); Scenic Design – La Musica Deuxième (A/Park Productions). Authorial Intent; Exit, Pursued By A Bear; The Laramie Project (ASDS Rep Theater). Captain Courageous; The Secret Garden (Powerhouse Theater Collaborative). Virgin, Mother, Whore (Boundless Theater Co.). Film – Egg Timer (dir. Annie Tippe). She frequently works with the American Theater Wing on their educational program, Springboard To Design. BFA: State University of New York at Purchase, 2022. samanthatutasidesign.myportfolio.com
Judi Lewis Ockler (Intimacy Director) has had the privilege of collaboration with Classic Stage Company (Snow in Midsummer, A Midsummer Night’s Dream, A Man of No Importance), Signature Theater (Hot Wing King, One in Two, Jasper), WP Theater/Second Stage/Colt Coeur (Hatef**k, Our Dear Dead Drug Lord, Bite Me), Cherry Lane Theater (This Beautiful Future), New World Stages (Dracula, A Comedy of Terrors!, MsTrial), Theater Row (Inheritance of a Long Term Fault, w/Clutch Productions),The Mint Theater (The Rat Trap, US premiere) The Connelly Theater (Persuasion, w/Bedlam; Stargazers, w/Page 73),The Flea Theater, w/TOSOS (Bar Dykes, Rock the Line) and Williamstown Theater Festival (A Raisin in the Sun, A Human Being, of a Sort, directed by Robert O’Hara; Whitney White). Intimacy Coordinator tv/film credits include Out of the Blue, directed by Neil La Bute; Plan B, with Jamie Lee and John Heder, Up Here (Hulu). She teaches and directs intimacy and violence in performance at NYU Tisch, National Theater Institute, Atlantic Theater School, AMDA, The New School, and Sarah Lawrence College. judilewisockler.com
Fran Acuña-Almiron (Production Stage Manager) New York based Stage Manager who has worked with various companies around the city and has worked internationally as a Company Manager for One Year Lease Theater’s Summer Program. She is thrilled to be working with WP Theater for the first time on this amazing production! Endless thanks to Christian who makes it possible for her to continue doing what she loves.
Celina Revollar (Assistant Stage Manager) is a proud Dominican and Peruvian stage manager from New Jersey. She is a graduate from Montclair State University with BFA in Theatrical Production focused in Stage Management. Recent credits include Andrew Lloyd Webber’s Bad Cinderella (Broadway), Death Becomes Her (Broadway In Chicago), BUENA VISTA SOCIAL CLUB (Off Broadway), Vámonos (Off Broadway), The Hours Are Feminine (Off-Broadway), In Corpo (Off Broadway) and developmental projects for 321 Theatrical and RCI Theatricals.
Spark Theatrical/Laurie Bernhard Laurie is an independent theatrical creative producer concentrating on daring new plays that provide a lens into the condition of being human. Laurie collaborates with playwrights, directors, dramaturgs, actors and designers exploring new work, experimenting and pushing boundaries. SPARK connects plays with non-profits that share a common mission, providing audiences with the opportunity for education and action beyond the play. SPARK Theatrical has multiple projects in development in Los Angeles and New York. Laurie is on the Boards of Ojai Playwrights Conference and Thunder River Theatre Company.
francisca da silveira (playwright) is a Cape Verdean-American playwright, dramaturg and TV writer. Current WP Theater TOW Playwright in Residence. Fellowships/Residencies: 2020-2021 Playwrights Realm Writing Fellow, The Public Theater’s 2020-2023 Emerging Writers Group, 2022-2023 Jerome Fellow with the Playwrights’ Center, The Apollo Theater’s New Works initiative 2023 Cohort, Winter 2024 MacDowell Fellow, 2024 Banff Playwrights Lab participant, 2024-2025 Tow Playwright-in-Residence at WP Theater. Plays : NOT-FOR-PROFIT (OR THE EQUITY, DIVERSITY AND INCLUSION PLAY) (La Jolla Playhouse 2021 DNA New Works Series); CAN I TOUCH IT? (2022/2023 Rolling World Premiere at Company One Theatre, Cleveland Public Theatre, Rogue Machine Theatre); PAY NO WORSHIP (2023 Susan Smith Blackburn Prize Finalist); MINOR·ITY (Colt Coeur Commission). TV: HBO’s Industry Season 3. BFA: New York University’s Tisch School of the Arts. MSc: University of Edinburgh.
