(Playwright) Rachel Bonds’ plays have been developed or produced by South Coast Rep, McCarter Theatre, Atlantic Theater Company, Manhattan Theatre Club, Ars Nova, Roundabout Underground, Ensemble Studio Theatre, Actors Theatre of Louisville, Studio Theatre, New York Stage & Film and SPACE on Ryder Farm, among others. She is an affiliated artist of New Georges, an Alum of EST’s Youngblood, Ars Nova’s Play Group and SPACE on Ryder Farm’s Working Farm; recipient of the 2014 Heideman Award from Actors Theatre of Louisville, the 2013 L. Arnold Weissberger New Play Award from Williamstown Theatre Festival and the 2015 Sky Cooper Prize from Marin Theatre Company. Commissions include Studio Theatre, South Coast Rep, Atlantic Theater Company, McCarter, Ars Nova/Manhattan Theatre Club and The Geffen. Bonds is a graduate of Brown University. RachelBonds.com
(Director) New York: A Life, Marjorie Prime (Lortel Nomination, Drama League Nomination); Detroit, Your Mother’s Copy of the Kama Sutra and Maple and Vine (Playwright’s Horizons); The Nether, Smokefall (MCC); Buzzer (The Public); Belleville (Lortel Nomination, NYTW, Yale Rep); You Got Older (Drama Desk Nomination, P73 Productions); The Muscles in Our Toes (Labyrinth Theater Company); Somewhere Fun, God’s Ear (New Georges and Vineyard Theater); Stunning, Slowgirl (LCT3). Regional: The Sign in Sidney Brustein’s Window, Smokefall (Goodman Theatre); And No More Shall We Part, You Better Sit Down: Tales from My Parents’ Divorce, Six Degrees of Separation (Williamstown Theater Festival); 100 Days (Z Space, The Know Theater); Belleville (Yale Rep, Steppenwolf). Artistic Associate and Founding Member of The Civilians, Sundance Program Associate, Clubbed Thumb Associate Artist and co-creator of the CT Directing Fellowship, New Georges Associate Artist, Artistic Council of Soho Rep, SDC Executive Board Member.OBIES (Directing and Sustained Excellence), the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award and two Barrymore Awards.
(Composer) Married duo The Bengsons have appeared across the country and around the world at such venues as Joe’s Pub (NYC), NYU’s Skirball Center (NYC), MASS MoCA (North Adams, MA), On The Boards (Seattle), FlynnSpace (Burlington, VT), and the Market Theater (Johannesburg, South Africa). Their indie folk opera, Hundred Days (Z Space, San Francisco; Know Theatre, Cincinnati) was awarded the TBA Award for Best New Musical. They have had three singles featured on national television on “So You Think You Can Dance” (FOX). Most recently their music was featured in Anne Washburn and Rachel Chavkin’s Iphigenia in Aulis at Classic Stage Company. They are founding members of the Real Make Collective with Sonya Tayeh and Jo Lampert. Abigail Nessen Bengson has toured as a member of tUnE-yArDs, including an appearance on “Late Night with Jimmy Fallon.” Upcoming works include commissions with Ars Nova and New York Live Arts. Bengsons.com
(Ray) Broadway: Wicked (Elphaba), Spring Awakening (Original Cast). NYC and regional: Tick, Tick…Boom! (Keen Company), The Spongebob Musical (Sandy Cheeks, Broadway in Chicago), The Wildness (Ars Nova), Natasha, Pierre & The Great Comet of 1812 (A.R.T.), Noir (NYSAF & NAMT), The Threepenny Opera (Atlantic Theater), LMNOP (Goodspeed). Television/Web: Bull (CBS), Creator of Glamour.com’s web shorts “It’s Not Okay, Cupid.” LaGuardia Arts High School and Vassar alum.
(Tom) Theater: Her Requiem, The Nether, Jacuzzi, Fly By Night, The Open House, The Hatmaker’s Wife, End Days, Circle Mirror Transformation, Body Awareness, Uncle Vanya, The Shaggs, After the Revolution, The Great God Pan, The Slug Bearers of Kayrol Island, The Heidi Chronicles, Ragtime, The Common Pursuit, A Soldier’s Play, and a Nightingale Sang…, The Loman Family Picnic, Twelve Angry Men. Films: The Savages; Safe; Single White Female; The Messenger; Breaking Upwards; Love and Other Drugs. Television: The Muppet Show, Brooklyn Bridge, The Affair, High Maintenance, The Path.
