“It’s Captivating! Ravishing!” says WNYC! Listen to a review of WP’s DEAR ELIZABETH by Sarah Ruhl at WNYC.org
Read the full review here.
Read the full review here.
NYC: Most recent: Awake & Sing! NAATCO (Obie Award); Washeteria (Soho Rep); A Beautiful Day in November…Great Lakes (New Georges/Women’s Project), Scenes from a Marriage (New York Theater Workshop). Other NYC: Public Theater, Foundry Theater, Civilians, Ma-Yi, Target Margin, Clubbed Thumb, Intar, Pan Asian Rep. Regional: Berkeley Repertory Theater (CA), Swine Palace (LA), Guthrie (MN). International: Manila, Philippines; Abu Dhabi, UAE. Film: I Smile Back, Clutter, Slow Jam King. TV: “Mysteries of Laura,” “Chicago PD,” “Conviction.” Artistic Producing Director and co-founder, NAATCO (National Asian American Theatre Company). Founding director, CAATA (Consortium of Asian American Theaters & Artists). Other awards: Lucille Lortel, Lee Reynolds Awards (League of Professional Theatre Women); Actors Equity’s Rosetta LeNoire Award, in recognition of her “artistic contribution to the universality of the human experience in the American theater”; New Dramatists’ Charles Bowden Actor Award. BA, Barnard College; MA, Columbia University.
Rinde Eckert is a writer, composer, librettist, musician, performer and director. His Opera / New Music Theatre productions have toured throughout America and to major theater festivals in Europe and Asia. Eckert began his career as a writer and performer in the 1980’s, writing librettos for Paul Dresher (Pioneer, Power Failure, Slow Fire, Ravenshead). He composed dance scores for choreographers Sarah Shelton Mann and Margaret Jenkins, including the evening-length Woman, Window, Square for The Margaret Jenkins Dance Company. Rinde began composing and performing his own music/theater works in 1992 with The Gardening of Thomas D, an homage to Dante which subsequently toured the United States and France. Staged works for solo performer include Becoming…Unusual: The Education of an Eclectic; three one-act plays: An Idiot Divine, Romeo Sierra Tango and Quit This House; and works for radio including Shoot the Moving Things and Four Songs Lost in a Wall. Writing credits for the theater include Highway Ulysses, Horizon, Orpheus X, And God Created Great Whales, which has been produced three times with the original cast and director, for a total of 227 performances. And God Created Great Whales, Horizon and Orpheus X have run off-Broadway, garnering Drama Desk Nominations and the Lucille Lortel Award. Rinde has received numerous honors and awards for his body of work. In 2012 he was named an inaugural Doris Duke Artist, was honored to receive the 2009 Alpert Award in the Arts for Theatre, a 2007 Guggenheim Fellowship, and The American Academy of Arts and Letters 2005 Marc Blitzstein Award. In 2007 Rinde Eckert was the finalist for the Pulitzer Prize in Drama. Eckert wrote the text and performed in the multi-media production Slide with composer/guitarist Mackey and the new music ensemble 8th blackbird, which toured to major university campuses and the Ojai Festival. Renamed Lonely Motel by Cedille Records, the project won the 2011 Grammy Award for Best Small Ensemble Performance. Eckert and Mackey are members of BIG FARM, a ‘prog-rock’ super group with drummer Jason Treuting (So Percussion) and bassist Mark Haanstra. Rinde Eckert’s own uniquely eclectic music is released on Germany’s Intuition label and through Songline/Tonefield Productions.
Ellen McLaughlin’s acting work includes originating the part of the Angel in Angels in America, playing the role in workshops and regional productions through its Broadway run in 1993-1994. Other favorite work includes the Homebody in Bart Sher’s production of Homebody/Kabul (Intiman, Seattle, WA), Pirate Jenny in A Threepenny Opera (Trinity Rep. Elliot Norton Award), Claire in Albee’s A Delicate Balance, (Arena Stage, Yale Repertory Theater), Margie in Good People (George St. Playhouse. Seattle Rep.) and Rosemary in Outside Mullingar (George St. Playhouse.) New York credits include: String of Pearls (Primary Stages), Blue Window (Manhattan Theater Club), and A Bright Room Called Day (Public Theater). Television work includes several appearances on “Law and Order”. McLaughlin is also a playwright.
To celebrate just a few of the theaters achieving playwright parity on American stages this season, the Kilroys surprised 13 theaters around the country on Thursday, November 19, 2015 with cakes to honor the efforts they are making to produce women and trans* writers. Stealthy playwright allies delivered the cakes, which feature the names of playwrights the theater or festival is producing this season. Pizza and beer were delivered to industry leaders at yours truly, WP THEATER, for “feeding artistic ambitions for nearly four decades!” #CakeDrop
Screen Actors Guild Foundation and Broadway World have partnered for an inaugural filmed Conversations Q&A series to recognize and celebrate the vibrant theatre community in New York City and the union actors who aspire to have a career on the stage and screen. View a featured career Conversations with Cherry Jones moderated by Broadway World’s Richard Ridge of “Backstage with Richard Ridge!”