Shariffa Ali (Director) is an international creative leader committed to advancing radical change through the power of art & activism. She works across disciplines directing and producing films, virtual reality experiences & plays and moves her audiences to engage with timely issues touching upon Black, Afropolitan, and African-American identities. Originally from Kenya and raised in South Africa, Shariffa has been a New York resident since 2013 where she has worked primarily as a director, community organizer and administrator at The Public Theater and The New Group among others. She is currently on faculty at Princeton University.
As a filmmaker, Shariffa’s works have been featured at acclaimed film/VR festivals & institutions worldwide including Sundance Film Festival (USA); Zeitz Museum of Contemporary African Art (South Africa); Brooklyn Film Festival (USA); Pan African Film Festival (USA); Electric Africa VR festival (South Africa) and DOK Neuland (Germany). Select theatre credits include Mies Julie (Classic Stage Company), School Girls; Or, The African Mean Girls Play (Pittsburgh Public Theatre), The Copper Children, (Oregon Shakespeare Festival), Mlima’s Tale (St Louis Rep) Film/VR: “Ash Land”, “Atomu” (Official Selection at Sundance Festival 2020), “Sink Sank Sunk, You Go Girl!” (Official Selection at Sundance Festival 2022), “O-Dogg” (Oregon Shakespeare Festival) Honors: New Frontier Fellow, Sundance Institute Lab, and the Royal National Theater (UK); POV/PBS Spark Grant. Education: BA with honors, Theatre and Performance, University of Cape Town, South Africa.
COLT COEUR is a Brooklyn-based theatre company founded in 2010. Their original, story-driven, visceral theatre embraces the power of intimate live performance—it pulls you close and doesn’t let go. Their community of artists nurtures and invests in diverse perspectives to produce work that challenges the boundaries between tradition and experimentation. They embrace the ambivalence, terror and exhilaration of our time with theatre that is an antidote to the pervasive cultural illness of loneliness. They explore themes of coming-of-age, individual and collective identity, nostalgia and history, public versus private, love, lust, and loss. Through their unique collective process, every theatre artist—actor, playwright, designer—takes part in shared invention and collaborative creation; creating heart- and mind-opening audience experiences unlike any other. They nurture the next generation of theatre artists by providing access, education and a professional pipeline, while amplifying voices and perspectives that have historically been sidelined.
Colt Couer’s 24-member ensemble of actors, designers, playwrights, and directors incubates the next generation of theatre artists through the development and production of new plays—which they create from scratch. Over 14 years, Colt Coeur has produced 17 world premieres, one East Coast premiere, developed nearly 50 plays, and provided free arts intensives for over 200 students. They pride themselves in being a laboratory for exploration while also nurturing the work of emerging artists and providing them a launch pad for their visions.
Colt Coeur has a tremendous reputation among artists and audiences alike. The company is renowned for its high artistic standards, and artists who work with Colt Coeur have gone on to contribute to and excel in every level of the entertainment industry. Colt Coeur has helped launch the multi-faceted careers of Timothée Chalamet, Ato Essandoh, Betty Gilpin, Steven Levenson, Ana Nogueira, and Joe Tippett, among many others.
Corinne Jaber (Playwright) is of Syrian/German heritage and was born in Munich and raised in Canada and Germany. She is an award-winning actress as well as a writer/director/ She has been part of many international theater productions in English as well as in French, such as – to name but a few – Peter Brook’s The Mahabharata, A Dybbuk For 2, by and with the late Bruce Myers, Irina Brook’s Beast on the Moon (for which she obtained a “Molière” the best actress award in France) and more recently Oh My Sweet Land, a monologue which she conceived and co-authored together with together with Amir Nizar Zubai as well as acted in. For many years she has worked with Afghan actors in Kabul on Shakespeare. Their work culminated in production of Comedy of Errors at the “Globe to Globe Festival” for the Globe Theater in London. Her play The Bus That Didn’t Stop On the Partition of India has now developed into her very first film which she also produced and directed. She is currently in the process of post-production. Munich Medea: Happy Family, her most recent play, will premier in New York in 2024.