(Ted Driscoll) Broadway: Our Mother’s Brief Affair, Wit. Off-Broadway: Of Good Stock (MTC), The Who and The What (LCT3), Belleville (NYTW), Somewhere Fun (Vineyard), Cradle and All (MTC), The Seagull (CSC with Dianne Wiest), That Pretty Pretty, Steve & Idi (Rattlestick), Smudge (WP Theater) Regional: Seminar with Jeff Goldblum, 33 Variations with Jane Fonda (Ahmanson), Scenes From Court Life, War, Elevada (Yale Rep). Greg was a Playwriting Fellow at The Juilliard School and has an MFA in acting from NYU.
(Jean) Broadway: It Shoulda Been You, Once, Sunday in the Park With George, Chicago, Assassins, Thoroughly Modern Millie, Ragtime. Off-Broadway: Taming Of The Shrew (Public Theatre), Wings (2ST), Music In The Air (Encores), Road Show (Public Theatre). Regional: McCarter Theatre, Kansas City Rep, The Huntington, The Citadel. Film & TV: You Must Be Joking, Sugar, Baby Mama, King of California, The Good Wife, Dirt, Law & Order, Veronica Mars, Bull, Submissions Only.
(Bobby/DJ) Broadway: The Farnsworth Invention, I’m Not Rappaport, Not About Nightingales, Mamma Mia, Picnic and Hedda Gabler. Off-Broadway: Insignificance, Dinner With Friends, Saturday Night, Outward Bound (Drama Desk Nom), You Never Can Tell and Black Snow. Film: Bridge of Spies, We the Animals, Brooklyn’s Finest, The Family Stone. Television: The Affair, The Good Wife, Veep, Damages, Blue Bloods, Elementary, Conviction, Sleepy Hollow. Love to Andrea always and ever.
(Carver) Theater credits include: peerless by Jiehae Park (Yale Rep), The Last Match (City Theatre Company), Rich Girl (The Old Globe), The Understudy (McCarter Theatre), Ed, Downloaded (Denver Center Theatre), Leslye Headland’s Bachelorette (Studio Theatre), Red (Asolo Rep & Maltz Jupiter Theatre), She Stoops To Conquer (Williamstown Theatre Festival) and various workshops with Ars Nova, LCT Directors’ Lab, O’Neill Playwrights Conference, Sundance Theatre Lab. TV/Film credits include: Elementary, The Good Wife and The Mend. MFA: NYU Graduate Acting.
(Co-Producer) Ars Nova is committed to developing and producing theater, comedy and music artists in the early stages of their professional careers. Our unique development programs are designed to support outside-the-box thinking and cross-pollination to encourage innovative work. Dubbed by the New York Times as a “fertile incubator of offbeat theater,” Ars Nova blurs genres and subverts the status quo. With our feverish bounty of programming, we are the stomping ground and launching pad for visionary, adventurous artists of all stripes. By providing a safe environment where risk-taking and collaboration are paramount, Ars Nova gives voice to a new generation of artists and audiences, pushing the boundaries of live entertainment by nurturing creative ideas into smart, surprising new work.
Ars Nova was honored with a 2015 OBIE Award and a 2015 Special Citation from the New York Drama Critics’ Circle for their sustained quality and commitment to the development and production of new work. Notable past productions include: 2016 Best Musical winner Futurity, by César Alvarez with The Lisps; the critically-acclaimed world premiere of Small Mouth Sounds by Bess Wohl currently enjoying a commercial transfer; Time Out NY’s “Best of 2014,”Jacuzzi by The Debate Society; Drama Desk nominated Charlatan by Vinny DePonto and Josh Koenigsberg; the award-winning smash-hit Natasha, Pierre & The Great Comet of 1812 by Dave Malloy (Broadway transfer Fall 2016); Jollyship the Whiz-Bang by Nick Jones and Raja Azar; the world premiere of the 2009 season’s most-produced play boom by Peter Sinn Nachtrieb; Drama Desk and Outer Critic Circle nominated From Up Here by Liz Flahive; audience favorite Dixie’s Tupperware Party by Kris Andersson; and star-makers At Least It’s Pink by Bridget Everett and Kenny Mellman; and Freestyle Love Supreme by Anthony Veneziale and Lin-Manuel Miranda. ArsNovaNYC.com