November 10, 2015: Anjelica Huston & Cherry Jones Join ‘Transparent’ – Watch Season 2 Teaser, Deadline Hollywood
November 4, 2015: Bradley Whitford and Cherry Jones Join Hank Williams Biopic ‘I Saw the Light’, The Hollywood Reporter
Cherry Jones starred most recently in the triumphant Broadway revival of Tennessee Williams’ The Glass Menagerie (Tony Nomination), which originated at the American Repertory Theater in Cambridge, Massachusetts, where she is a founding member and where earlier in her career she appeared in more than 25 productions including Twelfth Night, Three Sisters and The Caucasian Chalk Circle. Broadway and Off-Broadway: Doubt (Tony, Drama Desk, Lucille Lortel, Outer Critics Circle and Obie Awards), Lincoln Center Theater’s production of The Heiress (Tony, Drama Desk and Outer Critics Circle Awards); Pride’s Crossing (Drama Desk Award); When We Were Young and Unafraid; The Baltimore Waltz (Obie Award); Faith Healer; Flesh and Blood; Imaginary Friends; A Moon for the Misbegotten (Tony Award nomination); Angels in America; Our Country’s Good (Tony Award nomination); and Roundabout Theatre Company’s productions of Mrs. Warren’s Profession, Major Barbara and The Night of the Iguana. Television: President Allison Taylor in “24” (Emmy Award), “What Makes a Family,” “Awake,” the next season of “Transparent” on Amazon, the upcoming series “Mercy Street,” and the upcoming mini-series “11/22/63” starring James Franco. Film: Ocean’s Twelve, Cradle Will Rock, The Horse Whisperer, The Perfect Storm, Erin Brockovich, Signs, The Village, Mother and Child, Swimmers, the upcoming films I Saw the Light, and Fun House opposite Tina Fey.
Photograph of Cherry Jones by Zachary Maxwell Stertz
David Aaron Baker is thrilled to once more share the stage with Cherry Jones after playing her husband in Jon Robin Baitz’s play, The Film Society, directed by the late Roger Rees, at The Williamstown Theater Festival in 1997. David had the great fortune to work with Sarah Ruhl in 2008, when he performed in the Playwrights Horizons production of her play Dead Man’s Cell Phone. He is honored to work again with these extraordinary artists. David attended Illinois State University, received a Bachelor of Fine Arts degree from the University of Texas – Austin and a diploma from The Julliard School.
“RedFarm is indeed groundbreaking” – Time Out New York
Need a reservation at RedFarm in the Upper West Side? Popular restaurant RedFarm doesn’t take reservations but your ticket confirmation for WP’s DEAR ELIZABETH is your ticket in! Email Nina (nina AT redfarmnyc Dot com) to book your after-show seats. You’ll enjoy walking in to your very own table at RedFarm as well as a tasty treat from the kitchen. Enjoy!
Be sure to mention DEAR ELIZABETH when booking and show your confirmation upon arrival. 24 Hour Notice is Required. Red Farm is conveniently located a few doors away from WP Theater at 2170 Broadway (between 76th and 77th Streets). Subject to availability after 9pm. Offer valid until December 5, 2015.
View a video playlist with interviews with playwright Sarah Ruhl over the years:
Director Kate Whoriskey most recently directed Lynn Nottage’s Sweat at Oregon Shakespeare Festival. Other productions include Ping Pong and Manahatta at the Public through Public Studio, Ruined and Tales from Red Vienna at Manhattan Theatre Club, How I Learned to Drive at Second Stage, The Piano Teacher at the Vineyard Theatre, Oroonoko at Theatre for A New Audience, the world premiere of Fabulation and Inked Baby at Playwrights Horizons, and Massacre by Jose Rivera at the Labyrinth Theatre Company (of which she is a member). Internationally, she directed Magdalena at the Chatelet theatre in Paris and Teatro Muicipal in Sao Paolo. Regionally, she directed Ruined, Vigils, Heartbreak House, The Rose Tattoo and Drowning Crow for The Goodman, The Tempest at Shakespeare Theatre, the world premiere of Intimate Apparel, The Piano Teacher, Life is a Dream, Caucasian Chalk Circle, Antigone, and The Clean House at South Coast Repertory, and Master Builder at the American Repertory Theatre. Nominated for a Drama Desk and Lucille Lortel for her work on Ruined, she has also directed at the Huntington, The Geffen, Baltimore Center Stage, Perseverance Theatre, Actors Theatre of Louisville, Sundance Theatre Lab, The Fisher Center and The Eugene O’Neill Center.