Lee Sunday Evans (Director) is a two-time Obie Award-winning Director + Choreographer and the Artistic Director of Waterwell. She most recently directed the acclaimed production of Heather Christian’s ORATORIO FOR LIVING THINGS and was just announced as the director of a Broadway-bound musical adaptation of A WRINKLE IN TIME. She is developing a TV project for A24. Notable credits include DANCE NATION by Clare Barron, DETROIT RED by Will Power, SUNDAY by Jack Thorne, IN THE GREEN by Grace McLean, MILLER, MISSISSIPPI by Boo Killebrew, and HOME by Geoff Sobelle. She also directed THE COURTROOM by Arian Moayed (NYTimes Best Theater of 2019) which she just directed as a feature-length film that premiered in the 2022 Tribeca Festival.
Crystal Finn (Caroline) is thrilled to be working for the first time with WP, and to be back working with PlayCo. after performing in their production of one of her all-time favorite plays Villa, by Guillermo Calderon. NY theater includes many world premieres at Playwright’s Horizons, Roundabout, MTC, 59E59, Fulcrum, and Clubbed Thumb where she is an affiliated artist. In 2022 she made her Broadway debut in Birthday Candles, by Noah Haidle, for which she won a Theater World Award. She is also a writer and is working on a solo show about Wittgenstein and a book of essays about acting.
Heather Raffo (Alice) is a singular and outstanding voice in the American theater whose work has been championed by the New Yorker as “an example of how art can remake the world”. Having helped forge a new genre of Arab American theater, she’s spent her career writing and embodying stories of Iraq: from the lives and dreams of Iraqi women in her seminal work 9 Parts of Desire (2003), to the suicidal ideation of an Iraq war veteran in the opera Fallujah (PBS film 2012), to the restless longings of an Iraqi refugee architect, in Noura (2018). A film adaptation of Nine Parts, released on PBS in 2023, is a radical reimagining of her groundbreaking play from the vantage point of 20 years after the war. A recent Creative Capital, NPN and APAP grantee, Raffo is currently building an ambitious new theatrical platform following migration and the global economy which aims to be the first ever-evolving, multi-locational theater platform.
Kurt Rhoads (Father) Broadway: Julius Caesar. Off Broadway: Off Peak by Brenda Withers, 59E59 St Theatre; Fashions for Men, Mint Theatre; Othello, The Good Natur’d Man, Pearl Theatre; The Case of Kaspar Mayer, Ubu Rep, Americana Absurdum, Present Company. Regional: Arena Stage, How I Learned to Drive, Agamemnon and his Daughters; Everyman Theatre: Long Day’s Journey Into Night, Sweat; Old Globe: Fiction, Dinner with Friends; Denver Center: Book of Will. 25 seasons of acting and directing at Hudson Valley Shakespeare Festival. Video Games: Red Dead Revoler, Redemption, GTA San Andreas, III, Bully. 73 plays with his wife, Nance Williamson. Education: University of Chicago, DePaul University.
Kristen Robinson (Scenic Design) is an award-winning designer, artist, and educator. Her work ranges from experimental opera to regional theatre and everything in between. Select design credits include: with WP Theater, [PORTO], Drinking in America (Audible Theater), Don Giovanni, (Wolftrap Opera), Heather Christian’s Oratorio for Living Things (Ars Nova), In the Green (LCT3), Heart of Darkness (Baryshnikov Arts Center), Minor Character (Under the Radar Festival), Everybody Black, The Thin Place (Humana Festival at Actors Theatre of Louisville), graveyard shift (Goodman Theatre), Familiar (Steppenwolf Theatre), Ethel (Alliance Theatre). She is the Assistant Professor of Scenic Design at Purchase College. A Princess Grace Fellow, she holds her MFA from Yale University and is a proud member of USA 829. You can view her work at kristenrobinsondesign.com.