DEAR ELIZABETH NEWS + MORE
Review: ‘Dear Elizabeth’: A Deep Friendship, Told in Letters, WNYC
Go Behind the Scenes: Poet Meets Poet: An Interview With the Artistic Team Behind ‘Dear Elizabeth’, The Huffington Post
Harris Yulin Joins Cast of WP Theater’s ‘Dear Elizabeth’, Broadway World
Theater Review: ‘Dear Elizabeth’, The Epoch Times
FREE EVENT SERIES: Paul Muldoon and More Set for WP Theater’s ‘DEAR MISS BISHOP’ Poetry Series Alongside DEAR ELIZABETH, Broadway World
‘Dear Elizabeth’ Theater Review, The Hollywood Reporter
Review: In ‘Dear Elizabeth,’ Two Solitary Poets Commune, New York Times
Openings and Previews: ‘Dear Elizabeth’, The New Yorker
Broadway/NY: Hairspray, Sly Fox, Magic Bird, Out of This World, Ziegfeld Follies of 1937 (City Center Encores!), World Premiere of A.R. Gurney’s Family Furniture, Lucky Guy. Regional: World Premieres of Daniel Sullivan’s Inspecting Carol, Ken Ludwig’s Fox on The Fairway at The George Street Playhouse. Winner Best Actor, Berkshire Theater Festival for The Foreigner. VQT Emmy Award Winner for “Newhart,” Three Time Emmy Nominee, Film Critic’s Award Nomination as Best Featured Actor for “Girls” (HBO), recurring on “Gotham,” also “Bosom Buddies,” “Honey, I Shrunk the Kids,” “The West Wing,” “E.R.,” “Family Ties,” “White Collar,” “King of Queens,” “Reba,” “Ally McBeal,” “From the Earth to the Moon” (HBO), “Stop the World, I Want to Get Off” (Showtime). Selected Film: That Thing You Do, Polar Express, Suburban Girl, Camp Nowhere, The Ryan White Story, and upcoming Madoff for ABC films.
Becky Ann Baker is most recognized for her mothering skills, or lack thereof, on two Judd Apatow series, “Freaks and Geeks” and “Girls”, where she plays creator Lena Dunham’s mom, and for which she received a Critics Choice nomination. But Becky has appeared on Broadway in both musicals and plays, including Good People, All My Sons, Assassins, Titanic, A Streetcar Named Desire, and The Best Little Whorehouse in Texas. Her Off-Broadway credits include: Barbecue at the Public Theater, Suddenly Last Summer for The Roundabout; Comedy of Errors, Othello and Two Gentlemen of Verona for New York Shakespeare Festival; Wonderful Town for City Center Encores; The Most Fabulous Story Ever Told for New York Theatre Workshop; Shanghai Moon and June Moon for Drama Dept.; Durang, Durang for Manhattan Theatre Club; To Whom It May Concern and Laura Dennis at the Signature; The Vagina Monologues at Westside Arts; and more. Becky has performed regionally at the Williamstown Theatre Festival, where she is an artistic associate, the Old Globe, the South Coast Rep, Arena Stage, the Cincinnati Playhouse in the Park, the Shakespeare Theater of New Jersey and the Goodman Theater in Chicago. Film credits include “The End of the Tour,” “23 Blast,” “Hope Springs,” “Nights in Rodanthe,” “Spinning into Butter,” “Stay,” “The Night Listener,” “Gretchen,” “War of the Worlds,” “Two Weeks Notice,” “A Simple Plan,” “Celebrity,” “Men In Black,” “In and Out,” “Sabrina,” “Unstrung Heroes,” “White Squall,” “Lorenzo’s Oil,” and “Come See the Paradise.” Other TV appearances include: “Gotham,” “Madam Secretary,” Person of Interest,” “Elementary,” “The Good Wife,” “Smash,” “Black Box,” “A Gifted Man,” “Kings,” “Nurse Jackie,” “Mercy,” “Storm of the Century,” “Soul Man,” “Ruby Ridge,” “Frasier,” “Star Trek: Voyager,” “Sex and the City,” “Law & Order,” “Law & Order: Special Victims Unit,” “Oz,” and “Mind Games.” She is a member of the Actor’s Studio, Drama Dept. and Usual Suspects –NYTW. Becky’s best and favorite production: Willa, co-produced with actor/director Dylan Baker.