(Costume Design, she/her) Regional: Lost Girl (Dartmouth); Selling Kabul (Northern Stage); English (Barrington Stage); Disgraced (American Stage); A Distinct Society (TheaterWorks); Layalina (Goodman Theatre); A Distinct Society (Pioneer Theater); English (Studio Theater); Selling Kabul (Seattle Rep); Unseen (Oregon Shakespeare Festival); When Monica Met Hillary (Miami New Drama); This is Who I Am (OSF/Woolly Mammoth Theatre Co./Guthrie Theater/American Repertory Theater/PlayCo); 9 Parts of Desire (Portland Center Stage); King Lear (Northern Stage); Noura (The Guthrie); Noura (The Old Globe); Selling Kabul (Williamstown Theatre Festival). Off-Broadway: Weightless (WP theater); The Vagrant Trilogy (The Public Theater); Spindle Shuttle Needle (Clubbed Thumb); Heartland (Geva Theater/59E59); First Down (Noor Theater/59E59); Hindsight (Fault Line Theater). Other theatre credits: One Night, P*ssyC*ck Know Nothing, Marjana and the Forty Thieves Pay No Attention To The Girl (Target Margin Theater). Design for Stage and Film MFA–New York University Tisch School of the Arts. www.dinae.me
Jeanette Oi-Suk Yew (Lighting Design) is an award-winning designer for theatre, dance, opera, musicals, music performances and large-scale immersive installation. NY Times described her designs as “clever” and “inventive”. Recent: Kimberly Akimbo (Broadway), King Lear (STC), WILD: A Musical Becoming (A.R.T.), The Nosebleed (LCT3), Gloria: A Life (Daryl Roth Theatre), Walden (Theaterworks), Golden Shield (MTC), cullud wattah (The Public), Oratorio for Living Things (Ars Nova). Plus designing for immersive experiences like Nevermore Park: Home of Flyboy with artist Hebru Brantley. www.jeanetteyew.com
UptownWorks / Daniela Hart (Sound Design) The UptownWorks sound team is a group of designers that creates collaboratively for theatre, film, podcasts, music production and other media. Select design highlights include Lady Day (Baltimore Center Stage); Tiny Father (Barrington Stage/Chautauqua); Avaaz (South Coast Rep); Singularity Play (HarvardTDM); Black Odyssey (Classic Stage); Chicken & Biscuits (Asolo Rep); Espejos:Clean (Hartford Stage/Syracuse Stage); Which Way To The Stage (Signature DC); the ripple, the wave…(Berkeley Rep/Goodman); Blues Clues & You! (Round Room Live); Queen (Long Wharf Theater/A.R.T.NY); Fires in the Mirror (Baltimore Center Stage/Long Wharf Theatre). This design was led by Daniela Hart (uptownworksnyc.com), Bailey Trierweiler (btsounddesign.com) and Noel Nichols (noelnicholsdesign.com). Daniela, Noel & Bailey received their MFAs in Sound Design from Yale School of Drama.
Skylar Fox (Magic Design) Broadway: Fat Ham (OBIE award); associate designer for Harry Potter & the Cursed Child, Back to the Future, and A Beautiful Noise . Off-Broadway/ International: Boop! (Broadway in Chicago), The Comeuppance (Signature Theatre), You Will Get Sick (Roundabout Theatre Company), Wicked, Matilda (Atilier de Cultura, São Paulo) Charlie and the Chocolate Factory (London Grand), and Damn Yankees (Shaw Festival). He is the co-artistic director of Nightdrive, where he has directed and co-written The Grown-Ups (Top 10 NYC Theatre Productions of 2021, Time Out NY), Alien Nation, Providence, RI, Thank You Sorry, and Apathy Boy. www.skylarfox.com & nightdrive.org.