(Robert Lowell in WP’s ‘Dear Elizabeth’) won Drama Desk and Outer Critics Circle Awards for Outstanding Solo Performance for his portrayal of Louis Armstrong in Satchmo at the Waldorf. Shakespeare & Company: Richard III, Othello, The Dreamer Examines His Pillow, All’s Well That Ends Well, King Lear. Joe Mott in The Iceman Cometh with Nathan Lane and Brian Dennehy at the Goodman Theatre, Kent in King Lear at the Public Theater with Sam Waterston, Macbeth at TFANA, Marc Antony in Antony and Cleopatra at Hartford Stage with Kate Mulgrew, Gennady in The Forest at CSC with Dianne Wiest, Brutus Jones in The Emperor Jones at The Irish Rep (Lucille Lortel, Drama League and Drama Desk nominations), Othello at TFANA (OBIE, Lucille Lortel Award, Drama League nomination, AUDELCO nomination). Broadway: A Time to Kill, LeBret in Cyrano with Kevin Kline and Jennifer Garner, and Julius Caesar with Denzel Washington. International credits: Hotspur in Henry IV (Royal Shakespeare Company). Other off-Broadway credits: Women Beware Women (Red Bull), Enobarbus in Anthony and Cleopatra, Orombo in Oroonoko (TFANA, AUDELCO nomination), Judge Brack in Hedda Gabler (NYTW), Edgar in King Lear (Classical Theater of Harlem, AUDELCO nomination). Regional credits: Lucious Jenkins in Jesus Hopped the A Train (The Wilma Theater, Barrymore Award), Williamstown Theater, Trinity Rep, Shakespeare & Company, ART. TV/FILM: “Law and Order”, “Conviction”, “Michael Clayton”, “Midway”, “Malcolm X”.
(Elizabeth Bishop in WP’s ‘Dear Elizabeth’) has appeared in numerous theatre productions off and on Broadway. Highlights include Our Country’s Good (Tony® nomination), Sarah, Sarah (Drama Desk nomination), Fuddy Meers (Outer Critics and Drama Desk nominations), and As Bees In Honey Drown (Obie award, Drama Desk, and Outer Critics nominations). Recent credits include a critically acclaimed run as the title character in Juno And The Paycock at the Irish Repertory Theatre in NYC, as well as Richard Nelson’s Sorry and Sweet and Sad (Drama Desk and Obie awards) at the Public and That Hopey Changey Thing by the same author. Also Midsummer Night’s Dream at La Jolla Playhouse and The Starry Messenger by Kenneth Lonergan at the New Group. TV work includes a Series Regular role on SUNDANCE’S “Rectify” and a Recurring Role on HBO’s “True Blood.” Recent film work includes Frank Whaley’s “Like Sunday, Like Rain” and J. also stars opposite Anna Paquin in Kenneth Lonergan’s film “Margaret”, which won her the Best Supporting Actress award for the International Cinephile Society.
As both poets and personalities, Elizabeth Bishop and Robert Lowell could hardly have been more different. She: intensely shy and self-doubting, producing gemlike, allusive poems so infrequently that…read more here.
Featuring a rotating cast of award-winning actors, week one of DEAR ELIZABETH by Sarah Ruhl stars Kathleen Chalfant, Polly Noonan, and Harris Yulin. Kate Whoriskey directs.
WP Theater is featured on the cover and in a 2-page spread in Amtrak’s ARRIVE MAGAZINE‘s November/December 2015 Issue. Be the first to read it here!
Take a peek behind the scenes and watch interviews with Sarah Ruhl and the celebrated actors that play ‘Elizabeth Bishop’ in the New York Premiere of DEAR ELIZABETH.
See Sarah Ruhl, Kate Whoriskey, Kathleen Chalfant, Polly Noonan, and Harris Yulin Celebrate Opening Night of Dear Elizabeth: View Pictures at Playbill.com
Go behind the scenes and view pictures of a videotaping with all of stellar actors playing “Elizabeth Bishop” in the New York Premiere of DEAR ELIZABETH by Sarah Ruhl and directed by Kate Whoriskey. Featured Actors: Kathleen Chalfant (Week One), J. Smith-Cameron (Week Two), Becky Ann Baker (Week Three), Cherry Jones (Week Four), Ellen McLaughlin (Week Five), and Mia Katigbak (Week Six).
The Public Theater announced today that John Krasinski has been cast in the role of “Seth” in the world premiere play DRY POWDER by Sarah Burgess (WP Lab Member, PIPELINE FESTIVAL). Directed by Thomas Kail, this gripping, razor-sharp new play about the people molding and messing with the American economy begins previews on Tuesday, March 1 and runs through Sunday, April 10. Read more here at Broadway World.
Learn more about THE PIPELINE FESTIVAL by the WP Lab, including Playwright Sarah Burgess: http://bit.ly/pipelinefestival.
Check out pictures from yesterday’s fun-filled TheaterMania BLOCK PARTY on 3rd Avenue. WP Theater, Lincoln Center, Signature Theater, Playwrights Horizons, Roundabout Theatre Company, and many more joined the festivities!